bhp te : 
saps ue 


? 4 \ ‘ L i At" 
sa ahign phe ¢ Hel ers fede $e f r jeans PS irae 
PN #8 U, » ode a D a Ga yea 
He } AN be 
pay, ayaa el 
EDiase jz tat 
4 j E A 4 4 : . I wey 4 Watia’ i F se ee: gates Hide Get 
; HY i oe, ni i ’ G eat went an " ie eth CRN REG 


iy Aeterna te 
WIth ae ae, Sa bhp synth 
othe Pe RR ON ibe i Sars Be er 


A 95 be 
Thesin ats bik Pr Seven 
mirevalbe esa Pou tie as é Fates tah 


ae reo 


: e i ji oy : . j 2 : ies ' “yas i Hi Shey p We a i i i ae 
' toi ‘ : / iy ! Nf , A fib aieas 
H a ipeig oN te 
; to rey 
H i J ; if H y “hy : i COME i} VY ul 9 ef 
one H ‘ i my 3 i : i ig i “a AF} "1 
dy f A % ue aR eee SUR al e o oe eae 


5 a AS ‘ I 

ae ‘ ; ; : 1 ! FN engl v4 ius wapetient A . Beh PAU a ‘ nat i ayia 

: ; j is Re at \ Nays fi uidite in he nt i Ba kh ’ a Mata djadeitene i rv iy Ra mat 
; : tt Ht F ony ah P oi su! 


ii Cita ar 
Pat sara play r YO 


A ania i ‘i ( i Ia tr eae , 1 hy iis ae nea J oe 
Woy . cy ? ist Shs ihe vce eh 


. rage he ay sf I 8 vip 1) [Pare UE i é 

swe ne : Unb { ‘ ? JAW or gy babe a abil ‘ : Bane rar NAH efi “yet : a ri if 
J : j R Age : | i Clg Luray Pal ed Ml asungee’ J 
: ah j ny, } " \ i Sa; ; aha} a elec rhe tis i 
, 4 : eal Savers} {ies ‘ gike Feria Vy Es : ‘ 21a) oD RUM LOTMA ILA i | { ‘ a Lita i } es aa ni ht 


eel Has 


ay ie Date 


; t. ae tty a han 4 j 4 x i" i i * , hie Pe ‘ fg} aaa i HL it Conihs 4 i 
' Hier i, fh 41 4 Me ugh : ait : be ; hatha iy "| | ¥ SOME ed i panes th Mee ach le a HRB tt 
: ; ; k pe tate 1 joie Fa He ait f ! aa ets di Vai tsar ti seed a ee ae H, 


+ 
. == heehee 7 Mey are 
i a ee *? pertege a -: 5 
sd > a . 


== g he = 


ee ener er a ee 


a re ge in 


in auceaent 


ee Se a 


quired by Mrs. Close at 
the Plaza Sale. 


TOTAL TO DATE $70,720 


Israel’s “Fisher Boy”? Also 
Bring Good Figures. 


\mer- The special intexast in the second 

0 night’s sale of paintings in the Plaza 
Hotel ballroom by the American Art As- 
, SOciation lay in the selling of the Ru- 
“bens canvas “The Adoration of the , 
| Magi,” formerly in the Theron Blakeslee 
collection. 


B. Close of New York. This was the 
highest figure of the evening, the total 
(for the session being $54,210, and the 
| grand total $70,720. 

<a aac | “La Chasse,” by Isabey, sold to Otto 


a principal Pictures| 
names of purchasers 


¥. 


. tice 34 8,250 for No. 108, Josef Israel 
Peso disieis Vee ces cae 00 | ave ? 0 Oo. 7 ose sr el’s 
. Francis Murphy; OY $3,25 ioe a 
1,050 “Fisher Boy. 


eS eee ee Pee A CEs 


&. . "Foot—suies : i prices, follows: 
PUA Abies oss ee ds 84—J. Francis Murphy, ee Ey: 
. Francis Mur- 0. pA MENG are igi k ca ak a 4 $325 
oe i a AY ielgw ates 800 s6—Alexander H. Wy ant, “Land- 
3 rd Detajlie; ; Hol- scape,” H. Sennick:.......5.% 210 
LO i Ore nee 523 8T—J. Francis Murphy, “Autumn,” 


_ Brother — Bernardus $1—Stanislas Lepine, “The Outskirts 

oemmers; Henry ae oat | Gf) Raven AW We. Seaman: 

Ce ee ee eo 

ndscape—Ralph Al- | 92—Jules Dupre, ‘Cows Drinking at 
elock; Henry Pisa tang noe 173 a Pool,” M. Knoedler & Co... 1,000 | 

Pie Reverie Days — Bruce 98—J. Francis Murphy, “Breaking 


if 


ng i “Sport—Paul Jean 97—B. J. Blommers, ‘Preparing 
hs 2 OB 2, ea ean ara - 650 Dinner,’’ W. W. Seaman, agent 700 
Se—Iugene Isabey; Ber- 98—Jacob. Maris, “Boatman,” M.. 
eee eee eee ee ee oe od £08 | Knoediler & Co AP EO ete RA SE 1269 
and  Sheep—Con- 99——J, Francis Murphy, “The Wood 
ptrovon: Seaman, agent........ 2,500 Lot,” A. P, Gardener... .ises ss 1,050 
21 Sy Landseape—Jean Charles 101—Alexander H. Wyant, “The Pool 
g : edier & Co.,.+>++ tases 2,700 in the Forest,” Henry 537 3, 
es ayivan | G. Olinsky:; “"Mac- FUGIES cee ee ea owe ae ee Nt B80 
nh = erties Pee ee ee ee ee §25 Be Ther re Minor, “Pwilizht, bag H. 
verie--Daniel Ridgway Knight; COMTI go Per oh eek le ss Kyo. 48 310 
Galleries. ..... ses oscarvcasce 1,100 108-—childe Hassam, ‘‘Nocturne,” A: is 
Time—Willem Maris; Ber- Poo Gartleneriics «bask lies ees 225 
BRON cece vsssses web bolts b «ne 2,000 105—J, Prancis Murphy, “Afternoon 
ranese vening in the Porest of Fontaine- on the Meadows,” John Levy:. 1,300 


‘Theodore Rousseau; Robert 107—-J... .G. .. Meissonier, ‘Mutua! 
eer BI Mibee cule sees eds ceasesew A160 Friends.’ Hy. Leroy Jones.... | 225 


— A + 


homas 
in charge. ae the ‘sale ‘Jast | 
i 130 Hauge Golden “Dearth, “Pecks 


Wess asent.. $100 Bernet, agent, for $3,400, and John Levy |; 


Stanislas , The list of pictures, with buyers and | 


PTT BCA NTI Uo ig Gia uc Pre. saeco avalon 350 | 
m the Meadows—J. _89—Eedouard Detaille, “A “Lancer,” 
7; John vat hh a fog 1,300 Holland Galleries, ......-..-. 525 
Boy—Jose STAaCls; 3,280. 90—Stanislas Wepine, “Landscape,” 
ESTP CRB > Sh 9.0.8 oy bie se vke Dy | WW, Seaman, agent.c5...54 840 


0 cl is 1,025 
i, “The 

Henry ie 

Spray Bayt 

COE aca ee at - 240. 


ses teehee eae 


is,“ A Windy 
Baw cone Henry Schult- 


ae aac Ww. Ww. sibel 


| ieee Crane, “Gray November 


Days,’ O. Bernet, agent.: 500 


7 180—Georges Michel, ‘Approaching 


Storm,” Ww. WwW. Seaman, agent. 38 
'182—Paul Jean Clays, Marrying in sae 
Port,’ We -o Bisel ais 650. 

184 Eugene Isabey,: ‘‘La Chasse, ” 
ernet, agents...) . 8,409. 
135—-E. P. Berne-Bellecour, “Under 9 - 
Suspicion,” Holland Galleries.. 406 


a - 4 . es : 1937-0 $6 
» “Adoration of the Magi” Ac-|'"’ “and Sheep,” W, Pe Seaman 


cet e wae es 


agen “s acy 
| 138—Jean Chlartes Cazin, “Tolland 
reine ede: oe uM. Knoedier bi peas 
Co $a \g Saw Rae ln Sint sib asic ter ene + 2,700 
188—Bruce ‘Orane, Meh otis ” es EE. ie 


bus 
142—Ivan CG. “ OnwaLy, “Dorothy, na Ww. 


Macbeth | 355 10 oot ee ee 525 


144—Bruce Cra nate 


4 Isabey “La Chasse” and Josef ag lt ‘ae ips 


Ott 
153--Warly. Fleer seieek "Portralt 


of an English Officer, EA 
Seaman,’ 6e6ntin Sioa 450 


155—-Willem Maris, “Milking Time,” 


O. Bernet, agent Bare 


156—-Theodore Rousseau, ‘“Byening 


in the Forest of Fontaine- 
bleau,”’ Robert Glendenning.... 1,150 


157-—G. H, Bogert, “Sunset: Venice,” 


H. Sehultheis ....., “925 
aig: ee , pehreyer, “A Heavy 
John Levy 2.23% 1,850 


Loa 
| 159A-——F. oe Noni ‘Spring,’ cai. “a, 


; 189: UR Mic Hrape Pree pa yes a) 0 3, 5 200 


Ha 
It brought $10,100, selling to Mrs. yp, 169—Mignard School, “Maria, Teresa, 


oe de Espana,” Howard 


Tajor 
1et—sir Godfrey Kneller, “Sophia, 


+4 Be of George,’’ Mre. BE. B. 


Clos r 
1§2—Sir stile De Reynolds, “Marl 


RUBENS’S “ADORATION” 
IS BOUGHT FOR $10,100 
Hale 


Ctl we fe 7 
Bargain of Sale at Plaza ‘Is a Cézin 
Landscape Sold to Dealer 

tor $2,7 


2ubens’s “Adoration of the Magi,” 
for which the late Theron G. Blakes- 


BEC Tis leiccde is hue wd oe ed 500 | : 
iwas sold for the Blakesiée estate at 


lee paid $26,000 in London and which 


$13,000 in 1915, brought $10,100 Jdast 


Clouds,” W. W. Seaman, agent 800 nicht in the ballroom of the. Hotel 


Plaza, at. an auction sale for account 
of varicous estates and private own- 
‘ers. The buyer was Mrs. BE. B.. Close, 
who is fitting out a new house at Na, 
2 Fast Ninety-second Street. 

é The bargain of the evening among 
the choice pictures was a Cazin land- 
seape, for which M. Knoedler & Coa, 
paid $2,700. . Former Senator William “ 
A. Clark has a larger example of sim- 
ilar quality, by the same artist, whick 
cost him. $25,000. 


| aie 


FP REY RO We Ce ee ah a 


en ey Fb 


we 


PR 9 Wee SEG SUSE Mee Reee 


i 


eee I 


ae Sa 


Flanders, was sold for $10, 100 at an auction 


, for $13,000. . 


: sale of paintings of American and forei 
+| schools from several estates, yielded $54,210, 
at fe er 


| street. 


li “olland Landscape” 


1@ Fosen ade ee ra hie 
+| Prince de Canino. 
7 Rubens composed the scene, painted the 


Experts declare that 


figures in. the foreground and retouched 


i the figurés in the- background after. they. 
| had«been painted by a pupil. 


Tt was. st! 


| Soldiin the Blakeslee Galleries’ salo i 


ae 


Last night’s session, the second of the 


the ‘total to $70,720. The last ses- 
will be held to-night at the American 
Galleries, No. 6 Dast Tw enty-thir 


Other important purchases from amon 
)the ecighty-two pictures sold last nigh 
aah Isabey’s “La Chasse” for $3, 1400, 

- Otto Bernet, as agent; Josef Israels 

: isher Boy” for $3,260, by’ John Levy; 

Willem Maris’ ‘Milking Time’ for $38, 0 
agent, and Cazin’ 

for $2,700, by M| 

Knoedler & Co. AS on the pr evious nig ght 


‘by Otto Bernet, as 


the Smite that of the nie and that 
of the purchaser, and the price, were:— . ‘ 


1e ; parkway, scretary- ee A 49 5 
s ; utulun,’? J. Francis Murphy; 1. Ay Mileh 850: 
of of the Continental Appraisal A Lancer,” Detaille; Holland Galleries..* 525 
Pebtet, was dispersed in this “Landscape,” Lepine; W. W. Seaman, agent. $40 
Catalogue states that they had “The Outskirts of Roueu,’ Lepine; W. We 
ased from Bernheim Jeune WS OMNI OGRE gS o's n'a. cele s-sncta Gu ole a ad Bhi 500 
dealers of Paris. — “Cows Drinking at @ Pool,”. Dupre; M. ra 
wak told the HmrRatp last night Pa <noedler 2 ae ty aA OIE tote EW oP eee ary ae oe i 
4 4) 73 t 
that, since information from local deal-| “Rrething Clouds." J. Praicis Muchys Ws 
- avg saw the pictures’ on exhibition 6Ipre, aring Dinner, +4 Blonimers; W. W. Sea- 
him to t their i tO) Shan 
7 doub eir genuineness and to yan. WOM icky ai Ce ata ah 4. My wees 700 
n them from Ret sale, he had *Boatman,’’ Jacob Maris; M.: Knoedler & 
PIRUDOGMOtAY TO (t6ACe, NOI) CO. ek oes Belobo ck Soka kopuhe ds 1,200 
ginal seller. These pictures at|*'The Wood It,’ J. Francis Murphy; A, sie 
} formed a part of the mortuary| FP. Gardiner....... 0.22... 06... c65. meta 05K 
estate Of a local broker, and difficulty| “Phe Pool in the Forest,” Alexander MH. 
yl 1 h th Wrant: Henry Dew, Rowlisn oc. 380 
1 praer foun in earning how ey came **Mrilight,’> Robert Cromwell Minor; Henry: 
to his h DAs MOU ty oie one Oreos 310 
_fmetiean Art Association’s state-|+‘afternoan on the Meadows,’ J, Francis 
ay was to inform picture) Murphy; John Levy.:s leche lee cece 4,300 
ork that it ha 4 been learned Di Ni seen eg Landscape, ’? Biakeloe kK; Henry te | 
latathes in. question did not! PETE DGLS Mote aa Asi aly ea a ome e tb 5 aig ake i nvwlas wes) 
ugh “A Winday Day, October,’’ Charles Harold 
- the house of Berrithelm Davis; Henry Schultheis ; 873 | 
Leake of Foam,”' Henry ‘Golden. Dearth; 
Wis Wis SOBMIAN, AONE Fo Tn aie pike 6. eis 826 
“Gray  Noverber  Days,’’ Bruce). Crane; bes 
Otto Beret, 8lenhed Poise de wae. ys ng ones vs 8 
‘Approaching Storm,’’ Michel: » Wy Sea- a 
BOUTS CIE fie! han, dios oo! ela araow 9 rele win seb hls BS 
Arriving in Port,’’ Clays; H. ¥F. Hi Nied 650 
ioe i*tinder ‘Suspicion,’ Berne-Bellecour; Hels - 
*; land Gatlevios . 4. RSs pena eae 400 
' I'Donkey, Goat and Sheep,’?. Troyon; W. . 
WV NS BUPOMT yi eat Gata ae tate Bil 6 'oh6 23300 | 
: i*Nightfall,”? Bruce. Crane; G. BE. Pres by 
Be RYU I ass olarak wie ENE. be Mplieiorn a's 4 So erwie aah oie Doe} 
i ‘Dorothy,’ - Ivan  G. Olinsky : William 
Macbeth! 7. foi su. Ni: SAAR A chine IME A Se 823 
*Reverie,”? Daniel Ridgway Knight; Hotl- 
‘ hatias: Ga Wertoe oc rains Ceo lan sek ae cmhieidc tio 1/100 
. “"Thawing Weather,’ Bruce Crane; CG. P. ne 
tf NOHER Acme clio eRe eer aNR Tes hel ciclose oc lwis aha AMM) 
eo “Moonlight on the Lake,’ George H. Bo- 
yen 9 ce vert? "Heary Seclultretn ook files at 850 
} *  .4**The Close of Day,’’ Bogert; Henry Schul- 
s/t, be Poo ee EEN ra elk 300 
1 
sie Obtain “Adoration of the UTE gi Cathie Ciaitan hs Doak cape ag B10 
A i **A Blow From the Northwest,"’ Guy Carle- 
mnerican anc ton Wiggins; R. Dudensing & Son........ 370 
at Auction Sale of : “Portrait of an EHnuglieh Officer,’ ey 
; ee al English School; W. W., Seaman, agent. 450 
European Paintings. “Evening in the Forest of Fontainebleau,’ . 
‘ Roussean; Robert Glendening. .........., Gaye 
het ea SE a ea OUR: “Sunset, Venice,’ George H, Bogert; Henry i 
Pete ns’ “‘Adoration of t SPER oe gens MMO ols eo le O27 
: id peut: Rube ve venteent “*A Heavy Load,’”? Schreyer; John Levy.. 1,950) 
Magi 7 ’ painted in the early seven ; “Sophia, Wite of George f. : 1? Knéller; Mrs. | 
he principal altar o the Ds a Gi ed ale Deere Mite wo vie eek) 1,025 
Fe toed gels ‘ Em end rene @8t! Gower,” Reynolds; W. W. Seaman, 
Church of St.Martin, in : GODT so Sheard eves teeesizverserveeeses 0j250] 


sale held by the American art Association 
in the ballroom of the Plaza Hotel last 


50 Knight's 


that painter, 


“879. 010 


aan (Aff 
Final Seealce Yields On 


with Good Bargains—Roh 
Says Shurtleff Called Che 
lenged Canvas Genuine, 


HE third and, coneluding ses 
[sion of a sale of a miscells 
neous lot of modern foreig 
and American picturés took place a 
the American Art Galleries” las 
evening, when eighty-six ‘paint 
ings Were sold for a total’ © 
$8,325. This, added to the total 
“of Of the first two sessions at th 
Plaza ballroom, Wednesday an 
Thursday evenings, made a. gran: 
total for the sale of $79,045. 
The pictures sold last evenin: 


iwere Of poorer quality than thos 


dispersed on Thursday evening, and 
while there was @ good attendance 
the bidding was: not spirited ane 
prices ruled low, many bargains be 
ing obtained. The highest price o 
the sale was $560, paid by Mr H 
A. G» Willlams fer D.: Ridgwas 
“Gossip by the Riverside,’ 
A novel incident of the sale wa: 
an-ahnounecement by Mr. - H. Rohits 
the, Brooklyn dealer. He ¢ 
that as the widow of Shurtlef 
artist, has questioned the’ authens 
ticity of a canvas catalogued as by 
he would say ‘that 


after he had purchased the same 
some years ago, he took it to Mr. 


Shurtleff who, in the presence of 


‘Mrs, Shurtleff, admitted its author! 
ship. After this Mr... Roblfs pur’ 
chased the canvas for $27.50. 

The pictures which sold for $164 


jor over last évening, were as fol- 
lows: 
Wiggins, Guy. carleton, ee Two. 
Master’; Max Williams.......... $105 
Henry, Edward &., ie  Hagketere 
Wagon” (panel): Silber : tq eis ae ae 
Verboeckhoven )., “Sheep and Me 
Goat's W. Hy Pecks 0 asa 175 
Watrous, Harry, “Re alelDg ae 
¥ ishing Rod’? (panel); 
Seaman, AGEN. vee veeeeeeses 200 
ae Bie ‘Landscape and: Oat- 
Seaman, agent.o....5 $20 
Wiaxtns, Aon lars ‘Sheep in Pas- 
ture’; 8. Beardsley.......... 110 
Vertoseenvan B., “Farm Animals 
pat aa Ducks’’ (panel); A. HH. Gold- 288 
Von hare Gabriel, ‘‘Head’’: Fred Li. 
EEG OR sa Kido Ki de lee ee 100 
| Ronner, Henriette, ‘*‘A Friendly 
Call’” ( auch H, H,.G. Williams. 1380 
Brack-Lajos, ‘In the Harvest Field’ 
(panel) ; i. Himanuelscib. eos oaths 180 
icnanie: William, ‘Off Newport?’ t 
(millboard) ; Knoedler ACO ES 115 
Bag Led “Thomas “The Mountain 
Range’’: Mrs. Wellington......... 120 
McCord, George, ihe dudéon Neat 
Hastings’; v W, Seaman, agent 100 
Hart, James, “Landseape and Cat- 
tle’ j BOK I LV yay ds ok moms 150 
i, Knight, Louis, ‘Moulin de Beau- 
mont De Roger’; H. A, G. Will- 
LASS os eRe See es- ob Uetot ee ake 805 
| Gay, Edward, ‘‘Landscape’; B&B. , 
Kauffman 105. | 


ee ee ee 


7 Ly (Third Rcisiou.):: ey, ja/7 7 

he thifd and concluding sessio the | 
hree nis ts’ sale of miscellaneous ee 
yherican pictures, arranged by the} 
an Art Association, took place at the 
erican Art Galleries on Jan. 26—the first 
sessions of Jan. 24-25 having been held 
ie Plaza Ballroom. 
The attendance was only fair and the 
yrices ruled very low—even for the mod- | 

ate grade, chiefly American oils, offered. 
1e total obtained for 86 canvases was $8,- 
_ 1325, which, added to the totals of the first 
‘two sessions, given last week, made a grand 
te btal for the sale of $79,045. 
| This was in sharp contrast with the re- 
jmarkable total of the first combination two 
ights’ picture sale of Jan, 16-17, under the 
uspices also of the American Art Associa- 
ion, which totaled over half a million dol- 
ars. 

The reason is not far to seek. Last week’s 
three nights’ sale was not only composed 
| fof ‘pictures, as a rule, far inferior in quality 
|| |to those in the preceding sale, but.a good 
| proportion in the last sale came from deal- 
| ‘ers and were by lesser American artists, 


: »whose works, unless mixed in with good for- 
| feign ones, ‘do. not bring high prices at auc- 
fh fien., | 

i: ~The Features of last week’s sale were the 
‘| |knocking down to Mrs. E. “of the 


| large and showy “Adoration: of the Magi,” 
} which the Belgian “expert,” the late Max 
| Rooses, attributed to Rubens, for only $10,- 
100, less’ by $2,900 than it brought two sea- 
7} sons ago, when sold for the creditors of 
} \the estate of T. J. Blakeslee, and less by | 
} |$15,900 than Mr. Blakeslee paid Mr. Asher 
Wertheimer of London, for the canvas; 
the withdrawal of six modern foreign pic- 
tures, entered by Mr. Arthur Nowak, as 
} |coming from Bernheim Jeune, of Paris, be- 
} (cause pronounced, according to Mr. Kirby, 
| |by “experts,” three as-spurious, and three 
as “doubtful,” and finally at the last session, 
the pronouncement by Mr. Rohlfs, of Brook- 
lyn, that a picture attributed to the late Ros- 
| well Shurtleff was genuine, against the state- 
' |ment-of the artist’s widow to the contrary, 
} and the purchase of the same by Mr. Rohlfs 
| for $27.50. 

} ©The sale brought to public notice a new 
collector, Mrs. E, B. Close, daughter of the 
late George Post of Battle Creek, Mich. 
“Postum” ‘and"Grape Nuts” fame, and now 
the owner of a new and handsome residence 
at Fifth Ave. and 92 St., who purchased the 
1 large” Rubens and three other large can- 
| vases, formerly owned by Mr. Blakeslee, and 
| attributed respectively to Lawrence, Kneller 
and Reynolds. 

| Pode pictures sold Jan. 26 with artists’ 
| names, titles, size in inches, first height and 
then width, buyers names when obtainable, 


‘land which brought $100 and over, follow: 
| Wrazeins, Guy Carleton, “The Two-Master,” 


RM WV NIGMS .. 0. ok pe ee ee ius s $105 

| Verboeckhoven, E., “Sheep and Goat” (Panel), 

| Pi exl24, W. H. Peck och RIE rts ss 

», |Watrous, Harry, “Repairing His Fishing Rod” 
(Panel), 13%x10%4, W. W. Seaman, Agt.: 220 


J) | Wigsins, Carleton, “Sheep in Pasture,” 12x16, 


; I a ae eee 110 
| Verboeckhoven, E., “Farm Animals and Ducks”’ 

}; (Panel), 11%4x15%, A. H. Goidingham.... 265 
jvon Max, Gabriel, “Head,” 14x10, Fred L. 
ays LS ee area 100 
| Ronner, Henriette, ““A Friendly Call’’ (Panel), 

ae4xl/%, H. Als. Witlianr.;’.;. we es 130 
| Bruck- Lajos, “In the Harvest Field’? (Panel), 
a ican ete PATE] ©," s\enye o\c.als od.e's,< Mies 6 0% 130 
| Richards, William, “Off Newport” (Millboard), 

}_ 8%x16, Mioedier & Cos. 4 fenccder sede. 115 
| Moran, Thomas, ‘‘The Mountain Range,”’ 7x22, 
m6 6Mrs. Wallingto ‘Le a a Sean 8 Se 120 
i | McCord, coeee, “The Hudson Near Hastings,” ° 


|  peeorerese 


g in the Bavarian Alps,’’ 


CC ey 


os “Palace and Lake at Sarkeh, 
48, FE. 
es Ishin 
4] manu 
nS, 


sg I ee ar ene 200 
500 


G i, 


- Ocean,” 4 BEPETHGE CARLil 6. wk bess 1,375 


3914, Otto Kosekemak ...... ea ae 170 
Minor, R. C., ‘““Morning at Niantic,” 36x54, 
R. Dudensing & Son ............:-0.-00e. 625 
re ne. oie cs es $16,510. 
ras a Os af Pee - * ae Ae cee 
: (Second Session.) ee 


There were three mild sensations at the 
second session at the Plaza Thursday even- 
ng, namely, the announcement by Mr. 
_Sirby of the withdrawal of six pictures, at- | 
tributed respectively to Thaulow, Cazin, 
Ziem, Corot, Jongkind, and Willem Maris, | 
hree because pronounced by “Experts” as | 
spurious, and three as “doubtful,” all entered 
n the sale by Mr. Arthur Nowak, the dealer, 
ind listed as coming from Bernheim 
feune of Paris; the selling for the low fig- 
ires Of $1,250 and $2,700, respectively, of | 
xood examples of Schreyer and Cazin, and 
he purchase at $10,100 by a new collector, | 
Mrs. E. Fe Glos, bree. + 92.-5t. of the | 
jarge work, said by the late Max Rooses, - 
he Belgian “expert,’ to be by Rubens, 
vhich was bought by the late TJ. Blakes- ; 
ee from Mr. Ashel Wertheimer of London 
er $26,000, and sold to Mr. Bernet as agent, 
| ree os eh Wertheimer at the Sec- | 
mn akesiee saie, two years ago, 
513,000. z oF a 
The pictures sold were of better quality 
han on the first night and brought a total 
f $54,210, which made the total for the 
wo sessions $/0,/20. The story of the 
hird session last evening will be told next 
‘iveek, 
Jessar, L. P., “The Ox Team” (Millboard), 


2 Ce Sg * Ne Aly Nn NR at 


10xi4, Hi. Sehultheis ....:..;... Bet lotic Grats 100 
Viggins, C., “Landscape and Cattle.” 10x12, 

, Rs i OO re 60 
‘urphy, J. F., “Autumn” (Panel), 74x10, 

| Bae Ai Uitoe ee es x10, 325 


Vyant, A,, “Landscape,” 8x11, Herbert C. 
Ci a. SUMNOM RTE Re cicler Sled! cicts cis a-ak <0 aera 210 
furphy, . F., “Autumn,” 8x10, E. A. Milch 350 


erne-Bellecour, P., ‘‘Artillerymen,” 914x6 
“He Schulthess 2 a are Lcaamere 
Petaiiie, FH. * ancer” (Panel), 1334x10, 
Holland Art Galleries ............... - aes 52 
-epine, S.,. “Landscape,” 834x1334, W. W. 
Seaman BT ies oo sliced es ow eek 34 
pine §. ‘Outskirts of Rouen,” 8x14¥%, 
WwW Ww. Ce 50 
“4pre, J., “Cows Drinking at Pool,” 634x10% 
po al or a ae we 1,500 
lurphy, $e, “Breaking Clouds,” 8x12, W. 
EEE OS, ais vs cies ch vc cs nce cee 80 


aingerfield, Bes “Hero Lamenting Leander’ 
10x12, Clarence Siegel........ 179 
& : 
ae B,, “Golden Hill,” 12x16, Dr. R. 
PGCE CAN eas tiene ate aie -o « 


+ Seaman, Agt. 

(laris, J., “Boatman,” 15x8%, Knoedler & Co. 1,200 
wis vt F., “The Wood Lot,” 14x19, 

ik. a 


PNGPTUNET a vines nae un 1,050 
‘essar, ‘ -- “Landscape” ((Millboard), 
1034x1334, Henry Schultheis ............ , : 60 
/yant, A., “The Pool in the Forest,” 12x15, 
See HONG 4k , . .. ss gos hdl. a’ 380 
finor, R. C., “Twilight,” 12x16, Henry D. 
RT Sai. oe ce cc, ee 310 
assam, C:, *‘Nocturne,’”? 18x15, A. P. Gar- 

Cg 8 yo ho 5 SB a veep es cv eet d. 225 
ogert, G. H., “Afterglow” (Panel), 12x16, 
TUG OPMMCHS 4. ea eee econ Swe 180 
urphy, J. F., “Afternoon on the Meadows,”’ 
14x19, POU EVY Fs dsm isccs. vss Seka cara 1,300 
etaille, E., “The Bugler,” 194%4x14¥, J. F. 
ME ens st t,o. ec eee, 110 


eissonier, J., “Mutual Friends,” 2034x133 
H. Leroy } SERS fai gio ss oye wc ‘ths : poe 225 


Reet ietanim ....5... 180. 


a See SE ST 8S OO ee Sie 210 
av Moonieht,’ 28x36, E. A. — é 
oo ae SCS Genco Se eee 160 — 

249 


eee ree eee eee sees eweedd 


eee eee tease eee se eee eee e ee 


Ly a ae Ay 


Van Huijsum, J., “Still Life,” 2534x18, C. 


Panel).. 1934x24, Hensy Schultheis. ° ee ‘ee 


BU Span ass me ee cea, a ere eee 50 
| Crane, B., “Autumn Day,’ 14x20;. Oy Bernet, ; 

a alae a ler nc geste SON At Sass eee Sate ee 240 
Wiggins, G., “The Top of Noank’” (Mill- 

board), <12xl6,-Hferbert' C. Senick. 20. ¢ se0 8s 200 | 
|: Lawson, E., ‘High Bridge,” 16x20, Mrs. 

CSE TEE Suge Sse ik nies oF ale, & Keer pags 200 
Knight, D. Ridgway, “Homeward Bound,” 22 
ae caer ME LOM OMe one eran caaete monioia ree a ee Byes 165) 
tMoran,, “ln ‘the Foreést;” 23%4x12; Henry, 

EGER Stan tess oroect: etaveregotorn sence arna ce arate wt ae 150) 
Crane, ~B.,- “Sunset Hour,” 15x20, “Henry bi 
Be ATE i! Se ae ae SA ee gee ee 160° 
Blakelock, R. A., “Cala. Landscape,” 16x24, i 

Henry Schultheis ee er ee ey eeceovee eeceeeee 745: we 
Ryder, C. F., “October Moonrise,” 16x20, ash 
PIB ME EAT ANETIO® Cs os love te 4.5 ces dn oe ete 250 » 
iDawis,.. €. > ““Windy’ Day, October,” 17x24, i 

iene yoni ChUltheis = 5 af sss 2 ves Ho.e%s hs ose ee 375 
| Dearth, H. G., “‘Flecks of Foam,” 18x21%4, W. 
eV Ve SOC ATA, Apts erst «0's « eawearutueléc «ai cteelele 325 
Ranger, H. W., “Old Church at Berthia,” 18 

XA Se hLoWand. s¥ oie kus cpa ny ie one ele 220 
imCrane, B., ‘‘Gray November Days,’’ 18x24, 
| OE PHONES TARTS. < acranions Galen Meta ieate al 500 
‘Michel, G., Py pckosching storm,’ 2026, 

We VWacoeaman A ptilors sted og mcs tise oie is 330 
Clays, P. J., “Arriving in Port,’? 24x19%, H. 
for By EIR ReTd ee ee Pe ee es ates 650 
Isabey, E., “La Chasse,” 26x20, O. Bernet, 

ARIE cuts IRE sea eae SEA At ee 3,400 
Post, W. M., ‘‘Landscape,’? R. Dudensing... 70 
Berne-Bellecour, BS “Under Suspicion”’ fe) 

(Panel); 21x29\%,. Holland Galleries; ......2. 400 
Troyon, C., “Donkey, Goat and Sheep,” 26x 

BUS ON ww Wase Oeaman “ART a6; scans Wess 2,500 
Cazin, J. Cy, “Holland “Auandscape,” 2334x29, 

Me pCO COLSL WEA. O's fae ss cis 4s ciactis ace a Gostelei gue 2,700 
Grane, B., “Nightfall,””, 20x30, A: FE. Pres- 

Ue OT VER Tee MTN ec he oo es, on Gaeteranets Sano oe ere es 525 
Remington, F., “The Ambush” (Watercolor), 

DAs ee oe Wit eallanl, AC. cw. nents veces nes 200 
BOSstOn,. Is 9 Wiaonlioht:? 25x30, 1. --Es .Pres- 

DUNT pea Mae Tet EMO ors son: os ci esnis ede s. soleus low al eho'9 120 
Olinsky, I. G., “Dorothy,” 30x25, Macbeth 

ren eTLCS tec as Ae hgh ea sae ckauay euseansie etic erect ens 525 
Knight, D. Ridgway, “‘Reverie,”’ 33x26, Holland 
ACES Sy Fis hen 5-5. Sine Oeetean omen cinch 6 Cane aC ieee LOO 
ICrane, B., “Thawing Weather,’’ 30x36, C. P. 

NON Coe mech ise meebowl lattes «mics accede tes even. te toNere 450 
(Wiggins, Guy C., “Summer Sky,” 28x36, 

JOOS Bye LO WIS Cuiaciyceteteeteier tis clei seeker 6 2.6 140 
Bogert, G., ‘‘Moonlight on the Lake,” 28x36, 

thenryas Och uipwelsienscioies boars os etersis aris ose s 350 
Bogert, G., “The Close of Day,” 28x40, Henry 

WOCINELE 1s een pre ces apes tatel ake tates Wise coho ere ce 6) cee ols. o's 300 
(Unknown Artist), “Portrait of Gentleman,” 

DT BUX COIe Se NV eG We Seaman pARt a. cei sie «> sie 5 - 130: 
Crane, B., “Mohawk Hills,” 24x30, Otto L. 

Reschetak  Tae0n. 0. se o's ES ee i re 310 
Kneller School, “Portrait of Child,” 31x22™%, 

Meas Walia mS 6 alec <c igh veo « tain acer Sissies 150 
Early English School, ‘‘Girl with Apples,” 39x 

28, W. W. Seaman, Agt.....--..0e-seeee 2 130 
‘Dupont, Gainsboro’, ‘Portrait of Gentleman, 

30x25, W: W. Seaman, Agt.........+...5- ee 160 
Early English School, ‘Portrait of English 

Officer,’” 30x25, W. W. Seaman, Agt..... . 450 
Wiggins, Guy C., “Blow from the Northwest, 

Res WUdensiny ae cyte 60! Pes Weer Cee 370.) 

_|Maris, W., “Milking Time,” 25x39%, O. | 

Bernet, Agt. ..... Wate eee 3,000 
Rousseau, T., “Evening in the Forest of Fon- 
~taiebicau,” 25x39, Robert Glendening.... 1,150 
Bogert, G., ‘Sunset: Venice,” 36x56, Henry | 

SchtHiWetsioweea vie oetetee ole et ege ete e sees 925 | 
Schreyer, A., “A Heavy Load,” 3134x58%%, | 

POH uOry. itty rs sn auetels retsietcw iar Sant 1,950 
Post, W. M., “Autumn Landscapes,” 30x40, C. 

PS INOves os ts oa Seat ake em ees oe vos a xe a 170 
Church, F. S., “Spring,” 22x49%4, James E. 

Natta idles duets s oa Ett ee tte 200 
Mignard School, ‘‘Maria Teresa, 46x36, 
Howard MarOiiwonas ootar.s ev a sts tains Wa? Bw beens 270 
Kneller, Sir Godfrey, nel yy Wife of George 

ain? 87x52, Ve eet Bn ES pe OBE cee a cis onels cie'sle ste Ree A 
Reynolds, Sir Joshua, “Earl Gower (Marquis : 

of Stafford), 88x57, W, W. Seaman, Ant... Leen 
|} Rubens, “Adoration of the Magi,” 9632x120, . 
BON Brats COS ins coe eats to 5 fe lelavalete ci atpce 0 erst orahe 10,100 | 

Total® ian. SREP Ont OCC OE $54,210 | 
i Pere SEGetn)..< . > pans sidieigs Dees < orice cs 16,510 
Grand Total ..... Array a Se Y Pe $70,720 


Rg 

- 

| aC Er 
The second combination picture Bie 

jeason, arranged by the American Art the 

lociation, took place Wednesday, Thurs- 

ay and last evening—the first two sessions . 

a the Plaza ballroom—and the third and 

ast in the American Art Galleries. 

At the first session, at the Plaza, Wed. 

-\ve., Mr. Thomas E. Kirby sold 80 paintings, 

ll save 24 by modern American artists, for 

total of $16,510. 

The top price of the session was $1, 375, 

aid for Thomas Moran’ s 

jtorm—Mid-Ocean,” 


“Moonlight after 
Otto Bernet, 
Other good prices were brought iy 
( “Pool in Fontainblezu 
‘orest,” which went for $625 to Dudensing 
pproaching Storm” which | 
rancis Murphy’s “Land-| 
$635 from Seaman, as agent; 
ther landscape by the same artist $850 
M. C. Megil, and a good - little | 
_xample ‘of J. G. Brown “Me and Jack. 2 
600 from Mr. Howard Young. 

The two examples of Blakelock sold very 
ow, one for only $50, an evidence that the 
ecent boom in this painter’s work is wat.- 
ng. The only Americans to hold their own 
vere the examples of Murphy, Bogert, J. G. 
whe dealers “secured 
most of the works and the result of the 
ale proved that American pictures, 
sonsidered of the first order will not sell 
‘s well by themselves as if mixed in a sale 
with Barbizon or other popular foreign 


Robert C. Minor’s 


WW Son, and 


rought $825 ; i 


3rown and Minor. 


The following is a list of the pictures 
sold Jan. 24-26, with the numbers, artists’ | 
iames, titles and sizes in inches, first heist | 
ind then width, the names of the buyers, 
where obtainable, and the prices: 


(Panel), 12%x 
‘ Beek the Forest “Pool,” 13x 
J. B. Koscherak 
oe Kimindy, “Tax Gatherer” (Panel), 12x 


‘Tharlemont B., aoe Buveur” 


Cr 


‘David, PBlomestead, ‘Plainfield, N. J.,” 


ee icine.” 934x734, A. P. 


Ce 


x? “Muir ORR California,” 
Spec G. T. En a ae ee 


es Episode” (Panel), 74x 


© pe pew 8 0 Oc6'e wis oie a 2 eee 6 


ening the Command” 


Sight” (Pane, ‘514x634, William 


Lene Tialienne” (Panel), 1244 


Ce 


ae” with Cattle’? (Panel), 


CW ee ee) 


oe wi gins, ve “Oxfordshires”’ (Panel), 10x14, 
REPEC TET Y OS CIT Ut C1 Se letenetel a} dvelas feneiiyreieneve o's 0 o'wdie.e 
Schleich, R., ~“‘At- the Waterside,” 814x16, 
Henry Schultheis thas AEP Rea hepa Lan en ae 
Moran, T., ““Mexican Hacienda, Lake Cuitzeo”’ 
(Panel), boxe uAlex. -C, Mackenzie........ 
enry, FE. L., “Samuel Ives Farmhouse, 
Graham © Conn.” oo 10x14, Clapp & 
NEAT bh, S.Gv.6 <1.) 6S eRe ee ee ee 


eo eee cee eee eee eee weer see eee 


Wiggins, y, “Afternoon: pens Conn.”’ 
Cee 12x16 Pe tS ylvester. acmtemirmsye 
Dessar, L. P “Landscape” cMitboara), 10%x 
1434, Henry ee Meter ses Sciere Spat a ee 


xls, w. A. BOLING ha. 5. ola ood et os ops cctio te hte neteeetens 
Murphy, J. F., ieee Ata yen ea als Uisal Ces apap 
INO Re a “Landscape,” 11xi5%4, W W. 


M 
Wiggins, C., westite Wp UspeRN, Rms O2 Mig las 
Hassam, GC. “Nocturne: Montmartre,” eT 6IAx 
122455-Nbonitosss Gallety.s veresceaeselers aie ole sce 
Ochtman, L., ‘“‘ Rventie” ‘(Panel), 114%x16, 
Dudensing SOT eerie asia ere sais teetayere oleic 
Caves jac, “Head. of -Child,?-16x13, Cop & 


big 
Agrascot, J., “‘Fortuny’s Studio” (Panel), “16x. 
11, G. ‘- Stirling beak Pens aie a Oe oe See 
Wiggins, C, “In the Meadows,” 12x18, G. T. 


Stirling’ aiiqss. mabangae eee 
rs entier, E., ‘Day ae 15x18, i: So 


ham 
Max, G., cadens > 18x14, C. Emanuel..... 
ridgman, F., (Arabs ab "Home, ” 13x18%, 


ORS rey ES: aioe CME AA NE RO a SoA OES DOS OO 
Farquharson, D., “After the Rain,” Paes 
Henry Schultheis ...........-5 esse eceeenee 
Chelminski, oe sans Peed etx; «mM. 
Kuagedler ee Pe hapten nertrd acs aire AR A 


oe 


EP: 
14x20, W. W. ae Apts cee seamen 
Brown, J. G., “Me and Jack, - “D4xd7, Howard 


‘offin, W. A., “Evening Over the Hills,” 14x 
20, He Preridetgast icc Sauthicld, Ee 
: mee Wr “Near Moriches, 1. i" 16x20, 

. Prender@ast. oasicenig seuss 005s oe ee tt 6s 
fob, To, Magmic Lote cata, Tobe 
Ge. Mingo sth Apple “Béugtis 2412, 
pavis, W. oe se Holy? id, Warwick 


tobinson T., “Watering Pots,” 22x18, John 


f Ochtman, L., “Early Autumn,” 16x22, John N. 
Deas errata stars oe eunagr sare steno ee Sloot ove i 0 taaly 
McCord, Geo., “‘Mid-Day on Lagoon,” 24x18, 
James RNa airate Re aa ee xc wn a bec oes 
Crane, Bruce, “The eS 16x24, nap Cc 
WSU WiO Gis i ate oe un otevn%e/e) e's: Soe elahe ele lelejsisia-owp 
Couse; Ec 1, "Two Braves, 20x24, R. Duden- 
sing & gee aoe eke pee tte ee re: Ratan ae 
Wiggins, C., “On the Dunes,’’ 24x20, L. Pren- 
ET OAS Chatelain rerslaleuchav 6 Pyelekbialos wi sleeps cstetns eres 3.8 
Béranger, Emile, ‘Domestic Happiness,” 20x 
24, Geb Sterling BF ly eH EN EN ieee a) hee ca 
Kost, F. A., ‘Ford—Long Island,” 28x24, 
ieahe ry N acc CheuT CHILG Haury Macrae stlelgts sia. diewine nes ok sce)? 
McCord, G. H., eee Marine,” 20x26, 
Johny Ce WEIWOOd. ai. sie seo ncien soo tes op 
Couse, E. I., “Etaples,” 24x29, Henry Schul- 


'Crane, B., “Valley of Housatonic,” 20x30, 
| RIGHT PG AlleLIBS Oe Wek Vissels cream ety gp mierare. oe bts 
Wiggins, Guy C., “New England: Autumn 
| on the Hills, df 35x30, H. Leroy Jones.. 
| Davis, C.~H., “Melting Clouds,” 30x25, Mac- 
beth G Pe icce sin: ene a ox sape aedepcinkatetensioia 
KOT, = A “The -Stome Bridge,” 20x24, 
HOPE INOVIGS tale sicliiaie ln shold a 0a aa Phebe eg ee 
Couse Ee 3 °A Naeees Street in France,” 
24x29, cP: INOMES tragarchakeey wai enate peels 
| Dogert, ‘f Aifoolight, 9 ORO», Lr, Oppenheim 
Moran, Ts “The Approaching Storm,” 20x 
St) Deri we mei AItIOLS 1. cpap ius cacéshtattplnl ths a dentin 


“Eh iy aka ERE SS Ge ER OR 


SA Radway sas: tee aaa ages tresses pees a 


180 


90 
70 


140 
210). 


ON FREE PUBLIC VIEW 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


BEGINNING SATURDAY, JANUARY 20th, 1917 
FROM 9 A.M. UNTIL 6 P.M. 
AND CONTINUING UNTIL NOON OF THE DATE OF SALE 
(SUNDAY EXCEPTED) 


NEARLY THREE HUNDRED 


VALUABLE PAINTINGS 


BY CELEBRATED 


AMERICAN’ AND FOREIGN ARTISTS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
IN THE GRAND BALLROOM OF 
THE HOTEL PLAZA 


ON WEDNESDAY AND THURSDAY EVENINGS 


JANUARY 24th AND 25th, 1917 
BEGINNING PROMPTLY AT 8.15 O’CLOCK 
AND CONCLUDING 


ON FRIDAY EVENING, JANUARY 26th 


AT 8.15 O'CLOCK 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


ILLUSTRATED CATALOGUE 


OF 


NEARLY THREE HUNDRED 


VALUABLE PAINTINGS 


OF THE 


AMERICAN AND FOREIGN SCHOOLS 
TO BE DISPOSED OF 


BY DIRECTION OF 
MR. EDWARD G. O’REILLY 


(RESIDING AT THE HOTEL PLAZA) 
MR. FREDERIC B. THOMASON, MR. E. A. GURNEE 
MR. JUSTUS MORRIS, Jr., MR. ARTHUR M. NOWAK 
| MR. HOMER LEE 


MR. GRAHAM F. BLANDY, MR. IRVING T. BUSH 
AND FOR ACCOUNT OF 


SEVERAL ESTATES AND OTHER INTERESTS 


AT UNRESTRICTED PUBLIC SALE 
ON THE EVENINGS HEREIN STATED 


THE FIRST TWO SESSIONS 


AT THE HOTEL PLAZA 


AND THE CONCLUDING SESSION 


AT THE AMERICAN ART GALLERIES 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF 


THE AMERICAN ART ASSOCIATION, MANAGERS 


2,4 AND 6 EAST TWENTY-THIRD STREET 
MADISON SQUARE SOUTH 
NEW YORK 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any dispute arise 
between two or more bidders, the auctioneer shall either decide the same 


or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. | 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 


which the Association is in no wise engaged, and will not be performed 


by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 


the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 
for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of any 
lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 


for such damage as might result were his opinion without proper 
foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


FIRST EVENING’S SALE 
WEDNESDAY, JANUARY 24, 1917 


IN THE GRAND BALLROOM OF 
THE PLAZA 


Firth AVENUE, 58TH TO 59TH STREET 


BEGINNING AT 8.15 O'CLOCK 


Eduard Charlemont 
Austrian: 1848—1906 


I—LH BUVEUR 
y Panel: Height, 12% inches; width, 61% inches 


A FULL-LENGTH standing figure of a soldier of the Louis Treize 
period, in costume of light gray doublet and breeches, under- 
jacket of light buff as indicated on the left arm, red stockings 
with yellow ribbons tied at the knees, and a wide-brimmed 
black hat, crowning flowing locks of dark brown. ‘The soldier 
holds in his right hand a large pewter tankard, and turns his 
head over his left shoulder, smiling as if about to drink some- 
one’s health. ‘Through an open window on the right appears 
a bit of landscape, and on a table are a sword and broad leather 


belt. 
Signed at the lower right, and dated ’84. 


Henry Graves Collection, Catalogue No. 3, New York, 1909. 
Property of Mr. Witiiam H. Honicx. 


$ 200. ¥ Pek 


Warren B. Davis 


AMERICAN: CONTEMPORARY 
2—BESIDE THE FOREST POOL 


Height, 13 inches; length, 20 inches 


A. FULL-LENGTH nude female figure, in back view, reclining at 
ease, as if asleep, on a great, smooth bowlder, its gray surface 
making a foil for luminous flesh. Dark green foliage in the 
background adds still further emphasis. 


Signed at the lower right. 


Purchased direct from the artist. 


Property of Mr. Epwarp G. O’ReEItty. 


Sie, 1? fucttine 3. Aotekerahk 


 Kimindy Jena 


ConNTEMPORARY 


8-THE TAX GATHERER 
Panel: Height, 12 inches; width, 734 inches 


A FULL-LENGTH figure of a young man in Directoire costume 
and the tricolor cockade in his hat. He carries his cane under 
his left arm while, with both hands, he holds up a book and 
pencil. He is evidently “taking notes.” 


Signed at the lower left, and dated MiincnHen 1884. 


Purchased from the late T. J. Blakeslee. 


From the collection of the late Leon Manpet. 


Cs ig aa, 


David Johnson, N.A. 
AMERICAN: 1827—1908 


4—A HOMESTEAD AT PLAINFIELD, N. J. 


Height, 814 inches; length, 11 inches 


A COMFORTABLE-LOOKING and spacious farm-house, with white 
walls and dull red chimneys, standing in a grove of trees, is 
placed in the middle distance on the bank of a stream. The 
stream and a part of the nearer shore occupy the foreground. 
Cows are seen coming from the farm down to the brink to 
water, and a buggy is passing along the road on the right. Over 
all is a sky of gray clouds with here and there a little bit of 
blue. 


Signed with monogram at the lower left. 


On the back of the canvas the title and signature are 
painted in full, with date 1890. 


Property of Mr. E. A. GURNEE. 


He. 


SS. 


Warren B. Davis 


AMERICAN: CONTEMPORARY 


5—NUDE FIGURE ~ 
Height, 934 inches; width, 724 inches 


A FULL-LENGTH nude figure of a young woman, in back view, 
seated on the smooth top of a bowlder, the lower part of which 
is covered with moss, gracefully supporting her weight by her 
right arm, while the left is raised over her head. The dark 
waters of a shaded pool and dark green foliage form the back- 
ground. 

Signature (partly erased) on the left (in pool) 


Purchased direct from the artist. 


Property of Mr. Enwarp G. O’REILLY. 
“0. | AP Ginn 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


6—LANDSCAPE 
Height, 5 inches; length, 7 inches 


A LANDSCAPE with autumn effects, in which, from a pool in the 
foreground, level fields extend to a belt of trees; a group of 
trees and bushes on the right, and a sky of gray and qualified 
white with a bit of gray pink near the horizon. 


Signed at the lower left. 
Property of Mr. Evwarp G. O’Reitiy. 


Go's: Ay? Jane> ae 


babe on, Albert Blakelock, N.A. 
AMERICAN: 1847— 


7—MUIR BRIDGE, CALIFORNIA 
Height, 634 inches; width, 414 inches 


Tue natural rock bridge on the Pacific Coast, called Muir 
Bridge, appears in the middle of the picture with high, dark 
cliffs in the foreground. 'The sea passes through the arch of 
the bridge and gulls are flying about. A bit of low-toned blue 
sky is seen above. 

Signed at the lower left. 


From the Frederick S. Gibbs Collection, Catalogue No. 116, New York, 
1904. 
Property of Mr. Eywarp G. O’REILty. 


Ivan Pokitonow 
Russtan: 1840— 


8—A RURAL EPISODE 
Panel: Height, 714 inches; length, 10%4 inches 


In a field, which occupies the foreground, are seen a horse 
without harness except a driving bridle, and a peasant woman 
who is stooping over to examine his right forefoot. On the 
left, just over a hedge, is a cart, and beyond are level green 
fields with one or two clumps of trees. The sky is composed 
of gray clouds. 

Signed at the lower right. 
From Boussod, Valadon & Co. 


Property of Mr. Wituiam H. Huticx. 


Etienne Prosper Berne-Bellecour 
Frencu: 1838—1910 


9—AWAITING THE COMMAND 
Panel: Height, 181% imches; width, 81% wmches 


FULL-LENGTH standing figure of a French cavalryman, whose 
uniform consists of a steel and brass helmet with horse-hair 
plume, blue tunic with red epaulettes, white trousers, and low- 
topped boots. He holds a lighted match in his right hand 
with which he is about to light his pipe held in the left. The 
setting is composed of horse water-troughs immediately be- 
hind the figure in the spacious courtyard of a military barrack. 


Signed at the lower left, and dated 1883. 
Property of Mr. Witiram H. Huticx. 


/Q 0. | fe: Aelhivood 


Jean Charles Cazin 
Frencu: 1840—1901 


10—NIGHT 
Panel: Height, 54% inches; length, 634 inches 


A STARLIGHT night effect with a house in the center of the 
composition. A hillock, a roadway leading to the house, and 
_a stable occupy the foreground. Light shows through a win- 

dow on the side of the house, and also more dimly through a 
_ skylight window in the roof. It is probably the dwelling of an 

artist in the country in France. The sky is dotted with stars 

_ and there is a light on the horizon at the extreme right of the 
picture. 7 
| Signed at the lower left. 
To be sold to close an Estate. 


PEE: ae a. Johns 


Louis Leloir 
FreNcH: 1843—1884 


1I—_FANTAISIE ITALIENNE 
Panel: Height, 1244 inches; width, 81 inches 


A FULL-LENGTH standing figure of a young woman leaning 
against a gray wall, with pilasters on either side. The hands, 
clasped below the waist, hold a bunch of red and white flowers, 
and the costume is composed of draperies of pink, yellow and 


black. 
Signed at the lower right, and dated 1877. 


Purchased from the William Shaus Galleries. 


By order of an Executria. 


ISO | LY tte Bernet, ag'. 


Georges Michel 
Frencu: 1763—1843 


12—-LANDSCAPE WITH CATTLE 
Panel: Height, 934 inches; length, 1814 inches 


Tuis landscape depicts a stretch of diversified country with 
rising ground on the left where, among the trees, is a cottage 
near a road which runs from the left foreground into the middle 
of the picture. Some cows and a white goat are seen in the 
roadway, and beyond is a horseman and other figures. The sky 
is composed of white and gray clouds. 


By order of Mrs. Haroup TuHorne, daughter of the late H. S. Witson. 


Marie Francois Firman-Girard 
' Frencu: 18388— 


13—IN THE GARDEN 
Height, 14 inches; width, 10 inches 


A PLEASING genre picture, showing a lady in a silk gown of 
pale pink, seated on a stone bench in a garden, with her head 
resting on her hands as she looks down at a pet black spaniel. 
Beside her, on the bench, is a straw hat with black ribbon. 


Signed at the lower left. 


By order of Mrs. Harotp Tuorne, daughter of the late H. S. Witson: 


50. : Vio AveliroA0 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


14—OXFORDSHIRES 


Panel: Height, 10 inches; length, 14 inches 


A. sMALL flock of sheep, with black faces and fine coats of 
wool, advancing as they crop the grass of green pastures. The 
sheep occupy the middle of the picture and beyond and above 
there is a wide stretch of flat country and a strip of gray sky. 


Signed at the lower left. 
Property of Mr. E. A. Gurnee. 


S70. 


Ee. 


Robert Schleich 


GERMAN: CONTEMPORARY 
15—AT THE WATER SIDE 
Height, 814 inches; length, 16 inches 


In the left foreground, where is shown part of the borders of 
a lake, a deep old-fashioned punt is drawn up while its occu- 
pants, a woman with two children, are amusing themselves 
with a flock of ducks and ducklings. Some of the ducklings 
have ventured into the shallow water between the punt and 
the shore and are being fed by one of the children. In the 
right middle distance is an island, with a church dimly seen, 
and still farther away are the boundary shores and a range 
of hills. The sky of warm-tinted clouds is broken by pale 
sunlight, filtering through. 

Signed at the lower right. 


From the collection of the late Lron MANDEL. 


1& 0. a SO GD Oe, 


Thomas Moran, N.A. 
AMERICAN: 1837— 


16—A MEXICAN HACIENDA, LAKE CUITZEO 
Panel: Height, 15 inches; width, 12 inches . | 


In the middle of the foreground is a pool with trees on either | 
side, their foliage framing a view of a Mexican hacienda stand- 
ing on an eminence on the shore of a lake. All the foreground, : 
and most of the tree foliage, are in shadow, while sunlight | 
illumines the middle distance where stands the building with 
its white walls. 

Signed at the lower right, and dated 1885. 


Property of Mr. E. A. Gurnee. 


/GO. ee ac hbryie 


Edward L. Henry, N.A. 
AMERICAN: 1841— 


17—SAMUEL IVES FARMHOUSE, GOSHEN, 
CONNECTICUT 


Millboard: Height, 10 inches; length, 14 inches 


A BRICK farmhouse in the center of the picture, with barns and 
other farm buildings on the right, seen beyond an orchard, 
which occupies the foreground. A man and a woman picking 
apples, a well with sweep and a horse and carriage are other 
features of the composition.  CUUNSINS a summer sky of blue 


with white clouds. 
Signed at the lower right, and dated Serv. °72. 


Property of Mr. Epwarp G. O’REILLY. 


George H. Boughton, N.A., R.A. 


AMERICAN: 18384—1905 
18S—_WINTER 


Millboard: Height, 16 inches; width, 10 inches 


A FULL-LENGTH figure of a young girl of the better class of 
Holland, wearing a pretty costume comprising a crimson 
bodice, light gray skirt and green apron, with a cape bordered 
with white fur and a muff of the same; her head crowned by 
a little cap of light green. She wears gray leather shoes and, 
with her right foot, is tapping the ice on a pool in the fore- 
ground, which cracks under the pressure. <A stretch of snow- 
covered country forms the background. 


Signed at the lower right. 
Property of Mr. E. A. Gurnee. 


Guy Carleton Wiggins, A.N.A. 
AMERICAN: 1883— 


19—AFTERNOON: NOANK, CONNECTICUT 
Millboard: Height, 12 inches; length, 16 inches 


Tue harbor of Noank, depicted with bright, frank color, show- 
ing a pier, a three-master and a man in a skiff, on the left. The 
shore with buildings, trees and boats at anchor, extends from 
the left foreground into the middle distance, nearly to the ex- 
treme right, where the outside waters meet a headland or oppo- 
site shores. On the right the sail of a sloop gives a vivid note 
of white. In the sky are large masses of clouds, white and 
gray, and a space of blue shows at the top. 


Signed at the lower right. 
Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REI1t1y. 


Go. - OF Level 


Louis Paul Dessar, N.A. 
AMERICAN: 1867— 


20—LANDSCAPE 
Millboard: Height, 104% inches; length, 14°4 inches 


THE edge of a forest, with fine oaks in foliage of the first days 
of autumn, crosses the composition in perspective from right 
to left, where there is a glimpse of a distant hillside. The rough 
land of the foreground shows bowlders, and herbage tinted 

yellow and red, while the sky exhibits qualified blue and white. 


Signed at the lower right. 
Purchased direct from the artist. 


Property of Mr. Epwarp G. O’Rettty. 


/30.- : | ie he es on Oe, 


William Gedney Bunee, N.A. 
American: 1840—1916 


21—_SUNSET AT VENICE 
Panel: Height, 114% inches; length, 15 inches 


THE motive is found well out in the Bay of Venice, with the 
sea extending to a low horizon, where there are a few little 
dots indicating sails. On the right of the picture are four 
vessels, the sails of one, with gaff nearly perpendicular, reach- 
ing to the top of the canvas. The sky shows tempered tints of 
yellow white, greenish blue and red, and is reflected in lower 
values in the water. 


Signed W. G. B. Venice at the lower left, and dated ’85. 


Property of Mr. Enwarp G. O’REILLy. 


OD. Asn QA. for 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


22—LANDSCAPE 


Height, 8 inches; length, 12 inches 


A FOREGROUND of pasture land with a pond, at the right, with 
trees in the middle distance, their autumn foliage approaching 
the top of the canvas; on the left, a barn and other farm build- 
ings. The distance shows plains extending to the horizon where 
belts of trees form part of the sky line. The sunset sky is com- 
posed of warm pale yellows with intermingled grays and some 
touches of orange. 

Signed at the lower right, and dated ’99. 


Property of Mr. Epwarp G. O’REILty. 


550, Ay, 6. 


Robert Cromwell Minor, N.A. 
AMERICAN: 1840-1904 


23—_LANDSCAPE 


Height, 11 inches; length, 154% inches 


AN effect of sunset, with a group of tall trees on the right, a 
pool in the middle foreground and a stretch of country on the 
left. In the sky, which gradates into tints of blue in the upper 
part, are evening clouds tinged with pink. 


: Signed at the lower right. - 
Property of Mr. Homer Ler. 
27S | fi OG NNT al 


George H. Bogert, A.N.A. 


AMERICAN: 1864— 


24—SUNSET 


Panel: Height, 13 inches; length, 16 inches 


In the middle distance is a lake, and an outlet in the foreground 
through which water is running over rocks. Trees on either 
side of the canvas are reddened by the sunset glow from a 
sky showing tints of yellow, white, blue, and gray, accented by 
the reddish glow. 

Signed at the lower left. 


Purchased direct from the artist. 


Property of Mr. Evwarp G. O’REILLY. 


/60. Py, tf rugel 


Carleton Wiggins, N.A. 
AMERICAN: 1848— ; 


95 CALLE a —_ 
Height, 12 inches; length, 16 mches 


A BLACK and white bull, with head erect, followed by a cow, 
fawn-color with white legs, advances into the foreground while 
on the right are three other cows grazing in the pastures. The 
landscape beyond shows a group of trees, on the left, and, on. 
the right, a river and a line of hills. The sky is composed of 
gray clouds. 


Signed at the lower left, and dated 1911. 


Property of Mr. Epwarp G. O’REItty. 


J30. 


Childe Hassam, N.A. 
AMERICAN: 1859— 


26—NOCTURNE: MONTMARTRE 
Height, 16% inches; width, 124% inches 


In the right foreground are the terrasse of a café with white- 
topped iron tables on the sidewalk, and people passing, the 
foremost figure being a young woman in a walking dress of 
gray-purple trimmed with black. One of the cabs of the 
Urbaine Company, with white-hatted coachman on the box, 
is drawn up at the curb and overhead are the glowing lights 
of lamps with red or yellow glass, the street lamps of one of 
the outer boulevards, lighted windows and, in the left upper 
corner, the night sky with two or three stars. 


Signed at the lower right. 


go Cel tae ee 


Property of Mr. Epwarp G. O’Rerty. 
aso. 


Leonard Ochtman, N.A. 


AMERICAN: 1€54— 
27—_ EV ENING 


Panel: Height, 114% inches; length, 16 inches 


A LANDSCAPE with the simple elements of fields in the fore- 
ground and a part of the middle distance, trees at the left, a 
wood stretching beyond them, and an evening sky. The woods 
and fields, as a whole, show tints of brown and gray. There 
are some notes of green in the immediate foreground, and the 
sky is rendered in varied tints of lemon yellow. 


Signed at the lower left, and dated 1913. 


Property of Mr. Freperic B. THomason. 


Co. Luvolerteng 


J. C. Cave 


Frencu: ConrEMPORARY 


23—HEHAD OF A CHILD 


Height, 16 inches; width, 138 inches 


Tue head and shoulders of a child, the head in full face view, 
with blond hair and blue eyes, wearing a white slip. ‘The artist 


is a pupil of Bouguereau and this clever portrayal is executed 
in the style of his master. 


Signed at the upper right, and dated 1896. 


By order of an Executria. 


“0. tap ee 


William Ritschel, N.A. 
AMERICAN: 1864— 


29—THE SEAWEED GATHERER 
Height, 11%4 inches; length, 16 inches 


ON a gray, sandy beach, in the foreground, are a cart with a 
white and a bay horse, and a man loading seaweed. The point 
of view being elevated, the wide expanse of the ocean appears 
above the toilers and is illumined by moonlight. <A strip of 
blue-gray sky is at the top of the canvas. 

Signed at the lower left. 


Property of Mr. Epwarp G, O’Rertty. 


/SO, i B vom berbig 


J. Agrasot 


FrencH: CONTEMPORARY 
30—FORTUNY’S STUDIO 
Panel: Height, 16 inches; width, 11 inches 


A stunpio interior with two female figures; one in an after- 
noon gown of pink, the other in a visiting dress of white with 
white hat trimmed with blue ribbon, and wearing a Spanish 
scarf. The accessories show a large piece of carved furniture 
with panoplies of arms, musical instruments and bric-a-brac. 


Signed at the lower right, and dated 1871. 


By order of Mrs. Harotp THorNE, daughter of the late H. S. Witson. 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


31—IN THE MEADOWS | 


Height, 12 inches; length, 18 inches 


A RED and white, a black, and a white cow are grouped standing 

in a pool in the foreground; on the left is a clump of trees and 

on the right a stretch of level country bordered with trees at the 
_horizon. Above is a sky of gray clouds. 


By order of Mrs. Haroup THorne, daughter of the late H. S. Witson. 


O. H. aly forrad 


Eugene Carpentier 


FrEeNcH: ConNTEMPORARY 
32—DAY DREAMS 
Height, 15 inches; length, 18 inches 


Lyine on his back on the grass in a shady field in the fore- 
ground is a lad with a white jacket, corduroy trousers, and 
wooden sabots, one of which he has kicked off, while with his 
face to the sky he nibbles the end of a slender stick broken from 
a bush, or picked up in the forest, which appears in the distance 
at the top of the picture. With his right hand he caresses the 
shoulder of a brown and white setter lying by his side. Goats, 
belonging to a flock which it is the boy’s duty to watch, are 
seen wandering about and cropping herbage amid the rocks 
which border the field at the edge of the woods. 


Signed at the lower right. 


On the back of the canvas is painted a signed declaration 
by the artist in which he states that this picture was 
painted by him to the order of A, D’Huyvetter of 
Antwerp, dated Paris, DECEMBER, 1887. 


Property of Mr. Justus Morris, JR. 


FO. oe oe VG Sate cr aay 


Childe Hassam, N.A. 
AMERICAN: 1859— 


33—A LADY IN PINK 


Height, 18 mches; width, 15 inches 


A FULL-LENGTH figure of a lady in a walking dress of pink 
trimmed with white fur and wearing a hat trimmed with white 
likewise, making her way along a snow-covered street. Across 
the way appear the opposite sidewalk, a fence, and the snow- 
covered foliage of trees. 


Signed at the lower left. 
Property of Mr. FrepEric B. THomason. 


i 4a. Cae 


QO. ‘ 


Antonio Casanova y Estorach 
SpanisH: 1847—1896 


34—_FLIRTATION 
Height, 16 inches; width, 13 inches 


A FAT brother of the Carthusian order, in creamy-white hood 
and habit, is seated beside a Spanish beauty at an open win- 
dow. As he rests his chin between his thumb and forefinger 
and ogles her with a leer, the lady holds her fan between his 
face and hers. Her black hair is dressed with a tortoise-shell 
comb, from which a white lace mantilla falls over the shoulders 


of her pink-and-green damask silk bodice. 


Signed and dated at the lower center, ANtoNio CasANova 
y Esroracu, Paris, 1882. 


From the William Schaus Collection, Catalogue No. 236, New York, 
1912. 


Property of a Private Collector. 


Sg pn ei Ka 
Gabriel Max 


(GapeieL Cornetius von Max) 
German: 1840— 
35—_MAGDALEN 


Height, 18 inches; width, 14 inches 


A Lirer-sizE head, slightly turned to the spectator’s left, of a 
young woman, with blond hair falling over her shoulders. It 
is marked by the able technical qualities of Gabriel Max and 
by his general feeling for sentiment in painting pictures of 
women. 


Purchased from Arthur Tooth & Sons. 


From the collection of the late Leon ManveEt. 


LE ea a ed 


10°. 


Albert Neuhuys 
Durcu: 1844—1914 


36—PEELING POTATOES | 


Height, 20 inches; width, 16 inches 3 


iri > ih 


A SEATED figure of a young peasant mother, in gray jacket and 
cap and blue apron with a bowl on her lap, peeling potatoes, 
while her little girl stands beside her essaying the same task. ; 
The setting is a cottage interior with a fireplace on the right 

where the pot is boiling. 


Signed at the lower right. 
Property of Mr. Homer Ler. 


Frederick A. Bridgman, N.A. 
AMERICAN: 184'7— 


37—_ARABS AT HOME 
Height, 13 inches; length, 181% inches 


A. GRouP of two men in white bournouses, three women sitting 
on the ground, and yet another woman standing nearby, ap- 
pears in the foreground of the composition, which depicts the 
interior of a rudely constructed building with large timbers 
supporting the roof. On the left, back of the group, is a 
woman tending a fire on the floor, and nearby is a white Arabian 
horse eating his dinner. Rays of light, traversing the blue 
smoke from the fire, fall from an opening in the roof, and at — 
the extreme left, where a second room is indicated, sunlight 
falls on the wall. 


: | Signed at the lower left. 
Property of Mr. E. A. GurNEE. 


Joo. oe S ee 


Hippolyte Camille Delpy. 
Frencu: 1841—1910 


38—EVENING ON THE RIVER 
Panel: Height, 114% inches; length, 2034 inches 


THE waters of a river, smooth in the calm of evening, fill the 
right foreground, and a portion of the middle distance, and 
reflect the warm yellows, grays, and pinks of a sunset sky. At 
the edge of the green bank on the left, a punt is moored, and 
on the opposite shore, on the right, are groups of trees. A belt 
of trees also, with the spire of a church, rising above the foliage, 


is seen on the left. 
Signed at the lower right, and dated ’99. 


Property of Mr. Justus Morris, JR. 


SOD. te tot. Sat Tees ane i. 


Hugh Bolton Jones, N.A. 
AMERICAN: 1848— : 


39 _HARLY SPRING 
Height, 14 inches; length, 20 inches 


A sTREAM flows into the foreground between meadows clothed 
in the fresh green of early spring, bordered by trees which 
stretch away into the distance, some with bare branches, others 
tinged with yellow green, and one still retaining some brown 
leaves of the autumn before. On the left is a stretch of coun- 
try with hills in the distance, and the sky is filled with gray 
clouds showing pale blue through the rifts. 


Signed at the lower right. 
Property of Mr. Justus Morris, Jr. 


| : a 


/5O 


David Farquharson, A.R.A. 


British: CONTEMPORARY 


40—AFTER THE RAIN 
Height, 20 inches; width, 1614 inches 


THRovuGH an English village lane, with oaks on either side in 
foliage of dull red, and cottages in the distance, a herd of steers 
advances to the foreground. The wet roadway and puddles of 
water reflect the surroundings and the sky of gray. 


Signed at the lower left, and dated 1901. 


Property of Mr. Enwarp G. O’REILty. 


oe ty SPAT OER DLS 


Jan von Chelminski 


PoutsH: ConTEMPORARY 
41—THH OUTPOST 
Height, 16 inches; length, 26 inches 


Two Hussars, of the time of Napoleon I, with blue uniforms 
and shakos with high black pompoms, are seen standing beside 
their horses in a snow-covered road in the foreground. On the 
right of the road is a sign-post, and at a point where it climbs 
a hilly slope is a group composed of two officers and a hunts- 
man with his dog. One of the officers holds a map in his hands 
and the huntsman is doubtless being interrogated. The land- 
scape beyond shows a stretch of country and an evening sky 
with tints of blue, gray, yellow and pink. 


Signed at the lower right. 


Property of Mr. Granam F. Bianpy. 


3OO Pp. i NDT eee a ° 


Bruce Crane, N.A. 
AMERICAN: 1857— 


42—GOLDEN AFTERNOON 


Height, 14 inches; length, 20 inches 


TuHrovuGH the meadows of the foreground, on which he shadows 
from nearby trees, runs a little stream. Crossing the picture 
in its middle portion are groups of trees and a rail fence; a 
house with white walls appears at the left; beyond is indicated 
a glimpse of a lake and distant hillsides and over all is a sky 
of gray. The autumn tints which characterize the season are 
imbued with an atmospheric haze and a golden tone prevails 
throughout. | 

Signed at the lower right. 


Property of Mr. E. A. Gurnee. 


LIO. fe, pugel 


Henry Pember Smith 
AMERICAN: 1854—1907 


43—A HILL COUNTRY, CONNECTICUT 


Height, 14 inches; length, 20 inches 


A roaD in the left foreground leads into the picture and disap- 
pears by a turn into a piece of woods, where the wall and 
chimney of a house are seen embowered in the foliage. Trees 
on either side of the roadway reach well upward in the composi- 
tion. On the right is a comfortable-looking farm-house with 
white walls and a small red barn nearby. . Farther away is a 
view of rolling country with belts of trees and fields. The 
effect is in sunlight and the sky shows light clouds with a little 
pale blue here and there. 

Signed at the lower right. 
Property of Mr. E. A. GuRNEE. 


V4 


Aisa Pie a, Sf A 
y/ 


oe =¥ 


John G. Brown, N.A. 
AMERICAN: 1831-19138 


44—MEH AND JACK 


Height, 24 inches; width, 17 mches 


A YOUNG boy, with gray jacket and breeches, a red Jersey and 
black cap, seated on his boot-blacking box, holding on his lap 
a most sympathetic-looking dog with dark brown coat, white- 
streaked face and white fur on his neck and the tips of his toes. 
Beside the lad, on the left, is the box with straw inside for the 
comfort of his pet, and his brushes and other tools of his trade 
are lying on the pavement about him. 


Signed at the lower left, with Copyricut 1905. 


Property of Mr. Justus Morris, Jr. 


oO. Morar Ferre 


William Anderson Coffin, N.A. 
AMERICAN: 1855— 


45—EVENING OVER THE HILLS 
Height, 14 inches; length, 20 inches 


Tus landscape shows a stretch of rolling meadow lands and 
a roadway occupying the foreground, some farm buildings 
backed by a piece of woods in the middle distance, and farther 
away a stream and distant hills. The sky, gradated from gray- 
ish-pink upward into tempered blue, shows belts of cloud at 
the horizon, and other clouds floating above, their edges tinged 
with orange. 


Signed at the lower right. — 
Property of Mr. KE. A. Gurnee. 


aol 1 WH. Lake, formed 


Frederick W. Kost, N.A. 
AMERICAN: 1861— 


46—TWILIGHT: SOUTHFIELD, LONG ISLAND 


Height, 16 inches; length, 20 inches 


A pastToraAL landscape with a road and a pool in the meadows 
of the foreground. ‘Two white calves are on the brink of the 
pool and two slender trees appear on the left at the roadside. 
Beyond are the roofs of some buildings, clumps of trees, and 
two large oaks in the right-hand portion of the composition. 
The sky, with an expanse of gray cloud above, shows a band 
of red and yellow at the horizon where the sun has disappeared 


at the close of day. 
Signed at the lower right. 


Property of Mr. E. A. GurneEE. 


HOGA CoRLL S 


x 
s 
a) 
ie) 


Theodore Robinson 
AMERICAN: 1852—1896 


47—-MOONRISEH 
Height, 16 inches; length, 22 inches 


LrvEL meadows with long shadows cast on the green grass 
by a sinking sun, behind the spectator, and a belt of trees, 
crossing the middle distance, among which three poplars rise 
above the other masses of foliage, are backed by an early even- 
ing sky of pink. The full moon, silvered yellow as it rises, 
is seen near the middle of the picture just above the tree tops. 


Signed at the lower right. 
Property of Mr. Enwarp G. O’REItty. 


ol/0 | A. a. ieee 


Ralph Albert Blakelock, N.A. 


AMERICAN: 1847— 


48—HARLY EVENING 


Height, 16 inches; length, 24 inches 


FIELps, a little stream on the left, some trees and a red-roofed 
house, are the elements composing the foreground and middle 
distance, while beyond, stretching the whole way across the 
canvas, is a range of blue hills. The important feature of the 
picture, however, is the sky, which rises from grayish-pink 
tints at the horizon through various gradations of warm white 
to pale qualified blue at the top. The brilliancy of the sky is 
strengthened by the warm general tones used in depicting the 


fields, trees and other elements. 
Signed at the lower right. 


Purchased from Mrs. Blakelock, 1901. 
Property of Mr. E. A. Gurnee. 


ov , WY, Pig oe / 


Will H. Low, N.A. 
: AMERICAN: 18538— 


49—NEHATH APPLE BOUGHS 
Height, 24 inches; width, 12 inches 


THE orchard is gay in its flowering livery of spring. Through 
the blossoming branches, the sun dapples the ground with 
golden gleams. Fair and delicate in her beauty as the flowers 
that embower her, a maiden is about to enter a pool in the fore- 
ground. Her erect figure is graceful in pose. 


Signed at the lower left, Witt H. Low, New York, 1888. 


Thomas B. Clarke Collection, Catalogue No. 312, New York, 1899. 
Emerson McMillin Collection, Catalogue No. 125, New York, 1913. 
Property of a Private Collector. 


SFO. eS, Mes 


Warren B. Davis 


AMERICAN: CONTEMPORARY 
50—AT THE POOL 
Height, 8 inches; length, 10 inches 


A. FULL-LENGTH nude figure of a young woman with auburn 
hair, on a great flat-topped rock overhanging a pond with dark 
waters, below on the right. She is depicted in back view, half 
seated, and the head seen in profile as, supporting herself on 
the edge of the rock, she looks over and down into the depths. 


Signed at the lower left. 
Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REILLy. 


Adah Clifford Murphy 
(Mrs. J. Francis Murpruy) 


AMERICAN: CONTEMPORARY 


5I—— JOY 
Height, 20 inches; width, 16 inches 


A YouNG woman with arms extended, as she spreads out in 
dancing fashion the wide skirt of her red gown, is placed in 
a setting of green fields, sapling trunks on the left and trees 
on the right, and a sky with white clouds and blue. 


Signed at the lower left, and dated 1913. 


Property of Mr. Epwarp G. O'REILLY. 


Go. ia f tp hng 


Charles Webster Hawthorne, N.A. 


AMERICAN: 1872— 


52—GIRL SEWING 


Height, 24 inches; width, 18 inches 


A GIRL, with a white waist, seated in a green wicker chair with 
cushions, and her head bent over her task of sewing on a piece 
of yellowish-gray clothing or drapery which is spread over her 
knees. An oval mirror, hanging on the wall in the right upper 
corner of the canvas, reflects the back of her head and a bit 
of her shoulder where the light falls on it. 


Signed at the upper left. 
Property of Mr. Justus Morris, Jr. 


LEO, Lakhulb thes 


hg eae ia 


Pw. 


Theodore Robinson 
AMERICAN: 1852—1896 


583—_THE WATERING POTS 
Height, 22 inches; width, 18 inches 


A FULL-LENGTH figure of a French woman, in white bodice, 
blue skirt and peaked straw hat, seated in the sunshine on the 
stone curbing of a garden pool, with two huge watering pots 
beside her. A pathway leads from the foreground between 
trees and bushes into the shade. 


Signed atthe lower right, and dated 1890. 


Property of Mr. Epwarp G. O’REItty. 


2/0. | | VETS Smeets 


Leonard Ochtman, N.A. 
AMERICAN: 1854— 


54—HKARLY AUTUMN 
Height, 16 inches; length, 22 inches 


A sANpby road leads from the left foreground through meadows 
and fields, with a turn in the middle distance, and continues its 
course to a wood indicated on the horizon. All the foreground 
is in shadow, while pale autumn sunshine illumines the rest of 
the landscape. Some trees with brown foliage are seen in the 
foreground on the left; a woman is depicted walking along the 
road in the middle distance, and on the horizon at the left are 
some white houses and barns. The sky is gray-blue. 


Signed at the lower left. 
Property of Mr. E. A. Gurnee. 


Piel a 
= : Otc 
/1 0. f Sait it 


George Herbert McCord, A.N.A. 
AMERICAN: 1848—1909 


55—MID-DAY ON THE LAGOON 


Height, 24 inches; width, 18 inches 


( 


A GrouP of boats appears near the middle of the picture, their 
sails showing tints of yellow and brown. On the right, close 
up to a landing-place, is a rowboat with two men. A space 
of greenish blue is seen amid the clouds in the upper portion 
of the sky and this is reflected in the water, together with the 
color of the sails and hulls of the boats. 


Signed at the lower right, and dated 1907. 
Property of Mr. E. A. Gurnee. 


V6.0: ; 


Bruce Crane, N.A. 
AMERICAN: 1857— 


56—THE DUNES 
Height, 16 inches; length, 24 inches 


A roadway leads from the immediate foreground across a plain 
and disappears in the distance as it passes a tumble-down barn 
and a clump of trees. Above the low horizon is a sky of gray 
clouds. Grays and black are the dominant tints in the picture. 


Signed at the right center. 


Property of Mr. Freperic B. 'THomason. 


3 a fe ETL 


William Merritt Post 


AMERICAN: 1857— 
57—_OCTOBER 


Height, 16 inches; length, 26 inches 


TurouGH level fields, with the green of the grass dulled by the 
frost and with brown, dried herbage, a stream winds into the 
middle of the picture, where a belt of trees and strips of light 
timber beyond shows tints of autumn foliage. Overhead is a 


sky with fleecy white clouds. 
Signed at the lower right. 


By order of Mrs. Harotp Tuorne, daughter of the late H. S. Witson. 


70. Urner ees ee 


E. Irving Couse, N.A. 
AMERICAN: 1866— 


58—THE TWO BRAVES 


Height, 20 inches; length, 24 inches 


On the bank of a stream, hidden from view from the opposite 
shore by a clump of trees, are two Indians, one who is “sitting 
on his hunkers” holding a bow and arrow in his hand, and the 
other looking over as he stands beside him. Both wear feather 
headdresses, and both are nude except for their loin cloths and 
moccasins. Across the stream, where the sunlight plays on 
the grass and foliage, a buck and doe are seen looking over a 
bush. 


Signed at the lower left. 
Property of Mr. Jusrus Morris, Jr. 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


59—ON THE DUNES 
Height, 24 inches; width, 20 inches 


A Dutcu shepherd, with his dog, watching his flock as they 
pasture. In the distance is a stretch of low flat country under 
the shadow of gray clouds. 


Signed at the lower left, and dated 1912. 


Purchased from M. Knoedler & Co., New York. 
Property of Mr. Evwarp G. O’ReEItty. 


he fr trolergadt 


1 EO. 


Emile Béranger 


FRENCH: CONTEMPORARY 


60—DOMESTIC HAPPINESS 
Height, 20 inches; length, 24 inches 


A Group showing a young mother with her baby on her lap 
seated before a fireplace, while her husband leans over her in 
an affectionate attitude, pressing his face against her hair. 
The young woman wears a gown of white and the young man, 
in costume of the Directoire period, pink coat and light 
blue breeches, seems about to go out, as he wears his hat and 
has his walking stick under his arm. The furnishings of the 
room indicate an abode of a family of the upper class. 


Signed at the lower left. 


By order of Mrs. Haroxp 'THorne, daughter of the late H. S. Witson. 


Ot tC Hoecherak 


a5. 


Frederick W. Kost, N.A. 
American: 1861— 


61—A FORD, LONG ISLAND 
Height, 28 inches; width, 24 inches 


A STREAM in the foreground across which, where it is ford- 
able, has just passed a cart loaded with big logs, drawn by 
two white horses, and is about to mount the slope of the 
opposite shore; a low hillside, there, with a group of trees, 
on the right, in autumn foliage, and a clump of smaller ones, 
at the left. A sky of light grays shows a bit of blue near the 
top, balancing a note of the same hue in the carter’s jacket, 
and, together with the broad reflection of it on the water, 
serves as a foil for the rich autumnal tints in the middle portion 
of the composition. 

Signed at the lower right. 


Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REI1t1y. 


VHS. “A. y? 4 hee 


George H. McCord, A.N.A.  . | 
AMERICAN: 1848—1909 


62—SUNSET: MARINE 
Height, 20 inches; length, 26 inches 


A GrouP of vessels, with vari-colored sails, is coming forward 
from the left of the picture, and other vessels are seen, with 
sails up, farther away at the extreme right. The brilliant hues 
of a sunset sky, including yellow, orange and red, are reflected 
in the water, the whole producing an effect of golden glow. 


Signed at the lower left. 
Property of a Private Collector. 


24S. prhm KK tLellsoool 


E. Irving Couse, N.A. 
| AMERICAN: 1866— 
683—ETAPLES 


Height, 24 inches; length, 29 inches 


A PEACEFUL evening scene in the Port of Etaples, with two 
groups of people in the foreground, which is filled by a broad 
space adjoining a landing-place on the sea. The nearer group 
is composed of a sailor-man sitting on a barrel, while a young 
woman, with a child in white dress on her arm, is standing 
near him; the other group is composed of two fisherwomen and 
a man, who are busy with the baskets full of fish which they 
have apparently just lifted from one of the sail-boats moored — 
at the wall, on the left. The moon is rising and a light shines 
from one of the cottages at the edge of the town on the ex- 
treme right. Subdued reds, blues, browns and grays are the 
principal color notes. 

Signed at the lower right. 


Bruce Crane, N.A. 
AMERICAN: 1857— 


Property of Mr. Justus Morris, JR. 


Bt So. 


64—IN THE VALLEY OF THE HOUSATONIC 
Height, 20 inches; length, 30 inches 


A oray barn, and a red corn-crib on the right, with a wide 
farm road leading past them, a stretch of withered grass and 
herbage, and a stone wall on the left, make up the foreground. 
Beyond is a little space of farming land and a timbered hillside. 
The sky is filled with gray cloud. In the general color scheme 
of grays qualified with a little yellow-brown and green, the red 


corn-crib makes a note of value. 
Signed at the lower left. 


Property of Mr. E. A. Gurnee. 


Pero. Dio 
ere leott fe nH Sa sate 


Guy Carleton Wiggins, A.N.A. 
AMERICAN: 18€3— 


65—A BLOW FROM THE NORTHWEST 


Height, 25 inches; length, 30 inches 


A scEeNE on Fifth Avenue at 34th Street, looking northward. 
The wide roadway and sidewalks and the buildings on the 
west side of the street occupy the central part of the canvas, 
and a snow-fall blown by the wind partly obscures the figures 
and vehicles, the buildings farther up the street being prac- 
tically obliterated by the blinding storm. Some bright notes of 
red, green and yellow in the automobiles and a ’bus climbing 
the hill spot the white snow-covered roadway. 


Signed at the lower left. 
Property of Mr. Freperic B. THomason. 


370. Sreclen ting Coe 


Guy Carleton Wiggins, A.N.A. 
AMERICAN: 1883— 


66—NEW ENGLAND: AUTUMN ON THE HILLS 
Height, 25 mches; length, 30 inches 


PasTuREs with herbage seared by early frosts, sloping upward 
on the left, occupy the foreground. Near the middle of the 
picture is a group of trees, mostly bare of foliage, and beyond, 
on the right, fields and belts of trees partly under cloud shadow 
stretch away into the distance. The sky is composed of gray 
clouds with a bit of blue in the-upper right. 


Signed at the lower left. 


HW. LeMy yee 


Property of Mr. E. A. Gurnee. 
qs. 


Charles Harold Davis, N.A. 
AMERICAN: 1856— 


67—_MELTING CLOUDS 
Height, 30 inches; width, 25 inches 


A LANDSCAPE with a foreground of rugged green pastures lying 
in shadow with a piece of country beyond stretching away to 
a low horizon. In the high sky are masses of clouds with inter- 
mingling spaces of blue. Notable as an effect of nature truth- 
fully observed and rendered in a distinguished scheme of 
color. 

Signed at the lower left. 


Property of Mr. Freperic B. THomason. 


Frederick W. Kost, N.A. 
AMERICAN: 1861— 


68—THH STONE BRIDGE 
Height, 20 inches; length, 24 inches 


In the middle of the composition is a stone bridge with three 
arches under which passes a stream, proceeding from the left 
through a foreground of vivid green. At the left end of the 
bridge is a clump of oaks and on the right a belt of trees to 
balance them. Blue hills appear beyond and the sky is com- 
posed mostly of clouds of whitish gray with some blue, in the 
upper part, more or less streaked with white vapor. ‘The effect 
is in early autumn when leaves have colored but the grass has 
not yet been bitten by the frost. 


Signed at the lower right. 
Property of Mr. Enywarp G. O’Reinty. 


17 0, Pa aa hah se 


EK. Irving Couse, N.A. 
AMERICAN: 1866— 


69—A VILLAGE STREET IN FRANCE 
Height, 24 inches; length, 29 inches 


In the foreground a peasant woman, carrying a child on her 
arm, and another one holding on to her apron, approaches the 
spectator through a village street lined with low-browed houses 
of stucco construction with red-tiled roofs. The hour is early 
evening and lamp-light shines gently from a green-shuttered 
window in a house on the right. At the end of the street, in the 
distance, some tree forms are indicated and a warm-tinted gray 
sky fills the upper part of the canvas. : 
Signed at the lower left. 


Property of Mr. E. A. Gurnee. a 
=F I ty — 
lod. sae ana ee 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


70—MOONLIGHT 
Height, 28 inches; length, 36 inches 


A MEADOW with a pool in the middle foreground near which a 
horse and cart are dimly seen, a tree on the left with foliage 
reaching to the top of the canvas, a group of trees beyond, 
and a belt of trees on the right, occupy the lower half of the 
canvas. ‘The foliage masses are so placed that a vista opens up 
showing the full moon just above the distant hills, and in the 
upper part of the sky are clouds which, both in color and 
value, serve to balance the darker warm tints of the foreground 
and middle distance. 

Signed at the lower left. 


Property of Mr. Freperic B. THomason. 


Thomas Moran, N.A. 
AMERICAN: 1837— 


71—_THE APPROACHING STORM 


Height, 20 inches; length, 30 inches 


A roapway at the left, leading across a sedgy foreground, 
crosses a stream by a bridge in the middle distance and con- 
tinues its course past a group of trees on the left. On the 
right, on the farther shore of the stream, is a mass of trees, 
their trunks and foliage shining in the sunlight, which illumines 
that part of the picture. The sky shows great masses of dark 
gray clouds mingled with others of white, and a space of broken 
blue above in which cirrus clouds are twisted by the wind. A 
summer shower is passing on the extreme left. 


Signed at the lower right. 


Property of Freperic B. THomason, Esa. 


PLS. ty Le hubehed, 


Edwin Lord Weeks 
American: 1849—1908 


72—PALACE AND LAKE AT SARKEH, AHMEDA- 
BAD, INDIA 


Height, 28 inches; length, 38 inches 


AN elaborate summer palace formerly much used by one of the 
old kings, now rapidly falling into ruins. On the lake is 
shown the rajah’s own pleasure boat with its crew of oarsmen in 
dark blue livery, while the rajah with his suite sits under the 
red awning in the center. A palanquin borne by four bearers 
having just brought-down one of the party is on the right. 


From sale of the artist’s works, American Art Association, No. 280, 
March, 1905. 
_ Property of a Private Collector 


J. EKenaes 


GERMAN: CONTEMPORARY 


73_FISHING IN THE BAVARIAN ALPS 


Height, 23 inches; length, 41 inches 


A PARTY, consisting of a man, a young woman, and a boy, are 
depicted in a large punt in the smooth deep waters of a lake 
in the Bavarian Alps. The young woman holds the oars, the 
man is holding over the side a net, and the little boy is intently 
watching to see what is about to come up in it from the water. 
The personages are of the comely Bavarian type and the land- 
scape setting, showing the hills beyond the water, is char- 
acteristic of the country. 


Signed at the lower right, and MtncuEN. 


_ Purchased from Wimmer & Co. 


From the collection of the late Leon MANDEL. 


4A 
3 7 Ss. a ye Bion tae 


J. Clayton Adams 


BritisH: ConTEMPORARY 


74A—MIDSUMMER IN ENGLAND 


Height, 22 inches; length, 38 inches 


A smitine English landscape with a field of wheat in the 
foreground being harvested by the reapers. In the portion on 
the right, which is yet uncut, there are red notes given by 
poppies, and notes of white, blue and black by the clothing of the 
harvesters. The field slopes upward on the right, where it is 
bordered by a group of full-foliaged trees. On the left, be- 
yond the field, is a wide valley showing meadows and stretches 
of timber with hills in the distance. The sky is composed of 
gray and white clouds with spaces of blue. ‘The whole is in 
sunlight. 


Signed at the lower right and dated 1885. 


T'o be sold to close an Estate. 


LOO. AP Gita 


Paul Joseph Constantine Gabriel 
Dutcu: 1828— 


75—LANDSCAPE 


Height, 26 inches; length, 40 inches : 


In a stubble field, with a line of shocks on the left, two men 
are loading the crop on a cart. The sky shows large masses 


of gray and white clouds with a space of gray blue at the upper 
left. 


Signed at the lower left. 
Property of a Private Collector. 


Siew. D tes War>r2t- 


Aime Perret 


FrencH: CONTEMPORARY 


76—-SHEPHERDESS — 


Height, 26 inches; length, 32 inches 


A YOUNG woman with red bodice and brown skirt, wearing 
sabots and a kerchief of red and gray, is seated on a big bowlder 
in the foreground of a pasture-field, with her flock of sheep 
crowded close about her as they crop the herbage. While tend- 
ing her sheep, the young woman is busy with a distaff held 
in her right hand, and a bobbin in her left. Beyond is a stretch 
of farm country and an afternoon sky with the sun behind a 
cloud radiating bands of light in the hazy atmosphere. 


Signed at the lower right. 


Purchased from Edward Brandus, New York. 


Property of Mr. Irvine T. Busu. 


Bo te dLahulthaly 


Henry W. Ranger, N.A. 
American: 1858—1916 


77—_MOONLIGHT 
Height, 28 inches; length, 36 inches 


In the foreground, which shows the shore of an inlet, a vessel 
with derricks is unloading cargo, which is being taken away in 
carts. Across the inlet, in the middle distance, rises a strip 
of shore, and above is a night sky of qualified blue, in which 
are two great masses of cloud. The moon, veiled by the lower 
: mass, sheds its light on the waters of the inlet. 


Signed at the lower left, and dated ’97. 


Property of Mr. Homer Ler. 


S060. es Ce. % bak 


Julian Rix 
AmERIcAN: 1851—1903 


78—_LANDSCAPE 


Height, 32 inches; length, 42 inches 


Tue shallow waters of a stream are seen in the foreground, 
with a roadway passing across into the middle distance where 
there are fields, trees and hills shining in the sun. This vista 
is framed in by great trees on either side with foliage occupying 
all the upper part of the canvas. The sky, which appears in 
the middle portion of the composition, shows some strong blue 
and masses of warm-tinted white clouds. 


Signed at the lower right. 
Property of a Private Collector. 


LL. fo, & eee 


(/ 


ee a 


oe, 


goss 


gic 


Thomas Moran, N.A. 
AMERICAN: 1837— 


79—MOONLIGHT AFTER STORM IN MID-OCEAN 
Height, 30 inches; length, 40 inches | 


Tues lower half of the picture is filled by the ocean, tumbling 
in great waves, and the upper part shows masses of dark clouds 
breaking up in the center where the full moon is seen in a 
space of light blue. 


Signed at the lower left, and dated 1902. 


On back, imscription: “Painted for J. G. Moulton, T. 
~ Moran, 1902.” 


Property of a Private Collector. 
SEZ es AV oT a he ag. 


S37 5. 


J. H. L. de Haas 


DutcH: ConTEMPORARY 


80—CATTLE 
Panel: Height, 31% inches; length, 8914 inches 


A cow, dark red and white, is standing in the foreground, in 
side view, while a bull, black with white face, stands beside her, 
on the left. ‘The two animals are grouped with their heads 
near together. A piece of hedge is seen at the left and a barrier 
on the right, behind which are two dun-colored cows, looking 
over. Beyond are a plain, with many cattle grazing, a wind- 
mill and a sky of gray clouds. 

Signed at the lower right. 


To be sold to close an Estate. 


Robert Cromwell Minor, N.A. 
AMERICAN: 1840—1904 


81—MORNING AT NIANTIC 
Height, 36 inches; length, 54 mches _ 


From a foreground where a road leads through a forest, all 
in shadow under red and brown foliaged trees, there is a view 
through an opening of the country beyond. The light is con- 
centrated on this part of the picture, which is near the middle 
of the canvas, and in the blue sky with white clouds which 
appears through the gaps on the edge of the wood. — 


Signed at the lower right. 
Purchased direct from the artist. | 


Property of Mr. Homer Ler. 


25, ff. Uae 


SECOND EVENING’S SALE 
THURSDAY, JANUARY 25, 1917 


IN THE GRAND BALLROOM OF 
THE PLAZA 


FirtH AVENUE, 58TH TO 59TH STREET 


BEGINNING PROMPTLY AT 8.15 0’CLOCK 


Louis Paul Dessar, N.A. 
AMERICAN: 1867— 


82—THE OX THAM 
Millboard: Height, 10 inches; length, 14 mches 


A TEAM of white-faced red oxen drawing a cart and advancing 
toward the foreground. Landscape setting in autumn tints. 


Signed at the lower right. 
Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REILty. 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


88—-LANDSCAPE AND CATTLE 


Height, 10 inches; length, 12 mches 


Two cows, one black and white lying down, and the other light 
brown and white standing a little farther away than her com- 
panion, are seen in the foreground, which shows the green 
grass of an orchard, a row of apple trees on the left, and one 
or two other cows grazing in the open spaces beyond. On the 
right, in the distance, are some farm buildings; and a summer 
sky, with white clouds, fills the right upper half of the picture. 


Signed at the lower left. 
Property of Mr. Justus Morris, JR. 


Pe ty dakutthecy 


J. Francis Murphy, N.A. 
AMERICAN: 18538— 


84A— AUTUMN 
Panel: Height, 71/4, inches; length, 10 inches 


A sTRETCH of country with a clump of trees in autumn foliage 
on a hill at the right; sky of warm white with a little space 
of blue in the upper center. 


Signed at the lower left, and dated 1916. 


Property of Mr. Evwarp G. O’ReItry. 


eed Prclak: 


B2S. 


Homer D.Martin, N.A. 
AMERICAN: 1836—1897 


85—_LANDSCAPE 


Height, 9 inches; length, 15 inches 


A. roAD leads from the foreground along the shore of a river 
lined with trees into the middle of the picture, where it disap- 
pears around a bend. On the right is a glimpse of the river 
and the farther shore, with trees and hills. A bit of sky is 
seen through the foliage, on the right, and there is also a 
glimpse of it in the upper left of the canvas. 


Property of a Private Collector. 


18 O fie OD Leott- 


Alexander H. Wyant, N.A. 
-AmeERICAN: 1836—1892 : 


86—_LANDSCAPE 
Height, 8 inches; length, 11 anches 


A WIDE, grass-covered plain fills the lower half of the picture 
and some trees are seen on the horizon, at the right. Cattle are 
indicated grazing in the foreground, which lies in shadow, and 


a sky of gray and white clouds is depicted with free, prompt 
execution. 


From the Executor’s sale of the artist’s work at the Ortgies Galleries, 
New York, 1894. 


J. M. Lichtenauer Collection, Catalogue No. 93, New York, 1913. 
Property of Mr. Enwarp G. O’REILty. 


QO, Sekot 6. tea 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


87—_ AUTUMN 


Height, 8 inches; length, 10 inches 


A CHARMING little rendering of an autumnal subject, showing 
a steep bank on the left where appears a tree covered with 
brown foliage, a stream amid the sedges in the middle of the 
canvas, a blue mountain in the distance, and a gray sky ac- 
cented, where the light breaks through, by warm tinted white. 


Signed at the lower left. 


Property of Mr. Justus Morris, JR. 


w5.0. 


Prosper Etienne Berne-Bellecour 
Frencu: 1838—1910 


88—ARTILLERY MEN 


Height, 91% inches; width, 6 inches 


A FULL-LENGTH figure of a French artilleryman, pouring 
liquid of some kind from his canteen into a tin cup which he 
holds in his right hand; the uniform dark blue with red trim- 
mings, and the lower part of the trousers, finishing in leather, 
belonging to the period of the 80’s. 


Signed at the lower left, and dated 1886. 
Property of Mr. Justus Morris, Jr. 


Jo, ty dehulled 


Edouard Detaille 
Pp recn: 1846--1912 
89—A LANCER 


Panel: Height, 13°4 inches; width, 10 inches 


AN extremely interesting example, depicting a lancer in scar- 
let uniform, mounted, lance in hand, carbine in leather case 
slung over the shoulder; scarlet saddlecloth, and black astrakhan 


cap with white aigrette. 
Signed at the lower left, and dated 1880. 


By order of Mrs. Haroup THorne, daughter of the late H. S. Wizson. 


Beli 


FAS 


Stanislas Lepine 
Frencu: 18386—1892 


90—LANDSCAPE 


Height, 834 inches; length, 1334 inches 


Pasture lands in the foreground, with cattle grazing under 
trees on the left, and a girl with gray jacket and white cap 
seated on the grass; sky of blue with white clouds. 


Signed at the lower left. 
Property of a Private Collector. 


Stanislas Lepine 
Frencu: 1836—1892 


91—_THE OUTSKIRTS OF ROUEN 
Height, 8 inches; length, 1414 inches 


THE river Seine, with its banks in the foreground, and view 
of the town in the distance, with cathedral and church towers; 
sky of gray clouds with a few spaces of blue. 


Signed at the lower left. 
Property of a Private Collector. 


Jules Dupre 
Frencu: 1812—1889 


92—COWS DRINKING AT A POOL 
Height, 634 inches; length, 10% inches 


At the edge of a large pool, in the foreground, the water of 
which looks as if it might be deep, some cows are slaking their 
thirst, while on the bank on the right, a farm woman with black 
cloak is seated, keeping watch. 'The middle distance shows 
level pastures and trees, well spaced for effectiveness in the 
composition, and there are hills beyond. <A fine sky, with 
masses of cumulus clouds and gray-blue spaces above, com- 
pletes the picture. 

Signed at the lower right. 


Property of the Estate of the late Cot. Henry O. Serxas. 


/ OOO, bn. Yriseclle, 6? 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


983—-BREAKING CLOUDS 
Height, 8 inches; length, 12 inches 


A FOREGROUND of level meadows with a pond on the right, near 
which is a tree in autumn foliage; farther away, on the right, a 
hillside, and on the left a distant stretch of country; all in sub- 
dued tints of brown, green and gray. Overhead, a luminous 
sky with masses of clouds, gray and warm white, in the lower 
part, dark gray above, and a touch of orange at the horizon. 


Signed at the lower left, and dated ’87. 
Property of Mr. Epwarp G. O’REILLy. 


ii sar Pe 
a ag 


Elliott Daingerfield, N.A. 
AMERICAN: 1859— 


94 _HHRO LAMENTING LEANDER 
Millboard: Height, 10 inches; length, 12 inches 


AL FULL-LENGTH nude female figure, in back view, leaning 
against rocks, on the left, at the shore of the sea, where an 
improvised altar fire is burning. Surging waters, dark blue, 
with crests breaking in qualified white, occupy the rest of the 
canvas except for a bit of sky. 


Signed at the lower center, 


On back, a painted inscription: “Study for Hero Lament- 
ing Leander, E. D.” 


Property of Mr. Epwarp G. O’ReEItty. 


Bruce Crane, N.A. 
: AMERICAN: 1857— 


95—GOLDEN HILL 
Height, 12 inches; length, 16 inches 


A STUBBLE field through which passes a winding road and trees, 
on the left, occupy the foreground. Farther away is a strip 
of plowed ground with corn shocks and farm buildings. Be- 
yond rises a hillside with farm fields bordered by fences. The 
effect is in sunlight under a hazy gray sky, and the general 
tone of the picture is cast in brown-yellows. 


Signed at the lower right. 
Purchased direct from the artist. 
Property of Mr. Epwarp G. O’REILty. 


Dogs Xt 0 Weld 


Johan Barthold Jongkind 
Durcu: 1819—1891 


96—MOON LIGHT 
Height, 16 inches; width, 13 inches 


Tux foreground is occupied by harbor waters in which, on the 
right, is a vessel with bare masts. Beyond, on the right and 
in the middle of the picture, are the buildings of a town and 
waterside lights. Overhead is a sky of clouds illuminated by 
the full moon, its light reflected on the water through the 
middle of the foreground. 


Signed at the lower right, and dated 1867. 


Purchased from Bernheim Jeune et Cre, Paris. 


By order of Mr. Arruur M. Nowak, New York. 


Bernardus Johannes Blommers 
DutcH: 1845—1914 


97—PREPARING DINNER 


Height, 11 inches; length, 14 wches 


In a Dutch cottage living room, with a window on the right 
looking out on a sunlit garden, a woman with dark blue skirt 
and yellow apron is kneeling in front of a fireplace, holding 
a frying pan in her hand, where she is cooking dinner. A little 
girl in blue with a white cap is seated on a low stool beside 
her and has already a taste of the soup in the china spoon she 


holds in her right hand. 


Signed at the lower right. 
Purchased direct from the artist. 


Property of Mr. Evwarp G. O’REILLy. 


4 OO. Ay te _bx > 


Jacob Maris 
DutcH: 1837—1899 


98—BOATMAN 
Height, 15 inches; width, 8% inches 


AT a riverside, covered with green grass, a boatman with blue 
blouse is hauling his skiff inshore, to tie it up. Just beyond is 
a cottage with red roof and, a little farther away, on the right, 
is another with white walls. On the left is a group of tall trees. 

_A high sky shows an admirably composed mass of clouds of 
warm white with clear blue above. ' 


Signed at the lower left. 


Property of the Estate of the late Cou. Henry O. Serxas. 


JQ00, | y. Fi retler Co 


J. Francis Murphy, N.A. 


AmERrIcANn: 18538— 
99 THE WOOD LOT 
Height, 14 inches; ; length, 19 inches 


Brown fields, with a few patches of green, slope from the fore- 
ground to the distance, on the right, while, on the left, a piece 
of woods makes the skyline. A tree, bare of leaves, raises its 
thin branches near the middle of the picture. Scattered about 
are logs and piles of firewood, and gray clouds fill the sky. 


Signed at the lower left, and dated 1914. 


Property of Mr. Epwarp G. O’Reintry. 


LOS (VG 4 


Louis Paul Dessar, N.A. 
AMERICAN: 1867—- 


100—LANDSCAPE 
Millboard: Height, 1084 inches; length, 1324 inches 


A. BROOK in the woods tumbles through spaces between great 
bowlders in the foreground, slender trees fill the upper part 
of the picture, and a bit of blue sky is seen at the right. 


Signed at the lower right. 


Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REItty. 


= fy abate 


Alexander H. Wyant, N.A. 
AMERICAN: 18386—1892 


101I—_THE POOL IN THE FOREST 
Height, 12 inches; length, 15 inches 


Deep in the woods, under the shade of great trees in autumn 
foliage, is a pool amid some great gray bowlders. ‘The low- 
toned color scheme is characterized by subdued browns, grays 
and greens, and a bit of sky, appearing in the distance on the 
right, through an opening in the foliage, serves to accentuate 


the somber shadows of the forest. 
Signed at the lower left. 


Purchased direct from the artist by the late Mr. Gustav Reichard. 


Property of Mr. E. A. Gurnee. 


~ f) Pf 
wv. 2) 7. Ipoh bfv, ee 


4 i 
Vv C4 


GFO |, 


Robert Cromwell Minor, N.A. 
AMERICAN: 1840—1904 


102—TWILIGHT 


Height, 12 inches; length, 16 inches 


In the middle foreground a road, on the left two or three slen- 
der trees, and on the right a hillside with groups of trees crown- 
ing the summit. In the roadway is the figure of a woman with 
a dog at her side. All these elements are in subdued tints of 
warm greens, grays, and browns, and are in harmony with 
an evening sky which shows a large space of blue in the middle 
portion and a bank of clouds at the horizon, warm-tinted where 
the sun has set. 


Signed at the lower right. 
Property of Mr. E. A. Gurnee. 


3/o. KD, & (otlfe, fa. 


Childe Hassam, N.A. 
_-AMERICAN: 1859— 


1083—NOCTURNE 
Height, 18 inches; width, 15 inches 


A Paris street scene at evening, with numerous figures, after 
rain has drenched the asphalt so that it reflects as clearly as 
a sheet of water. In the immediate foreground, with back to 
the spectator, is a young woman with white bodice and yellow- 
brown skirt picking her steps as she reaches the sidewalk curb, 
and a little farther away are two boulevardiers in top hats, a 
midinette, with a blue bandbox, and other men and women. 
Beyond are the foliage of the sidewalk trees, lamps aglow at 
a booth and, in the left upper corner of the picture, a space of 
rain-soaked gray sky. | | 
Signed at the lower left. 
Purchased from the artist, 1891. | 
J. M. Lichtenauer Collection, Catalogue No. 122, New York, 19138. 


Property of Mr. Epvwarp G. O’REILty. 


e@2QS. 
George H. Bogert, A.N.A. 
AMERICAN: 1864— 


104 _ A PTERGLOW 


Panel: Height, 12 inches; length, 16 inches 


Tue foreground, with a pool and bowlders, is subdued to ac- 
centuate the reddish glow that permeates the rest of the land- 
scape, showing ruddy light on the foliage of trees and a strip 
of meadow in the middle distance. Hills beyond, again, are 
cast in dark blue for greater contrast and the sky after sunset, 
with crescent moon high up on the left, flames with yel- 
low near the horizon and passes into blues above, where red 
clouds are floating. 

Signed at the lower right. 
Purchased direct from the artist. 


Property of Mx. Evwarp G. O’REILty. 


/& 0. a Sekutthas 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


105—AFTERNOON ON THE MEADOWS 
Height, 14 mches; length, 19 inches 


Tur meadows, occupying the foreground and middle distance, 
are dull green and tawny in the autumn season; a little stream 
runs through them, on the left, and the blue smoke of a brush- 
wood fire is blown across them by the wind. On the right, a 
group of trees with sparse foliage of yellow and brown reaches 
up to the top of the canvas. 


Signed at the lower left, and dated 1913. 


Property of Mr. Epwarp G. O’Reirtry. 


/300. 


Edouard Detaille 
Frencwu: 1848—1912 


106—_THE BUGLER 


(Pen and charcoal drawing tinted with water color) 
Height, 1914 inches; width, 141 inches 


A FULL-LENGTH standing figure of a French soldier in full field 
equipment. With his left hand he holds the strap of his rifle, 
which is slung over his shoulder, and with the right he holds 
against his side a bugle with the usual appendages of cord and 
tassels. Back of the soldier is a body of troops waiting at 
rest for the order to advance. 


Signed at the lower right, and dated 1883. 


Property of Mr. Wittram H. Hetrick. 


pe | aT A ty) aee, 


Jean Charles Meissonier, fils 


FRENCH: 
107—_MUTUAL FRIENDS 
Height, 20°84 inches; width, 1838 inches 


A CAVALIER, in gray with white ruff and wristlets, and red 
stockings, wrapped in a black cloak and carrying a silver- 
topped malacca cane in his left hand, has stopped before a vine- 
: covered piazza to greet two friends, a young man and a young 
woman, who are leaning over the balustrade. The lady wears 
a costume of yellow and gray and the young man, who is 
dressed in light blue, is shaking hands with the passing friend 
while, as he is evidently a painter, with his left hand he holds 
his palette and brushes. 


Signed at the lower right, and dated 1883. 


T'o be sold to close an Estate. 


2 ae 
o2 F< AG 4 MM = Lake V4 7 wor nS. J 


Josef Israels 
DutcH: 1824—1911 


108—THE FISHER BOY 
Panel: Height, 20 inches; width, 1314 inches 


_A Boy, with brown cap and jacket, blue kerchief at the neck, 
and red trousers rolled up above the knees, is wading through 
the breakers of the sea in the foreground, carrying a little girl 
on his back. In the offing on the right, a vessel is indicated, and 
the sky shows a little strip of blue amid gray clouds. 


Signed at the lower right. 
Purchased from William Schaus. 


By order of an Executria. 


ISO, Pho 7 


senescent 


Bernardus Johannes Blommers 
Dutcu: 1845—1914 : 


109—_THH BIG BROTHER | 
Height, 12 inches; length, 16 inches 


In the shallow waters of an inlet, where all are wading, a boy 
is sailing a toy boat, a performance that is evidently greatly 
admired by two smaller children, little girls. In the middle 
distance is a sand bar where children and young people are 
sitting while others bathe in the shore water. ‘The yellow-green 
sea, beyond, and a strip of blue-gray sky complete the picture. 


Signed at the lower right. 


Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REILLy. 


ES 7, deh thon, a 


Sir Thomas Lawrence, P.R.A. 
Bririso: 1769—1830 


110—M ASTER ANGERSTEIN 
Height, 1534 inches; width, 1234 inches 


A LIFE-SIZE bust portrait of a lad with light brown hair, in 
gray jacket and white collar, the head in three-quarter view 
to the right. 


J. Abner Harper Collection, Catalogue No. 16, New York, 1911. 
By order of Mr. Arruur M. Nowak, New York. 


VO. I~ 6. B. Clore 


Jan Van Baan 
Dutcu: 16383—1702 


11I—PORTRAIT OF A DUTCH ADMIRAL 
Panel: Height, 1514 inches; width, 12 inches 


THREE-QUARTER-LENGTH portrait of a man with long curling 
dark hair and small mustache, the head turned to the left, and 
holding a baton in his right hand, while the left hand, gloved, 
is placed on the hip. The admiral’s uniform of gray is trimmed 
with gold bullion, a white lace collar shows below the chin, and 
there are great bows of black ribbon on the right shoulder and 
the forearms. <A black girdle with gold tassels encircles the 
waist. At the right, where there is a sea view, a frigate is 
seen with an ensign of red, blue and white. 


By order of Mr. M. Nowak, New York. 


3 TEE Bee ok 


Unknown Artist 


112—PORTRAIT OF A GENTLEMAN 
Height, 20 inches; width, 1714 mches 


A BUST portrait, with the head in three-quarter view, of a 
gentleman with long dark hair, wearing a gray coat with 
metal buttons, and lace-trimmed collar. ‘The slashed sleeves 
disclose at the shoulders the folds of a white shirt. » 


In the upper right hand corner is the following scription: 
AUTATIS. 22. 
20—1682 
Dien SE. 


By order of an Executor. 


Attributed to Federigo Zucchero 
SPANISH: 1543—1609 


11I3—MARY, QUEEN OF SCOTS 
| Panel: Height, 18 inches; width, 16 inches 


A BUST portrait of the Queen, the head in three-quarter view. 
The costume consists of a small black cap with pointed front, 
under which shows the brown hair, a large ruff, and gown of 
black with metal buttons on the bodice. 


J. Abner Harper Collection, Catalogue No. 80, New York, 1911. 
By order of Mr. Artuur M. Nowak, New York. 


JO: Xa, Park 


Alonzo Sanchez Coello 
SpanisH: 1515—1590 


114—PORTRAIT OF A LADY 
Panel: Height, 2114 inches; width, 1714 inches 


A LIFE-S1ZE bust portrait of a lady, the head in three-quarter 
view, whose golden-brown hair appears under a black velvet 
cap. Her rich costume shows a black velvet gown with white 
collar edged with lace, and she wears earrings with pearls, 
and a gold neck-chain, also ornamented with pearls. A medal- 
lion appears on the front of the corsage, suspended by a black 
ribbon which passes under the collar of the gown. 


By order of an Executor. 


a 2, LD/ 
32. SO. MW, Ld), Z Reet a feed 


Ignacio Leon y Escosura 
Spaniso: 1834—1901 


115—THH CONVALESCENT PRINCE 


Panel: Height, 19%4 inches; length, 24 inches 


In a sumptuous apartment, with walls covered with tapestry, 
and a painted ceiling, is a bed draped with curtains falling 
from a red and gold canopy, in which, propped up on pillows, 
is a little prince, who is receiving from a woman attendant a 
cup of nourishment which she is pouring from a pitcher. Near 
the foot of the bed is a group composed of two gentlemen in 
pink coats and a lady in a gown of white with embroidered flow- 
ers. ‘They are sipping chocolate while they chat, and back of 
this group stands a gentleman functionary dressed in black, 
who holds a ewer and towel. 


Signed at the lower left, and dated 1872. 


By order of Mrs. Harotp TuHorne, daughter of the late H. S. Witson. 


Jan Van Huijsum 
Durcu: 1682—1749 


116—STILL LIFE 
Height, 2534 inches; width, 18 inches 


A. LARGE glass bottle, wrapped with strips of twisted corn 
leaves, holding some red and white carnations. It is placed 
on a stand; a little lizard and a grasshopper appear on either 
side of it; butterflies are seen, one large one sitting on a loosened 
_withe of the wrapping, the two others hovering about the 
flowers. =n 


J. Abner Harper Collection, Catalogue No. 89, New York, 1911. 
By order of Mr. Artuur M. Nowak, New York. 


Z q 

SO. C RS Se DOR 

Bruce Crane, N.A. 
AMERICAN: 1857— 


117—_AUTUMN DAY 
Height, 14 inches; length, 20 inches 


Siopine fields with a stone fence and roadway on the right, 
and a pool near the middle, occupy the foreground. On the 
right beyond are trees in brown foliage, and farther away a 
hillside showing blue in the haze. The white wall of a house 
makes an accenting note on a hillside at the left. Clouds are 
seen vaguely in the sky through the haze of an autumn day. 


Signed at the lower right. 
Property of Mr. E. A. Gurnee. 


tts TBer-~2t- aw: 
7 4 : 


Guy Carleton Wiggins, A.N.A. : 
AMERICAN: 1883— 


118—THE TOP OF NOANK 
Millboard: Height, 12 inches; length, 16 inches 


In the middle of the picture is a three-masted schooner, at 
a wharf in the foreground, with a house, garden and shade trees 
nearby. Beyond is the sea, reflecting a sky of blue and gray, 
its surface dotted with white sails. Bright tints of green, 


red, yellow and blue accent the representation of the elements 
in the foreground. 


Signed at the lower left. 


Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REILLyY. 


1/00, , Aare Ge Lone 


Ernest Lawson, A.N.A. 
AMERICAN: 1873— 


119—HIGH BRIDGE 


Height, 16 inches; length, 20 inches 


From rocky heights, on the left, the view includes railroad 
tracks, where locomotives are puffing; the Harlem River, filling 
the middle part of the picture; High Bridge crossing it, some 
distance away, and the heights of the upper part of town, 
spotted with buildings and bare trees. The sky shows some 
blue above and streaky, horizontal cloud forms. Strong tints 
of green in the water, under the farther shore, and of red and of 
yellow in buildings and other features of the landscape, mingle 
with good effect with notes of white and lilac-gray. 


Signed at the lower right. 


Purchased direct from the artist. 


Property of Mr. Evwarp G. O’REILLY. 


Daniel Ridgway Knight 
AmeErIcAN: 1845— 


1200—-HOMEWARD BOUND 
Height, 22 inches; width, 18 mches 


A Group of two figures composed of a young peasant mother 
and a little girl at her side, holding hands as they walk along 
a pathway in the foreground, which leads down from a hillock 
on the right. The young woman has a sickle in her right hand 
and carries a great bunch of greens on her back. On the left 
is a stretch of country with a river and distant hills, an evening: 
sky appearing above. 

Signed at the lower left, and dated 1877. 


Property of Mr. Freperic B. THomason. 


/65 oP. oe | 


Thomas Moran, N.A. 


AMERICAN: 1837— 
121—_IN THE FOREST 
Height, 231% inches; width, 12 inches 


In the foreground, where are some great bowlders, the trunks 
of large trees are seen with patches of sunlight illuminating 
them as it filters through the foliage above, the foliage show- 
ing here and there autumn tints of brown amid the green of 
the upper part of the picture, through which are seen some 
little spots of a dark blue sky. The figure of a woman in a 
red dress appears in the foreground at the foot of one of the 
big trees. 

Signed at the lower right, and dated 1903. 


Property of Mr. E. A. Gurnee. 
/50, i SU a ees (ahd 


Bruce Crane, N.A. 
AMERICAN: 1857— 


122—THE SUNSET HOUR 


Height, 15 inches; length, 20 wches 


A. LUMINOUS sky of pale greenish-blue with cloud forms in 
the upper part, and also at the horizon, showing strong tints of 
yellow and orange, is the principal feature of this landscape. 
The foreground and middle distance are somewhat vaguely 
indicated in dark rich color. <A tree near the right center, and 
the branches and a bit of the foliage of two others on the 
extreme left, help to emphasize the brilliancy of the sky. In 
the imyuediate foreground the reflection of the sky is indicated 
in a pool. 

Signed at the lower left. 


Property of Mr. E. A. GuRNEE. 


clo 
160. . 


Ralph Albert Blakelocks N. aN, 
AMERICAN: 1S4y cee 


123—CALIFORNIA LANDSCAPE 


Height, 16 inches; length, 24 inches 


A HILLOCK crowned with trees and bushes, on the right, and 
a clump of trees in russet foliage, on the left, are on either 
side of a glade in the foreground, where two little figures make 
cool notes of blue and white in their richly colored environment. 
The sky, rising from a low horizon, shows warm yellows below a 
and gray clouds above, the whole varied by a little dull blue. — 


C. C. Vandoren Collection, New York, 1890. 
Property of Mr. Evwarp G. O’ReItyy. | a 


ae ee ee 


Chauncey F. Ryder, A.N.A. 
AMERICAN: 1868— 


124—_OCTOBER MOONRISE 


Height, 16 inches; length, 20 mches 


In the foreground of fields, traversed by one or two lines of 
fences, are trees which reach well up toward the top of the 
canvas. In the middle distance are a house or two and rising 
ground. Partly obscured by the tree branches, and well up 
in the sky, is the silvery disk of the moon. In the foreground 
fields are pale tints of gray-green and yellow, and the sky, while 
gray in effect, is made up of qualified tints of pale blue and 
pink. 


Signed at the lower left center. 


Purchased from William Macbeth, New York. 


Property of Mr. Freperic B. THomasoy. 


LF O, PAs Srnackethk 


Charles Harold Davis, N.A. 


AMERICAN: 1856— 
125—A WINDY DAY, OCTOBER 
Height, 17 inches; length, 21 inches 


A Rocky hillside with bowlders and trees in autumn foliage, 
with the crown of the hill making the skyline. The sky of blue 
shows white clouds driven by the wind. 
: Signed at the lower left. 
Purchased from Messrs. R. C. & N. M. Vose, Boston, 1908. 

J. #R. Andrews Collection, Catalogue No. 132, New York, 1916. 

_ Property of Mr. Epwarp G. O’REILLy. 


Henry Golden Dearth, N.A. 
AMERICAN: 1863— 


126—FLECKS OF FOAM 
Height, 18 inches; length, 2114 inches 


Rocks on the sea-coast, with the figure of a woman in a white 
frock and with a scarlet parasol, perched among them, fill the 
foreground and the right of the picture. The sea, blue and 
green, in the upper part of the canvas, breaks into foam as its 
waters scatter on shore. 

Signed at the lower right. 


Hugo Reisinger Collection, Catalogue No, 5, New York, 1916. 
Property of Mr. Epwarp G. O’REILLy. 


ee ons oe 
f 
agyY 


32S 


Henry W. Ranger, N.A. 
AMERICAN: 1858—1916 


127—OLD CHURCH AT BERTHIA 
Height, 18 inches; length, 25 inches 


A CHURCH, with dark red roof and a white belfry, is seen in— 
the left middle distance embowered in trees. The foreground, 
through which runs a little stream, lies below the neighboring 
country and shows the banks that surround it on the right. In 
the distance, across the plains, some buildings and a church 
are indicated, and above is a sky, mostly blue, with a mass of 
warm-tinted white clouds in the right upper portion. 


Signed at the lower left. 
Property of Mr. Homer Lek. 


WPS, Nowra 


Bruce Crane, N.A. 
~ American: 1857— 


128—GRAY NOVEMBER DAYS 
Height, 18 inches; length, 24 inches 


Pastures in the foreground, where there is a little stream on 
the right and some logs, newly cut, lie at the left, are seared 
to gray by the sharp frosts of November, while scattered bushes 
retain a few brown or yellow leaves. A stone fence bordering 
| the fields runs from the foreground into the middle distance 
where it disappears in the blue-gray masses of a forest. In 
i. relief against the blues and grays are some birch trees. On 
the left a stretch of fields and woods fades away to a horizon 
scarcely defined in the late autumn haze. The gray sky is 
lightest in its upper portion, for below the atmosphere darkens 
it to shades of blue. 


| Signed at the lower left. 


On back, in pencil, on stretcher: ““My dear O’Reilly, This 
is one of my best canvases. June 17, 1914.—Bruce 


be) 
* 


CRANE 


| Purchased direct from the artist. 
| Property of Mr. Epwarp G. O’REILLy. 


JOO. 


a 
‘ 
2 


Jean Charles Cazin 
FRENCH: 1840—1901 


129—LANDSCAPE 


Height, 24 inches; width, 1814 inches 


Just behind a grassy slope in the foreground is a somewhat 
dilapidated building with gray stone and red brick walls. On 
the right beyond are fields and a group of trees. The new 
moon is seen low down in the sky on the right, partly veiled by 


clouds which fill the upper half of the canvas with the excep-— 
tion of a break where blue is indicated. 


Signed at the lower left. 
Purchased from Bernheim Jewne et Cie, Paris. 


By order of Mr. ArrHur M. Nowak, New York. 


Vue 


{ 
i 


Georges Michel 
Frencu: 1763—1843 


130—A PPROACHING STORM 


Height, 20 inches; length, 26 inches 


A. BROAD roadway, filling the foreground and leading into the 
middle of the picture, is illuminated by the light from the 
sky while a stretch of country beyond shows very dark in the 
shadow of black storm clouds which are passing, a little above 
the horizon, from the right of the picture. While the con- 
trasts are strong, the general effect gives an impression of 


pictorial unity. 


Property of Mr. Homer Ler. 


300. ete Om 


Jean Baptiste Camille C 
Frencu: 1796—1 875. a oy, fe 


131—LANDSCAPE 


Height, 191, inches; length, 2614 
A LARGE pond, with trees on the right, in the 
hill and chalky cliffs in the middle distance, and a 
warm whites and grays. Near the lower center of th 
are some cattle on the farther edge of the pond and a 
seated figure. : ee 

Signed at the lowe 

Purchased from Bernheim, Jeune et Cre, Paris. | 


By order of Messrs Nowak & Voron, New York. 


D LAr 


we re 


Paul Jean Clays 
Betcian: 1819—1900 


132—ARRIVING IN PORT 
Height, 24 inches; width, 191% inches 


Two broad-beamed vessels are seen, bow on, in the middle of 
the picture, with their gray-brown and red sails and pennants 
at the topmast rising against a sky of white clouds with a 
few spaces of blue. Rowboats are passing on the left and the 
right, and in the distance is a windmill on shore. 


Signed at the lower right. 
Property of Mr. Irvine T. Busu. 


a NF WW. Rocd 


Yo oe 


Willem Maris 
DutcH: 1844—1910 


13883—_HOLLAND LANDSCAPE AND CATTLE 
Height, 241% inches; width, 201% inches 


Two cows, one white with reddish brown spots, the other black 
with white legs, in a somewhat marshy foreground with green 
herbage; on the left a narrow stream crossed by a bridge lead- 
ing to a windmill, hay stacks and buildings on the other side, 
where there is a group of black and white cattle; beyond, on 
the right, a stretch of level country. The sky is composed of 
clouds of warm gray with accents of yellow-white. 


Signed at the lower left. 


Purchased from Bernheim Jeune et Cie, Paris. 
By order of Mr. Antuur M. Nowak, New York. 


GbR, es 


Eugeéne Isabey 
Frencu: 1804—1886 


134—_LA CHASSE 


Height, 26 inches; width, 20 inches 


In the courtyard of a French chateau, which occupies the fore- wl y 


ground of the composition, is assembled a hunting party of 


two score or more figures, with horses and a pack of hounds. — 


The walls and towers of the chateau, which is a very beautiful 
specimen of French renaissance architecture, fill the upper 
part of the picture and are relieved in sunlight agaisnt a sky 
of blue with gray clouds. 'The costumes of the hunting party, 
and other occupants of the chateau who are depicted either on 
the balcony or descending the steps on the left, produce gay 


notes of light blue, pink, yellow and white, and play their ‘ 


part in a color scheme which is, in the main, held to a prevailing 
tone of gray. } 
Signed at the lower left, and dated 754. 
Collection of MM. Durand-Ruel. 

From the Henry Graves Collection, No. 46, New York, 1909. 
Property of Mr. Witiiam H. Huricx. 


GOO. tts, (bepniee 


ag. 


Etienne Prosper Berne-Bellecour 
Frencu: 18388—1910 


1385—UNDER SUSPICION 
Panel: Height, 21 inches; length, 29\% inches 


A. COMPOSITION of five figures, showing a French general and 
another French officer of high rank at the door of a tent on the 
right; a French under-officer in the middle of the picture, a 
German officer next to him, and on the extreme left a French 
soldier carrying a rifle. The under-officer, facing the general, 
is pointing his thumb at the German, who is evidently a prisoner 
just captured and who was probably taken under suspicious 
circumstances. The setting for the episode is a post estab- 
lished on a plain with a range of hills beyond, and a sky of 
light gray. A camp-fire is burning out in the immediate 
foreground on the right. 

Signed at the lower left, and dated 1891. 


Property of Mr. Freperic B. THomason. 


Gee Kellar Qrt- Saltf 


Frits Thaulow 
Norwecian: 1847—1906 


136—A CANAL IN VENICE 
Height, 24 inches; length, 29 inches 


In the foreground on the right is a landing place with an 
approach of stone steps leading from the water. The line 
of buildings on this side of the canal, the waters of which fill 
the middle portion of the picture, extends away to the distance, 
where the canal makes a bend, and its further course is cut off 
by the line of buildings on the left. The water shows tints 
of green and white, as well as the reflections of buildings, and 
the sky, blue in the upper portion, 1s warm-tinted below. 


Signed at the lower left. 


Purchased from Bernheim Jeune et Cie, Paris. 


By order of Mr. ArtHur M. Nowak, New York. 


Wes (- 


Constant Troyon 
Frencu: 1810—1865 


1387—_DONKEY, GOAT AND SHEEP 
Height, 26 inches; width, 20°4 inches 


A DARK gray donkey with white markings, standing, and a 
white goat and a sheep, both lying down, in the foreground ; 
farther away another goat and two sheep. In the distance a 


field with growing crops; overhead a sky of blue with white - : 
clouds. The effect is in sunlight with shadows cast across the oa 


middle foreground. | 
) Signed at the lower right. 


Peter Schemm Collection, Catalogue No. 277, Philadelphia, 1911. 


Property of a Private Collector. 


ae 
web 


= ae 
5% 
ee 


at 


Jean Charles Cazin 
Frencu: 1840—1901 


188—HOLLAND LANDSCAPE 
Height, 231 inches; length, 29 inches 


THE theme interpreted in this picture is a gray day in Holland 
with flat lands, a canal and some trees in the foreground. In i 
the middle distance, and still farther away, are windmills and 
red-roofed buildings. A high sky of warm gray clouds drift < 4 
ing to the left completes the picture. a 


Signed at the lower + Left. 
Property of a Private Collector. 


2700. 3 Met 


Bruce Crane, N.A. 
AMERICAN: 1857— 


1389—_NIGHTHF ALL 


Height, 20 inches; length, 30 inches 


Tuts composition shows, on the left, the shore of the sea with 
a number of fishermen’s cottages. A light appears in a win- 
dow here and there, and a man with a lantern is walking along 
the beach in the foreground. The right of the picture is oc- 
cupied by the expanse of the sea, and the moon, dimly seen in 
the clouded sky, casts its light on the waters. The composition 
is restful in design and the effect is well rendered. 


Signed at the lower left. 


By order of Mrs. Haroip THorne, daughter of the late H. S. Wirsen. 


Cele +6. SAO an 


Frederic Remington 
“AMBRICAN: 1861—1909 


140—THE AMBUSH 
Water Color: Height, 22 inches; length, 27 inches 


In the foreground, on an eminence in the Western deserts, 
three Indians lie in ambush behind some bowlders which are 
seen among the cactus and sage brush. They have evidently 
perceived a traveler on horseback, who appears coming into 
view on the right of the picture, and two of them are taking 
aim with their rifles. A stretch of the desert on the right and 
a blue sky complete the picture. 


Signed at the lower left, and dated 1901. 


Property of Mr. Frepreric B. THomason. 


Joseph H. Boston, A.N.A. 


AMERICAN: CONTEMPORARY 
141 _MOONLIGAT 
Height, 25 inches; length, 30 inches 


In the foreground, on the bank of a river, the trunks of several 
trees reach up to the top of the canvas. The river and the 
opposite shore, with lights gleaming from houses, occupy the 
middle distance. High up in the sky is the moon in a light haze 
of clouds, its light reflecting on the surface of the river and 
casting shadows from the tree trunks in the foreground. 


Signed at the lower right. 
Property of Mr. E. A. GuRNEE. 


ae ae tone OE 3g 


JO. 


Ivan G. Olinsky, A.N 
“AMERICAN: 1878— ae 


142--DOROTHY eae a 


with auburn hair, holding a red lacquered bowl w 
in her hands, on her lap. The costume cone o L 


blossoms on a. J apanese screen. 


‘s 


Signed at the lower right, 


d 


Purchased eo William Macbeth. 


Property of Mr. Frepveric B. THomason. 


J2S, : 3 Aare a y e 


Daniel Ridgway Knight oe 
American: 1845— iam - | ei, 3 


143—REV ERIE 
Height, 33 inches; width, 26 inches a 


A FULL-LENGTH figure of a young peasant girl in the garden — 
of the well-known artist who painted the picture. Green 4 
bushes and flowers of many hues, with a glimpse of the river — e 
on the right, the roofs of several buildings embowered among ee 
trees, hills in the distance, and a sky of gray with a few spaces __ 
of blue, form the setting. The girl is depicted standing near 
a stone wall, on which rests her basket; her right hand rest-_ 
ing on the hip and the left lightly holding her chin. The head — 
is inclined slightly and her attitude expresses the title given <a 
to the picture. - 2 
“Slane at the lower right. | 


Purchased from Arthur Tooth & Sons, Paris, 
A letter from Mr. Knight to the purchaser of this canvas states 
that the model who posed for the picture is “little Madeleine” and 


refers to the pleasure he found in executing the work. 


Property of Mr. Granam F. Buanpy. 


I/O. Kotlar Ge Gp Oth 


Bruce Crane, N.A. ; ; 
AMERICAN: 1857— = 


144—THAWING WEATHER 


Height, 30 inches; length, 36 inches. 


Here and there, in the gray meadows of the foreground, are 
patches of snow. On the hillside, which crosses the picture in 
the middle distance, patches are also seen through the trunks 
of a belt of trees. The hillside is crowned by a stretch of 
forest and above is a sky of pale qualified grays. ‘The pre- 
dominating tints of the color scheme are grayish and brownish 
green, violet and white. 


Signed at the lower right. 
Property of Mr. E. A. Gurnee. 


tea a fe 


i 


ye Ps: 
= 


Sen 


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- 


-” 


7 Guy Carleton Wiggins, A.N.A. 
. AMERICAN: 1883— 


145—SUMMER SKY 


Height, 28 inches; length, 36 inches 


A sky with a great mass of gray and white clouds fills more 
than half of the canvas; through the middle distance stretches 
a piece of country with some factory buildings and belts of 
trees, while the foreground shows an expanse of water. On 
the right is a boat with a white sail gleaming in the sunlight, 
and on the left is another boat with black hull and sail furled, 
fastened to a tying stake. 


Signed at the lower right. 
Property of Mr. E. A. GuRNeEE. 


CLO. 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


146—MOONLIGHT ON THE LAKE 
Height, 28 inches; length, 36 inches 


4A LAKE, with its shore on the right of the canvas, fills the fore- 
ground; on the right is a group of trees, and a belt of woods, 
dimly seen on the left, marks the farther shore. 'The moon, 


illuminating a sky partly filled with clouds, is reflected in the 
water. 


Signed at the lower left. 


Property of Mr. Freperic B. THomason. 


ISO. 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


147—THE CLOSE OF DAY 


Height, 28 inches; length, 40 inches 


THE waters of a pond fill most of the foreground, reflecting the 
brilliant hues of the sky, which shows the sun setting amid 
clouds of red and gray. The dark foliage of trees, both on the 
right and the left, helps to enforce the concentration of light 
in the lower part of the sky near the middle of the picture. A 
man in blue jacket passing across the meadows on the right, a 
house with low white walls and red roofs, and a line of hills 
in the distance, are other elements of the composition. 


¢ Signed at the lower left. 
Property of Mr. BE. A, Gurnee. 


30-0. 


Unknown Artist 
148—PORTRAIT OF A GENTLEMAN 


Height, 2734 inches; width, 23% inches 
A HALF-LENGTH, life-size portrait, the head in three-quarter 
view, of a gentleman with white wig tied with black ribbon at 
the back, green coat trimmed with gold braid, waistcoat show- 
ing glints of gold embroidery, and a bit of lace at the neck and 
cuff of the right hand, which is slipped under the coat at the 
lower right. Oval border painted on the canvas, and back- 


ground of gray. 


By order of an Executor. 


pe Sea awn 


ot, 
/f 


130. 


Bruce Crane, N.A. 
American: 1857— , 


149 MOHAWK HILLS 


- Height, 24 inches; length, 30 anoles 


A RATHER steeply rising hillside carries the eye Feovh the fore-_ ai 
ground to a great timbered hill with an irregularly ped a 
crown, making the skyline of the picture, which is seen near 

the top of the canvas, relieved against a sky of light grays. 

The effect is one of autumn and is depicted with warm browns _ 
and yellows for the stretches of withered grass and the foliage — x 
of trees and bushes, while shadowy blues on the great hillside — a 
give contrasting color masses of importance. “Se 


Signed at the lower right. o 
Property of Mr. E. A. Gurnee, | rc 


3/0. Otte @L Kraehe ~ 


‘i pia ae 

Een. Be 

Soe as 
SPR tie 


Period of Kneller School 


150—PORTRAIT OF A CHILD 
Height, 31 inches; width, 22% inches 


A. THREE-QUARTER-LENGTH, life-size figure of a little girl in full- 
face view, her brown hair falling about her face in curls and 
ornamented with flowers, elaborately dressed in a frock of 
whitish-gray satin, with sleeves of blue and gold, trimmings 
of lace, and wearing a necklace of pearls. 


By order of an Executor. 


ay oe Mah he EL ie J 


ve 


150 


° 


Early English School 
151—GIRL WITH APPLES 


Height, 39 inches; width, 28 inches 


A FULL-LENGTH, life-size, standing figure of a little girl, with 
golden hair and blue eyes, in full-face view, dressed in high- 
waist white frock with blue sash; a basket of apples on her left 
arm and holding an apple in the right hand. 


By order of an Executor. 


/30. ee ee 


eas SY 
GY, 
son 


_ 
7 
¢€ 


Gainsborough Dupont 
Britisu: 1767—1797 


152—PORTRAIT OF A GENTLEMAN 


Height, 30 inches; width, 25 inches 


HALr-LENGTH portrait of a gentleman with the head in three- 
quarter view to left, wearing a smoothly-brushed gray wig, 
brown coat with velvet collar, white stock, and red waistcoat 
trimmed with gilt braid. The head is well constructed and 
technically the portrait shows the hand of a capable prac- 
titioner. 

From the J. Abner Harper Collection. 

By order of Mr. ArtHur M. Nowak, New York. 


1/60, Aetv ton 


Early English School 


1583—PORTRAIT OF AN ENGLISH OFFICER 
Height, 30 inches; width, 25 inches 


Hatr-Lencru portrait, in full face, of a middle-aged gentle- 
man with gray hair. The uniform consists of a scarlet coat with 
green collar and lapel, white collar and ruffle, white leather 
sword belt with insignia, and crimson sash. <A black shako, 
with green plume, is held in the right hand, while the left rests 
lightly at the waist. Held against the body by the left arm is 
a sword. 


By order of Mr. Arruur M. Nowak, New York. 


W250. 2) ee 
eae 


Félix Francois Ziem 
FRENCH: 1821— oe 
154—GRAND CANAL, VENICE 


Height, 21 inches; length, 33 inches 


On the right, near a shore where pink towers rise above the _ 
trees, are two vessels with sails of yellow and red and fishing * 
nets hanging from the masts at the stern. A gondola, pro- 
pelled by two rowers and loaded with passengers, seen in the _ 
middle of the picture, is making its way across the waters of 
the sea, where the Campanile, buildings and domes are seen on : 
the right. The sky of blue, grading from above to warm gray © | 
tones at the horizon, is reflected in the water, as are also the 
bright hues of the sails and buildings. a 

Signed at the lower left. 


Purchased from Bernheim Jeune et Cie, Paris. 


By order of Mr. Artuur M. Nowax, New York. 


er 


SEE sacar estan ncaa UE A ea raoebn at 


Jo as AS 


my 


anne 


Santee 


Willem Maris 
Durcu: 1844—1910 


155—MILKING TIME ; 
Height, 25 inches; length, 391% inches 


A. PEASANT girl, with gray-brown cloak, white cap and dark 
blue skirt, is seen in the foreground, milking a cow, white with 
black markings on shoulder and neck; farther away, lying 
down, are two other cows; a little stream and willow trees on 
the right. The left middle distance shows stretches of pasture- 
field with cattle grazing, and the sky is composed of gray 
clouds. 

Signed at the lower left. 
Purchased from Scott & Fowles. 


Property of a Private Collector. 


30D O Y tes [Bermnet 


Pierre Etienne Theodore Rousseau 
Frencu: 1812—1867 


156-—EV ENING IN THE FOREST OF FONTAINE- 
BLEAU 


Height, 25 inches; length, 39 inches 


THE composition shows one of the well-made straight road- 
ways that traverse the beautiful Forest of Fontainebleau, 
running from the left foreground into the middle distance. 
On the opposite side of the road, the mass of the forest appears 
against an evening sky of qualified blue in the upper portion, 
gradating down to warm evening tints below. On the extreme 
right, in the foreground, are several large trees with foliage 
extending into the right upper portion of the canvas. Large 
bowlders here and there catch the evening light and form 
accents of gray which are valuable in the general scheme of 
color. 

Signed at the lower left, Tu. R. 
Exhibition of One Hundred Masterpieces, Barye Monument Association, 

New York, 1892. 

From the Henry Graves Collection, No. 28, New York, 1909. 
Property of Mr. Wituiam H. Hotick. 


f T 


LJ 


George H. Bogert, A.N.A. 
AMERICAN: 1864— 


157_SUNSET: VENICE 


Height, 36 inches; length, 56 inches — ; a 
A croup of boats is seen on the right with the Campanile a 
showing in a gap between their sails of reddish yellow and — 
brown. On the extreme left are a building with dome, a q 
steamer and a gondola. The sun, in a haze of clouds, appears © ‘a 
over the horizon in the left center and a high sky, with crane 4 
tints below, shows intermingled warm white, gray, blue and 
pale brown. 


aS 
ta 


Signed at the lower right. 
Property of Mr. Epwarp G. O’Rertty. oat | 


Jas. ty Aahitheng 


ati e ee 


ea ter 4d 


Adolf Schreyer 
| GreRMAN: 1828—1899 


(158—A HEAVY LOAD | 


Height, 3134 inches; length, 584 inches 


A team of seven horses, with mounted driver, pulling a heavily | Re 
loaded wagon through a wet place on a road, leading into the 
foreground from neighboring slopes, which fill the middle 
distance. At the head of the team, on the right, isalad mounted = 
on a black horse, urging forward the three leaders. _A wide es 


shadow crosses the foreground; the middle distance is in sun-_ 


light, and the gray-blue sky contains some pink-tinted clouds. 


Signed at the lower left. 


By order of an Executriz. 


/G $0, | Jrkn me 


William Merritt Post, A.N.A. 
AMERICAN: 1857— 


159—AUTUMN LANDSCAPES 


Height, 30 inches; length, 40 inches 


THROUGH meadows in the foreground, with herbage bitten by _ 
the frost, winds a stream, reflecting the white and gray of an i 
autumn sky. ‘Trees on the left, where a stone fence encloses F: 
the meadows, rise high in the composition with bare branches, — 4 
and back of them is seen a belt of trees retaining, for the greater — 
part, their foliage of yellow and brown. A distant hill med 2 
on the right. 4 
Signed at the lower i is % 


Property of Mr. E. A. Gurnee. 
/7 0. ie Moyed 


Frederick Stuart Church, N.A. 


AMERICAN: 1842— é I 4 
159s—_SPRING 
Height, 22 inches; length, 4914, inches 


A. PASTORAL fancy depicting a young woman, with loose auburn 
hair and wearing draperies of pale yellow, pulling a plow by 
pink ribbon traces which is guided by a white-winged Cupid. 
The plowshare is cutting the first furrow in a field of fresh 
green, and white doves are flying about. Beyond are trees in 
springtime foliage and blossom and a sky of hazy, pale blue. 


Signed at the lower right, and dated 1915; with Cory- . 
RIGHT, 


For the account of a Private Owner. 


Ja € Soma 


L200, 


Mignard School 
Frencu: 1610—1695 


160—MARIA TERESA, INFANTA DE ESPANA 
Height, 46 inches; width, 36 inches 


A. LIFE-SIZE, three-quarter-length portrait of a lady seated with 
elaborate royal dress and cloak, with a blue velvet curtain in 
the background. The head, with blond curls falling on either 
side of the face, is turned in three-quarter view to the spectator. 
A string of pearls is about the neck, fine lace borders the upper 
part of the bodice, bows of blue ribbon ornament the sleeves, 
gold and pearl ornaments are seen on the corsage, and the cloak, 
falling from the shoulders, shows its ermine lining on the right 
of the figure, and its rich blue outside thickly brocaded with 
blue fleurs-de-lis where it lies across the knees. 


Inscription on background at top of the canvas, giving 
the titles of the subject. 


By order of Mr. Arruur M. Nowak, New York. 


a2 7 O. Sd h, agor 


Sir Godfrey ee | 
1646—1728 


161—SOPHIA, WIFE OF GEORGE I (?) 
Canvas: Height, 87 inches; width, 52 inches 


Only daughter and heiress of George, Duke of Zelle; born Feb- 
ruary 3, 1666; married November 21, 1682, George, Elector of a 
Hanover, who succeeded as George I of Great Britain in — 
August, 1714; divorced in 1694; died November 18, 1726. 


Wuote length, about twenty-five to thirty, life size, standing __ 
near the balcony, in state robes, blue ermine lined gown and E. 
mantle and white satin gold-embroidered petticoat, richly — 
studded with pearls and precious stones, fair hair with pearl © a 
and other ornaments; left hand holding robes, right hand on 
orb which, with crown, rests on blue-covered table; Bau curtain 
background. 


Exhibited: Guelph Exhibition, New Gallery, 1891, No. 11. 
Collection: Duke of Fife, Duff House, Banffshire, June 7, 1907. 


No. 8152 in the old catalogue of the Fife pictures. This — 
was No. 17 in the Duke of Fife sale and was included among the 
portraits by unknown artists. It is a very fine portrait of a ~ 
beautiful woman, more in the style of a French artist than Kneller 
and probably represents some other Queen Sophia than the wife 
of George I, to whose other known portraits it bears no resem- 
blance. 


From the Blakeslee Galleries Sale, New York, 1915, Catalogue No. 225. 
Property of a Private Collector. 


/OLE. In? Sf) Cale 


ne si i GAOT NG ARES AIRE ES ITE” AEE A ATI i 8 


Sir Joshua Rewiclaes ee 
ENGLISH, 1723—1792 


162—HARL GOWER (MARQUIS OF STAFFORD) 


Canvas: Height, 88 inches; width, 57 inchees 


ae 


Son of John Ist Earl Gower; born August 4, 1721; M. P. for. 
Westminster 1747-1764; Lord Privy Seal, Lord Chamberlain 
and Lord President of the Council; succeeded as second Earl 
Gower in 1754; created Marquis of Stafford, March 1, (1786; 
died October 26, 1803. 


a 
a 
a 


a, 


W HOLE-LENGTH, middle-aged, standing on a balcony, i im Peer’ Sa : 
robes with chain and pendant of St. George; coronet in right — = 
hand, left holding ribbon of cloak; wig; pillar and red curtain — = 
to left. 


Earl Gower sat to Reynolds in 1760-1. — 5) 4 
From the Blakeslee Galleries Sale, New York, 1915, Catalogue No. 2238. 
Property of a Private Collector. 


1250. hte Saa a 


Sir Peter Paul Rubens 
Friemisu: 1577—1640 


168—THE ADORATION OF THE MAGI 


Canvas: Height, 961 inches; length, 120 inches 


Own the extreme left are observed the heads of the ass and te 


ox. Then towards the right the Virgin holds the Child on her 
knees. She has a grayish-white cloth over her head, she wears 
a red dress with white sleeves and blue drapery; her feet are 
bare. Beside her is St. Joseph draped in neutral tones. In 
front of the Virgin, the Wise Man with the white hair and 
beard who holds out to the Child a basin filled with pieces of 
gold. He wears a simple white alb, over which is thrown a 


pink chasuble with a golden stole. In the middle of the picture ~ 
the black King with white cloth around his head, and over 


his body an ample red cloak lined with gold and yellow 


with golden fringes and dressed red. The very long skirt of | 
the red cloak is supported at the end of the picture by a pretty — 
page boy whose head and leg are alone seen. Behind the negro — 


King is the third King bearing a gold censer, dressed in a 
neutral tinted grayish cloak over a dark-blue dress, and having 
black hair and beard. Behind this last King a tall page and a 
negro whose head and neck alone are seen, two men on horse- 
back, one wearing a red cap and the other a cloak. Finally 
coming down a slope, six men, four of whom are soldiers, one 
officer and a Court dignitary. 


AUTHENTICITY: The above descriptive particulars were 
drawn up by the late Mr. Max Rooses, the eminent authority on 
Rubens, and dated Antwerp, December 7, 1912. Mr. Max Rooses 
also wrote: “The composition is by Rubens entirely, and so are the 


principal figures. The Virgin is entirely painted by the hand of 


Rubens, as well as the child Jesus, of a beautiful bright color, 
standing out clearly; St. Joseph of a moderately conspicuous color 


by the hand of Rubens. The hand of St. Joseph is much more 


10 10-0. y%~m £2 Clete 


touched up than the rest. The Wise Man with the white hair is 
entirely by the hand of Rubens. The painter has placed a clear 
note in the middle of the picture; the drawing of this figure is 
less careful. The Negro King is the dominating feature of the 
picture. The red cloak trimmed with yellow and with a white fur 
collar fills the entire picture with a remarkably brilliant touch and 
is one of the most admirable pieces the master ever produced. The 
light on the lining flashes the red color with the dark shades stand- 
ing off against a brilliant light color, one of the most beautiful 
pieces of coloring it is possible to see. They form a blaze of 
color calculated to eclipse the richest picture in tones, and they 
dominate this picture powerfully and happily. The little page 
who holds the skirt of the cloak adds a broadly painted note of 
color and beauty, without very successful drawing, but admirable 
as a feature of the whole. The figures in the background decline 
in value and liveliness. The black-haired King and the Courtier 
are pretty abundantly retouched by Rubens; the steers, vaguer 
in the background, are executed by a pupil. The heads of the 
ox and the ass and the column on the ground are retouched by 
Rubens, in order to bring them into harmony with the vibrating 
part of the picture. 

“Rubens has divided this picture into three grounds. 'The 
foreground contains the Virgin, the Infant, the old man with the 
white hair, the Negro King and the little page, to which are 
added the heads of the oxen and the broken recumbent column. 
The second ground contains St. Joseph, the black-bearded Wise 
Man, the courtier, the tall page and the black servant. In the 
third ground are the seven figures in the background, and the 
latter itself. 

“The composition is facile and ample. The picture does not 
possess the exceptionally high value of his best productions, but 
it is authentic and would do credit to a high-class collection. To 
sum up, the picture is composed by Rubens; it is painted by his 
hand as regards the figures in the foreground, and by that of a 
pupil retouched, by Rubens in the background figures.” (Trans- 
lation. ) 

HISTORY: This picture was painted for the principal Altar 
of the Church of St. Martin in Bergues, French Flanders. It 
was sold in 1766 by the church authorities to meet the expenses 
for the repair of the building, and was bought by the celebrated 
amateur, Randon de Boisset. On the sale of his Gallery in 1777, 


the upset price of 10,000 livres (francs) was not reached. At 
Lebrun’s sale in 1791 it was sold at 9,500 francs and at Robit’s — 
sale in 1801 for 7,950 francs, when it was purchased for Cardinal 
Fesch. It remained in the Cardinal’s fine collection until after 
his death in 1839. This Gallery was dispersed at the Palais 
Ricci, Rome, during the spring of 1845, and this Rubens is de- 
scribed at great length in the Expert George’s “Catalogue Rai- 
sonné,” No. 199 (pp. 222-226). It was acquired by Thibaut at 
2,500 “écus romains” (18,750 francs) for a member of the ~ 
family (the Cardinal was Napoleon’s uncle), in which it appears 
to have remained until March 12, 1853, when it was sold at 
Christie’s as the property of Charles Lucien Bonaparte, Prince 
de Canino; it then realized £1,200, and was bought by Bentley, 
the well-known dealer. Since then it has been practically lost. 
The picture is fully described in Smith’s “Catalogue Rai- — 
sonné,” Part 2, No. 119, where the size is not correctly given. — 
It has been engraved by Nicolas Ryckman, with various differ- | 
ences in details, the engraver choosing an upright form for his 
engraving and not that of the picture, which is oblong. 
VERSIONS OF THE SAME SUBJECT: Rubens painted 
this subject several times:—(1) In the Madrid Museum, done in 
1610; (2) Brussels Museum, done 1618-19, for the Capucin 
Fathers of Tournai; (3) Louvre, about 1627, for the Annunci- 
ades of Brussels; (4) Dublin Gallery, belonging to Lord Ardi- 
laun, repetition of the preceding by a pupil; (5) an example 
done in 1621 for the Church of Ste. Gudule—this has disappeared; — 
(6) Church of St. Jean, Maines; (7) the same, a sketch, the prop- 
erty of the Marquis of Bute, both painted in 1624; (8) Lyons 
Museum, a pupil’s work retouched by Rubens about 1619; (9) 
Antwerp Museum, 1624, done for the Church of the Abbey 
St. Michel at Antwerp; (10) The Hermitage, St. Peters- — 
burg, pupil’s work touched by the master; (11) the above 
described version for the Church of St. Martin, Bergues St. 
Winoc; (12) the Duke of Westminster’s version done for the 
Convent of the Dames Blanc at Louvain, of which there is a — 
sketch in the Wallace Collection; and (18) the version done for 
the famous printer, Balthasar Morctus, at the New Palace, 
Potsdam. : 


From the Blakeslee Galleries Sale, New York, 1915, Catalogue No. 119. 


Property of a Private Collector. 


THIRD AND LAST EVENING’S SALE 


FRIDAY, JANUARY 26, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


Nos. 164 to 240, inclusive 


John H. Dolph, N.A. 
AMERICAN: 1885—1903 


1644—H EAD OF A PUG DOG 
Millboard: Height, 10 inches; width, 8 inches 


A portrait of a pug dog, front view to the spectator, showing 
the head and shoulders. 


Signed at the lower right with initial D, and dated "74. 


By order of Mrs. Haroip THorne, daughter of the late H. 8. Witson. 


2D. Sane Bo.heo., 


John H. Dolph, N.A. 
American: 1885—1908 


165—HHAD OF A SKYH TERRIER 
Height, 10 inches; width, 8 inches. 


AN engaging portrait of a Skye terrier, looking in front view to 
the spectator, with his brown eyes shielded by his yellow fore- 
locks. The ears are erect and a bit of his red tongue is seen 
below the little black muzzle. 


Signed at the lower left, and dated ’74. 


By order of Mrs. Haroip THorne, daughter of the late H. 5. Witson. 


AC Loustanau 


FrencH: CONTEMPORARY 


166—FRENCH OFFICER 
Panel: Height, 1034 inches; width, 714 inches 


A. FRENCH officer, with blue tunic and red trousers, standing 
in back view to the spectator, outside the open door in the large 
double doors of a porte-cochére, and looking within. The 
qualified grays and whites of the walls, doors, and stone pave- 
ment are in effective contrast to the colors of the officer’s uni- 
form. 

Signed at the lower right. 


By order of Mrs. Haroutp TuHorne, daughter of the late H. S. Witson. 


27.50. Clap. 4 Cratos 


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eT 


Joseph Zenisek 


ConTEMPORARY 


167—HEAD OF A YOUNG WOMAN 
Millboard: Height, 13 inches; width, 91% inches 


A HEAD of a young woman with brown hair, seen in profile 
view as she looks over her left shoulder. The shoulders, in back 
view, are bare except where they are draped with a white scarf. 


Signed at the lower right, and dated 1888. 


By order of Mrs. Haro THorNE, daughter of the late H. S. Wirson. © 


AE Garetror 


ToT 


Ignacio Leon y Escosura 
SpanisH: 1834—1901 


168—_THE END OF THE GAME 
Panel: Height, 4 inches; length, 61 inches 


A MINUTELY finished example of the work of Escosura, painted 
when he was sojourning in New York a number of years ago. 
Two cavaliers, who have been playing cards, are seen in the 
action of about to fight with swords. ‘The one on the left wears 
a tunic of blue, while the other on the right, who is drawing his 
sword, is clad in a costume of red. 


Signed at the lower left, and dated New York, 1884. 


By order of Mrs. Harovp THorneE, daughter of the late H. S. Witson. 


AN. Co bot ha 


TS. 


~ 


Johann Georg Meyer von Bremen 
GERMAN: 1813—1886 


169—HEHAD OF A YOUNG WOMAN 


Panel: Height, 8 inches; width, 6 inches 


A. HEAD and bust picture of a young woman, in full face view 
to the spectator; the head slightly lifted and the eyes looking 
upward. The head, with its dark brown hair, is relieved against 
a sky background of light gray. About the shoulders is a 
fichu of brown with a small pattern of white. 


Signed at the lower center, and dated Berwin 1880. 


By order of Mrs. Harotp THorne, daughter of the late H. 5. Witson. 


Percival De Luee, A.N.A. 
AMERICAN: —1914 


170—_IDEHEAL HEAD 
Height, 8 inches; width, 6 inches 


A HEAD of a young woman, turned to the left in three-quarters 
view, with straw hat, tied by white ribbons under her chin and 
trimmed with field daisies. Brown hair frames her brows and 
curls fall on her right shoulder. 

Signed at the lower left. 


Dy) Lote gf 


Property of Mr. Epwarp G. O’REILty. 


of 7. “ao 


Frederick W. Kost, N.A. 
American: 1861— 


1VI—_LANDSCAPE 
Height, 7 inches; width, 514 inches 


A Ponp, in the foreground, reflects a sky of lilac grays with a 
space of fresh blue; a hillside with an oak, and figures indicated 
on the edge of the pond. 

Signed at the lower left. 
Purchased direct from the artist. 


Property of Mr. Epwarp G. O’REILLy. 


aes ee 


Guy Carleton Wiggins, A.N.A. 
AMERICAN: 1883— 


172—_THEHE TWO-MASTER 
Height, 10 inches; width, 8 inches 


A BLACK-HULLED, two-masted vessel in stern view, on the — 
right, with sailormen’s clothing hanging on the boom to dry and 
her timbers and shrouds rising before a sky of gray. ‘The 
water extends from the foreground to a wooded shore on the 
left. 

Signed at the lower left. 
Purchased direct from the artist. 


Property of Mr. Enwarp G. O’REILLY. 


x 


ie Praca Mor aamass 


George M. Bruestle 


AMERICAN: CoNTEMPOBARY 
173—THE QUIET NOOK 
Millboard: Height, 8 inches; length, 10 inches 


A LANDSCAPE depicting an effect in hazy sunlight. Trees in the 
middle foreground beside a little stream reach to the top of the 
canvas, and there is a piece of woods beyond. 


Signed at the lower right. 
Property of Mr. Epwarp G. O’ReErtty. 


on 6 p? hoped 


Edward L. Henry, N.A. 
AMERICAN: 1841— 


174—THE HUCKSTER’S WAGON 


Panel: Height, 7 inches; length, 934 inches 


A ONE-HORSE wagon, with a farmer’s wife on the front seat, 
has stopped at the gate of a house in a country town, and the 
mistress is picking over vegetables while choosing her market- 
ing. ‘Two dogs are in the foreground and a man is driving a 
cow down the road on the right. 


Signed at lower left, and dated 1918. 


Property of Mr. Epwarp G. O’REILLY. g oe 


Tie 


Warren B. Davis 


AMERICAN: CONTEMPORARY 


175—_AT THE BROOKSIDE 
Millboard; Height, 10 inches; width, 9 inches 


A FULL-LENGTH figure of a young woman, with dark hair 
bound by a green fillet, seated in side view on a bowlder at the 


side of a brook. 
Signed at the lower left. 


Purchased direct from the artist. 


Property of Mr. Evwarp G. O'REILLY. 


JO. 


Py Herter C OL ee 


ee : 
ae eee ee = 


Frederick Ballard Williams, N.A. 
AmeERIcAN: 1871— 


176—GIRL WITH ROSES 
Panel: Height, 10 inches; width, 6 inches 


A FULL-LENGTH figure of a young woman carrying some roses 
as she walks through a garden. ‘The costume shows tints of 
pink, white and blue, and the young woman’s head is turned to 
the right in full face view. 

Signed at the lower left, and dated 799. 


Property of Mr. Evwarp G. O’REIxty. 


62.50 | 
| 

Emile Beranger | 

177—_F LOWERS FOR THE DRAWING ROOM . 


Panel: Height, 12 inches; width, 91% imches 


A. GENRE picture showing a lady in white Empire gown, carry- 
ing a shallow bow] filled with blossoms. As she passes through 
a salon in which is a console on which she has already arranged a 
vase of flowers, she stops, as if making ready to pick up a white 
rose which has fallen on the floor. 


Signed on the wall at the upper left, and dated 1880. 


By order of Mrs. Haroip THorne, daughter of the late H. S. Witson. 


SIAC 


Rudolf Epp 
GERMAN: 1834— 


178—AT THE SPRING 
Height, 1284 inches; width, 934 inches 


A. FULL-LENGTH figure of a young woman in white bodice and 
brown skirt, leaning forward as she holds a stone jug under a 
spout from which a stream of spring water is pouring. The 
bare arms and feet of the young woman are relieved against a 
background of various greens and grays. 


Signed at the lower right. 


By order of Mrs. Haroup Tuorne, daughter of the late H. 5S. Witson. 


an IB, 9. ok Yo 


B. Pieters 


ConNTEMPORARY 


179—-CATTLE AT THE FORD 
Height, 8 inches; width, 614 inches 


Two cows, one dark red, the other red with a large white spot 
on her back, drinking in a stream which passes from the fore- 
ground into the middle distance; trees on the banks on either 
side, with a vista of farm country; summer sky of blue with 


white clouds. 
Signed at the lower left. 


Property of Mr. Epwarp G. O'REILLY. 


AR» SO 


Eugene Verboeckhoven 
Beucian: 1798—1881 


180—_SHEEP AND GOAT 
Panel: Height, 9 inches; length, 12% inches 


A Group of two sheep, a lamb, and a goat, near a little brook, 
tumbling over rocks in the right foreground, while behind is a 
view of a mountain range with flocks pasturing over its lower 
levels. Above is asky with gray clouds and some spaces of blue. 


Signed on a rock at the right, and dated 1859. 


By order of Mrs. Haroutp TuHorne, daughter of the late H. S. Witson. 
CD | 
/ 7 ce to. fe “ote 


A. Savini 
Iratian: CoNTEMPORARY 


181—_THEH WEB OF FATE 


Panel: Height, 10 inches; length, 18 inches 


A GRouP of two figures depicting a cavalier, with a buff jacket 
and red sash, leaning over a lady richly costumed in a gown of 
white with embroidery, who is sitting at a spinning wheel. An 
open window, with a box of plants on the sill, is seen at the left, 
and on the right is a table with various accessories including a . 
mandolin. 

; Signed at the lower right. 


By order of Mrs. Haroip THorne, daughter of the late H. S. Witson. 


30. Kd). Rokifs 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


182—_-SHHEP AT PASTURE 
Height, 12 inches; length, 16 inches 


A FLocK of sheep, all busy cropping the grass of green pastures, 
advances in the foreground, the sun shining on their fleecy 
backs. In the middle distance a hedge and a clump of trees, 
and beyond, a stretch of country meeting a sky of light blue- 


gray. 
Signed at the lower left, and dated 1911. 


Property of Mr. Epwarp G. O’REILLy. 


oo 4D. -G. (eofhy 


Warren B. Davis 


AMERICAN: CONTEMPORARY 


18838—NUDE FIGURE 
Height, 12 inches; width, 10 inches 


A SEATED nude figure, in side view, of a young woman with 
bright auburn hair. With knees drawn up, she holds her right 


hand in support on the left leg. 
Signed at the lower right. 


Purchased direct from the artist. 


Property of Mx. Epwarp G. O'REILLY. 


PD | | 
I 
a : Han ai fm vot inl 
3 0 . 


Harry Willson Watrous, N.A. 
AMERICAN: 1857— 


184—REPAIRING HIS FISHING ROD 
Panel: Height, 131% inches; width, 101% wches 


SEATED on a chair before a fireplace and with a tool-box, 
hammer and pipe on a stool beside him, is an elderly man in 
18th century red waistcoat, black knee breeches, and gray- 
green stockings, wrapping cord tightly around a damaged fish- 
ing-rod which he holds across his knees. Detail is carefully 
rendered, not only in painting the figure, but also in all the ac- 
cessories. 

Signed at the lower right, and dated ’89. 


By order of Mrs. Haroup TuHorne, daughter of the late H. S. Wizson. 


LQQO. = : | ._ OLA 1 Ott 
George H. Bogert, A.N.A. : 
AMERICAN: 1864 ; ‘ 

185—NOON, MANAMET 


Panel: Height, 1014 inches; length, 1434 inches 


THE point of view is a sandy hillock on the Long Island shore 
looking out to sea. Clumps of dark foliage and bushes in the 
foreground contrast with green grass and the yellow sand. 
The wide blue expanse of the ocean shows a single white sail 
and the track of a steamer. A headland in the distance, on 
the right, and a sky of tempered blue. 


Signed at the lower right, and dated ’93. 


Property of Mr. Homer Lee. 


ae Sen Yee 


= eS ea ee 


ES PL 


aes 


Guy Carleton Wiggins, A.N.A. 
AMERICAN: 1883 


186—BESIDE THE WHARF 
Millboard: Height, 1514 inches; width, 12 wmches 


A. THREE-MASTED schooner in stern view, tied at a wharf on the 
left of the picture. On the right, where the sea extends into the 
distance, are sail-boats, and buildings along the shore. The 
sky of gray-blue is reflected in the water in lower values. 


Signed at the lower right. 
Property of Mr. Epwarp G. O'REILLY. 


J. Beaufain Irving, N.A. 
AMERICAN: 1€26—1877 


187—_ON GUARD 
Panel: Height, 12 inches; width, 9 inches 


A FULL-LENGTH figure of a Turkish soldier, standing in a door- 
way, with his gun resting on his right forearm and his left hand 
on the handle of a dirk. The costume consists of red tunic, cap 
and leggings, white skirt, and buff over-jacket and girdle. 


Signed at the lower right. 


By order of Mrs. Haroup 'THorne, daughter of the late H. S. Wi1son. 


oN 


no 


Edward Gay, N.A. 
AmERICAN: 1837— 


188—_LANDSCAPEH 
Panel: Height, 9 inches; length 15 inches 


On the right, sloping ground with groups of trees leads down 
to the shore of the sea, with a pier and a number of sail-boats 
in the middle distance. The sky shows white clouds in the 
lower part, some pale blue in the middle portion and other white 
clouds above. , | 
Signed at the lower right. 


Property of Mr, E. A. Gurnee. 


Carlton T. Chapman, N.A. 
| AMERICAN: 1860— 


189—ON THE COAST 
Height, 8 inches; length, 16 inches 


A view on the shore of the sea, with several fishing boats drawn 
up on the beach at the left, and a cart standing near by in the 
shallow water. ‘The brown sails, which have not yet been 
lowered, are relieved against a gray sky, and out at sea several 
vessels are indicated. 

Signed at the lower right, and dated 1887. 


By order of Mrs. Harotp THorne, daughter of the late H. S. Wrrson. 


3O, | oe 7 Fed 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


199—A THOROUGHBRED 
Height, 12 inches; length, 16 inches 


A BULL, mostly white, but with a purple-black shoulder, and 
other markings of the same color, in side view to the right, and 
head turned to the spectator. The landscape setting consists 
of a plain and a sky of gray clouds, and the effect is in sun- 


light. 
Signed at the lower left. 


Property of Mr. Evwarp G. O'REILLY. 


Gs 


William Hart, N.A. 
AMERICAN: 1823—1894 


191I—LANDSCAPE AND CATTLE 


Panel: Height, 12 inches; width, 104% inches 


THREE cows in the foreground near a pool in the pastures; 
some other cows grazing farther away, a group of trees on the 
right reaching well up to the top of the canvas; a stretch of 
country and hills in the distance, and a summer sky with white 
and gray clouds and a space or two of blue. 


Signed at the lower right, and dated *77. 


Property of Mr. Justus Morris, JR. 


420, detotoa an 


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a 


: — ne ee Ce 
ea ee cee eee ete el! ee ee ee 


i ee 


Samuel Colman, N.A. 


AMERICAN: 1€33— 
192—MOONLIGHT NEAR ROME 
Height, 9 inches; length, 13 inches 


THE full moon, very white in the early night, is emerging from 
a patch of nebulous clouds which still veil without concealing 
the lower segment of the disk. A tall pile of architecture of 
gray, red and brown at the left rises into the light, boats and 
people in them being discerned in the gloom at its base, in the 
river which forms the foreground. This is crossed by a stone 
bridge of numerous arches, its roadway lighted by fixed lamps 
which glow before shadowy domes and roof-lines of the dim 
distance. In the immediate foreground the stream’s rippling 
surface is lighted by yellow-white reflections of the emergent 
moon. 


Signed at the lower right, 5. Cotman. 


Purchased from S. P. Avery, Jr. 


From the William T. Evans Collection, New York, 1913, Catalogue 
No, 85. 


Property of a Private Collector. : ; 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


193 _SHEEP IN PASTURE 
Height, 12 inches; length, 16 inches 


A sMALL flock of sheep pasturing in the foreground; a hillock 
with clumps of trees and a view of the sea beyond; overhead 
a sky of gray clouds broken with patches of white. 


Signed at the lower left. 
Property of Mr. Epwarp G. O’REILiy. 


HO. 


Eugene Joseph Verboeckhoven 
Beician: 1798—1881 


194_FARM ANIMALS AND DUCKS 
Panel: Height, 1114 inches; length, 151% inches 


In the foreground is a group composed of a white cow with 
red spots, a sheep and a lamb, and a brown donkey. On the 
left, near a little brook, are three ducks; on the right a dilapi- 
dated thatched hut; in the distance a plain with sheep grazing 
and a belt of trees with the tower of a building. The effect is 
in sunlight and the summer sky shows masses of clouds as well 
as a space of blue on the right. 


Signed at the lower right center, and dated 1870. 


On back of panel, an inscription in the handwriting of the artist, 
signed and dated Brussels, 1870, declaring that the picture on the 
other side is his original. 


Property of a Private Collector. 


DAS aM, Co lolang ham 


> 3 aye 
ae) Wath - 


RR. Allegre 


: 
FreNcH: CONTEMPORARY 


195—ON THE GRAND CANAL, NEAR THE 
RIALTO, VENICE 


Panel: Height, 161% inches; width, 12 inches 


A GONDOLA, with its boatman sculling at the stern, is passing 

in the foreground. On the left, and in the middle distance, 

are the buildings of the city, with a tower rising high near the 

middle of the picture; overhead a sky of blue with clouds tinged 
with pink. 

Signed at the lower left. 

Signature also on the back, and dated 1905. On the back also a 


painted inscription: “To Mr. Edward G. O’Reilly, in remembrance of 
his first visit to Paris.—R. ALLEGRE.”’ 


Property of Mr. Epwarp G. O’REILLy, 


Gabriel Cornelius von Max 
GERMAN: 1840— 


196—_HE' AD 
Height, 14 inches; width, 10 inches 


Tue head of a young woman with black hair hanging loose 
over her shoulders, which are covered with a red shawl. The 
face tilted slightly backward is in nearly full view to the spec- 
tator. 

Signed at the upper right. 


By order of an Executria. 


Henriette Ronner 
Dutrcna: 1821-—— 


197—A FRIENDLY CALL 
Panel: Height, 12% inches; length, 174% inches 


A KINDLY mother cat is shown comfortably seated on a cushion 
in her box, surrounded by her little family of kittens with one 
other perched upon the box, and still another playfully rolling 
on its back on the floor. A bright looking little terrier mean- 
while has come to look into things and is near the box with his 
forefeet resting on the cushion. There seems nothing on the 
part of the cat and the kittens to show any disquietude, and 
nothing on the part of the terrier that might indicate any ane 
but the greatest friendliness. 


Signed at the lower right center on end of box. 


From the collection of the late LEon MANDEL. i 
130. : dQ. | t.0Q : 
Bruck-Lajos 
Hunearian: 1846 
198—_IN THE HARVEST FIELD 
Panel: Height, 1634 inches; width, 13 inches 


A. Group of two young peasant women who are aiding in the 
wheat harvesting. One, who carries a sheaf on her shoulder, 
has stopped to talk to the other who, sickle in hand, is sitting on 4 
a bundle of sheaves. In the distance are some other women ~ - 
reapers and a cart, with a man or two loading grain. vid 
' 
+ 
b 


Signed at the lower left. 
Purchased from the artist. 


From the collection of the late Leon ManveEt. 


30. tC 3, eee 4 


Jacques Janssen 


BELGIAN: ConNTEMPORARY 


199—_THE MILL 


Height, 19 inches; width, 15 inches 


A MILL with walls of stone and roof of red tiles, its wheel 
temporarily at rest, fills the left of the picture. On the right, 
the mill stream, slipping under the gate at the end of the mill- 
race, drops into its rocky bed and follows its course through 
the foreground amid bowlders and bunches of grass. Shrub- 
bery with white blossoms grows on the banks of the stream, the 
branches of a tree hang over the roof of the mill, a bit of country 
with farm buildings rises beyond on the right, and the composi- 
tion is completed by a summer sky with white clouds. 


Signed at the lower left. 
Property of Justus Morris, Jr., Esa. 


oO: ge tS aed 


William Trost Richards 
(Honorary Member National Academy of Design) 


AMERICAN: 1833—1905 


200—OFF NEWPORT 


Millboard: Height, 84% inches; length, 16 inches 


A Heavy surf is breaking as the ocean rolls in, a rock or two 
on the left indicating that the shore is in the immediate fore- 
ground though hid from view by the surging floods. ‘The 
expanse of the ocean is seen at the right only as, on the left, 
the high breakers obscure the view. There are dark clouds 
in the sky, on the horizon and at the left of the picture, while 
from a space of the blue, at the left, afternoon sunshine accents 


the white of the surf. 
Signed at the lower left, and dated ’04. 


Property of the Estate of the late Cot. Henry O. Serxas. 


by. Kiroecllon 60 


hk 


Edward Gay, N.A. “ae 
American: 1837— . 


201—LANDSCAPE 


Panel: Height, 7°4 inches; length, 14 inches 


A LANDSCAPE in a gray day effect, depicting fields and hillsides: os 
dotted with trees, and a stream in the foreground. — 

Signed at the lower left. — 
Property of a Private Collector. | ' 


Alfred C. Howland, N.A. 
AMERICAN: 18388—1909 


202—ON THE SHINE NEAR PARIS 
Height, 9 inches; width, 18 wmches 


STRONGLY marked cloud masses dominate this truthful bit from 
the reaches of the Seine, some miles below Paris. A thoroughly . 
pastoral land running through the bare, highly cultivated arable 
fields between Paris and Rouen. 


From sale of the artist’s works, American Art Association, 1910. 


Property of a Private Collector. 


30 


Addison T. Millar 


AMERICAN: CONTEMPORARY 
2083—A SCENE IN THE ORIENT 
Height, 16 inches; width, 12 inches 


THE walls of a fine building, with a door-way in the middle 
and a flight of stone steps, fill the canvas and are depicted with 
tints of pink, gray, blue, and green, according to the pattern 
of the tiles which ornament the facade. Looking out from 
the door-way is a man in a loose Kastern costume of white, with 
a white turban, as he speaks to another man in red and blue 
mounted on a horse, while he holds another with a green saddle 
ready to ride. On the far side of the steps, on the right, are 
two seated figures taking their ease. 

Signed at the lower left. 


Property of Mr. Justus Morris, JR. 


Gos. 


rat fclert, ag’ 


David Johnson, N.A. 
AMERICAN: 1827—1908 


204—_BROOKSIDE, WALDEN, NEW YORK 
Height, 16 inches; width, 12 inches 


Tue brook, with smooth waters, is seen in the right foreground 
flowing between its banks in the pastures, and reflecting the 
blue of asummer sky. On the left are some cows near the bank, 
and on the right a lady and boy, who have apparently just 
landed from a skiff. In the middle distance rise the branches 
and foliage of three fine oaks, fillmg all the central portion 
of the canvas, and other trees and more cattle are seen farther 
away. 
Signed with monogram D.J. at the lower left and signed 
on the back of the canvas with title and signature m 


full. 


Property of Mr. Jusrus Morris, JR. 


70. 


Louis Moeller, N.A. 
AMERICAN: 1856— 


205—-COMPARING NOTES 
Height, 12 inches; length, 16 inches 


Two elderly, white-haired gentlemen, seated on either side of 
a table covered with a white cloth and bearing a punch bowl, 
books, papers and glasses, are discussing some question con- 
nected with the documents which they hold in their hands. The 
figure on the nearer side of the table is dressed in old English 
costume of red coat, green waistcoat, buckskin breeches, and 
buff top-boots; and the other one, whose figure is partly ob-— 
scured by the table, is doubtless dressed in the same way, judg- 
ing from the fact that his coat is red. ‘The setting for the 
episode is a room with a high wooden wainscoting, a bronze 
figure, arm chairs and a stool. 


Signed at the lower right, and Copyricut, 1907. 


Property of Mr. Justus Morris, JR. 


ZO. SO, Upe Wor mrete 


John Frederick Kensett, N.A. 
AMERICAN: 1818—1872 


206—_IN THE CATSKILLS 
Height, 10 inches; length, 18 inches 


A. wibE valley, with farms and patches of forest, fills the fore- 
ground and a part of the middle distance at the right. It is 
enclosed by the mountains, with a rounded, timbered peak 
prominent on the left of the composition, and a range making 
an irregular sky-line appearing in the distance, in the middle 
and on the right. The sky shows cloud forms of gray and white, 
on the right, and a clear space of blue, at the left. 


Signed at the lower left. 
Property of Mr. Justus Morris, Jr. 


AO. bhzabek aa 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


207—CATTLE AND LANDSCAPE 
Height, 12 inches; length, 16 inches 


A FINE cow, red with large white spots, white face and dewlap, 
stands near the middle of the foreground, head lifted and turned 
to the left. Another cow, dun color and white, stands back 
of her and a third, black and white, is grazing a little way off 
on the right. ‘The landscape includes a view of the sea and a 
sky of clouds. 

Signed at the lower left, and dated 1911. 


Property of Mr. Epwarp G. O’REILty. 


Roswell Morse Shurtleff, N.A. 
AMERICAN: 1838—1915 


208—_OCTOBER HUNTING 
Height, 18 inches; width, 15 inches 


A woop interior with a clearing in the foreground, where there 
isa pool. A hunter, with his gun on his shoulder, is seen coming 
through the clearing preceded by his dog, who is lapping at the 
edge of the water. The color scheme is entirely in tints of brown 
and gray, diversified by some green in the foreground, and some 
spaces of a warm, gray sky are seen beyond through the open- 
ings in the forest. 

Signed at the lower right. 
Property of Mr. E. A. Gurnee. 


e HOG 02h p 
7. 50. 


Thomas Moran, N.A. 
AMERICAN: 1887--— ge 


209—-THE MOUNTAIN RANGE 
Height, 7 inches; length 22 inches 


THERE is a roadway in the immediate foreground with two _ 
figures walking along. In the middle distance is astrip of water _ 
and beyond it rises a range of mountains which stretch from 
one end of the picture to the other. The sky shows white clouds” 
with a space or two of blue. a 
Signed at the lower right. 
Property of Mr, E. A. Gurnee. 


yore dy? Avelling lon 


Frank De Haven, A.N.A. 
AMERICAN: 1856— 


210—SUNSET 
Height, 14 inches; length, 20 inches 


In the foreground is a space of pasture-land traversed by a 
road leading from the lower left of the composition and enclosed 
by a fence with open gate, and a high bank on the left. Be- 
yond, a stretch of hilly country is illumined by the reflected light 
from a sunset sky, which shows flaming tints of yellow and 
orange near the horizon. In the upper part are spaces of blue — 
and dark gray clouds. 

Signed at the lower left. 


Property of Mr, E. A. Gurnee. 


49.60 WEG Rarity 


George Herbert McCord, A.N.A. 
AMERICAN: 1848—1909 


211—-THE HUDSON NEAR HASTINGS 
Height, 11 inches; length, 22 inches 


THE river in the middle distance is seen from a point of view 
amid the trees and fields of rolling country where a church 
appears in one of the valleys. On the farther shores rise the 
hills, their summits dimmed by the atmospheric effect, and 
overhead is a sky filled with gray clouds except for a little 
space of blue at the upper left. 

ae Signed at the lower left. 


7 al 


Property of Mr. Justus Morris, Jr. 


(Aogae 


Frank M. Boggs 
AMERICAN: 1855— 


212-THE OLD POLLET 
Height, 2114 inches; width, 15 inches 


TE motive for the picture is a sailing vessel with black hull, 
in stern view, standing high and dry on the sands and tipped 
over to the right. Back of it are the walls of the harbor basin 
and gabled houses of a French fishing town. A sky of gray 
clouds fills the upper half of the canvas. 

Signed at the lower left. 


Property of Mr. Homer Lez. 


W 
Lorn eJs 


James McDougal Hart, N.A. 
AMERICAN: 1828—1901 


213—LANDSCAPE AND CATTLE 
Height, 21 inches; width, 16 inches 


Near the bank in the foreground of a stream which traverses 
the middle of the picture, are four cows who have come to drink. 
On the opposite shore are level fields with other cattle pasturing 
or resting under the trees. The sky shows a space of summer 
blue and gray clouds in the upper part. 


Signed at the lower right. 
Property of Mr. Justus Morris, Jr. 


I$ 0. tokf Peek | 4 


Frank M. Boggs 
AMERICAN: 1855— 


214-THE FERRY, WIMBLEDON 
Height, 15 mches; length, 22 inches 


From the shore on the left, which shows a stretch of beach in 
the foreground and the buildings of the town farther away, a 
ferryboat is just leaving her pier. The smoke from the funnel 
rises against a sky of gray. A red roof on one of the buildings 
gives a note of color in the ensemble of gray which characterizes 
the picture. 

Signed at the lower left, and dated ’85. 


Property of Mr. Homer Ler. 
on 
GO. ; 


Louis Aston Knight 


AMERICAN: CONTEMPORARY 
2915—MOULIN DE BEAUMONT DE ROGER 
Height, 18 inches; length, 22 inches 


A RIVERSIDE scene with a young French peasant woman seated 
on the bank in the foreground, fishing in the waters of a stream | 
which flows through the middle of the picture. On the opposite 
bank is the mill, its brick walls and tile roofs showing many 
tints of color, and the water-gate, through which the water. 
is pouring and breaking into foam. Back of the mill are fields 
and trees, and on the bank, in the foreground, among the grass 
and reeds, are red, yellow, pink and white flowers. A strip of 
sky at the top of the canvas shows white and gray clouds. 


Signed at the lower right. 
To be sold to close an Estate. 


3087 ee, 


Robert Swain Gifford, N.A. 
AMERICAN: 1840—1905 


216-—BROWN MEADOWS 


Height, 14 inches; length, 25 inches 


Mrapows with dried grass and herbage, and a stunted oak 
tree with dark red foliage, are seen in the foreground. Beyond 
are rolling ground and a bit of distance, illumined by a.gleam 
of sunlight. The sky shows heavy clouds of gray and white 
with some blue through the middle portion. 


Signed at the lower right. 
Property of Mr. E. A. Gurnee. 


JO, 


Edward Gay, N.A. 
American: 1837— 


217—_LANDSCAPE 
Height, 16 inches; length, 20 inches 


A STREAM in the right foreground, a punt drawn up on the 
bank on the left in the shadow of a group of trees, and a pros- 
pect of fields and hills on the opposite side, are the elements 
_ in this composition, which is completed by a sky of gray and 
warm-tinted white clouds, with a space or two of blue. 


3 Signed at the lower right. 
Property of Mr. Justus Morris, Jr. 


Jos- | | B Jaffna 


Julian Rix 
AMERICAN: 1851—1908 


218—_SUMMER LANDSCAPE 
Height, 16 inches; length, 24 inches 


GREEN meadows, a straggling stream, and a group of willow 
trees on the left, are seen in the foreground. In the middle 
distance, a number of houses with white walls and red roofs 
appear near the center of the picture, and beyond is a belt 
of trees with a high hill rismg behind them. Overhead is a 
sky of blue with white clouds, which is reflected in much lower 


value in the stream. 
Signed at the lower left, and dated ’89. 


From the Julian Rix Sale, 19138, No. 24. 
Property of Mr. E. A. GuRNEE. 


HD. CeoKL, 


SOO |. 


John G. Brown, N.A. 
AMERICAN: 1831—19138 


219—PLYING HIS TRADE 


Height, 24 inches; width, 16 inches 


A LITTLE bootblack, seated on his box, has been shining one 
of a pair of shoes which he holds on his lap, while, for the 
moment, he has stopped polishing and holds his brush lightly 
in the right hand, which hangs at his side. The head, slightly 
raised, is turned to the left, and his eyes are intent on something 
he is looking at. 

Signed on the left, and dated 1884. 


Property of Mr. Irvine T. Busu. 


ee als 


wg. 
¢ 


i 


E. Percy Moran 
AMERICAN: 1862— 


2200—THE FLOWER MARKET 
Height, 18 inches; length, 24 inches 


A. GENTLEMAN in Louis Seize costume of light blue, wearing 
a three-cornered hat, is escorting a young lady in dress of 
white satin from her sedan chair to the benches and stands 
where a profusion of potted flowers is for sale, presided over 
by a young saleswoman with white cap and kerchief and pink 
ribbons. ‘Two servants, in red liveries, are standing on either 
side of the chair, and two young women and a man are seen 
farther away on the right, where there is another display of 
flowers by the roadside. ‘The market is held on the outskirts of 
a country town in France, and in the background are one or 
two buildings, as well as the tree trunks and foliage of the edge 


of a forest. 
Signed at the lower right. 


poke 


Property of Mr. Justus Morris, JR. 


JO. 2 
E. Loyal Field 
AMERICAN: 1856—1914 


221—_LANDSCAPE 
Height, 20 inches; length, 24 inches 


Tue interest centers in this well-composed landscape on a 
group of trees surrounding a farmhouse and buildings near the 
middle of the picture. The foreground, which leads up to this, 
shows meadows green and brown, and a straggling marshy 
pool, A timbered hillside is on the right, and an autumn sky, 
with gray and white clouds, is in contrast to the warm tints 


used in the depiction of the countryside. 
Signed at the lower right. 


Property of Mr. Justus Morris, JR. 


sé 2, 7 


Carleton Wiggins, N.A. 
AMERICAN: 1848— 


222—_-THE BULL 
Height, 20 inches; length, 24 inches 


A BLACK and white bull standing in side view, in a landscape 
composed of wide pastures and plain and a sky of gray. 


Signed at the lower left, and dated 1918. — : 


Property of Mr. Evwarp G. O’REILry. 


SLS, 6, ai 


George Herbert McCord, A.N.A. 
American: 1848—1909 


223—_THE LIGHTHOUSE 
Pastel: Height, 20 inches; length, 30 inches 


THE lighthouse, with adjoining buildings, all with gray-white 
walls, is seen on a rocky coast at the right of the composition. 
Filling the left foreground and stretching away to the horizon 
is the sea with a headland cutting into it on either side. In the 
middle distance are a few sailing vessels. ‘The moon is shining 
from among the clouds, making a broad reflection on the waters, 
and the lighthouse lamp, at the same time, sheds its ruddy glow 
through the glasses. 

Signed at the lower left. 


Property of Mr. Justus Morris, Jr. 


/30. aes) ie Goole 


F. Vinea 


ConNTEMPORARY 


224_LANDSCAPE WITH CATTLE 
Height, 28 inches; ate 1814 inches 


In the pasture fields showing on the lower left of the canvas, 
a white, black, and gray bull is picking his way through the 
herbage, while two or three cows are seen farther away on the 
left. [he pastures are bordered in the middle distance by 
groups of trees, which appear in silhouette against an evening 
sky with tints of pale yellow and gray and a mass of cloud 
at the horizon at the left. 


Signed at the lower right, and dated 84. 


Property of Mr. Justus Morris, JR. 


oe Gf? Dude ting 


Rudolf Epp 
GERMAN: 1834— 


225—_K NITTING 
Height, 271% inches; width, 19 inches 


A YOUNG woman seated beside a table, on which is an open 
book, a vase of flowers, and a work basket, engaged in knitting, 
while the family cat sits on the floor by her side. The costume 
consists of a dark blue skirt, white bodice, red kerchief and a 
white apron with pattern. The young woman also wears a 
cap with a dark blue band. The setting for the picture shows 
a comfortable interior in South Germany. 


Signed at the lower right. 


By order of Mrs. Haroiy Tuorne, daughter of the late H. 8. Wirson. 


y 4 A 
H OK. ye LoS 


ce 


7°. 


Edmund De Pury 


CoNTEMPORARY 


226—PENSEES SOMBRES 
Panel: Height, 224% inches; width, 181% inches 


A LIFE-SIZE head of an Italian peasant boy, looking over his 
left shoulder, showing the head in nearly full-face view. The 
head is capped by a soft felt rimless hat and the boy wears a 
jacket of blue. A little red flower, stuck in the lapel of his 
jacket, and green vine leaves, making a pattern against a white 
wall forming the background, give other notes of color. 


Signed at the lower right, and dated Venisx, 1899. 


Purchased at Lausanne, Switzerland, Exhibition, 1899. 
Property of Mr. Granam F, Branpy. 


Ad SO. @.G, Geands ler 


Charles Baugniet 
Frencu: 1814—1886 


227—_CURIOSITY 
Panel: Height, 2624 inches; width, 21 inches 


A croup of two ladies in elaborate gowns of the Second Em- 
pire, one of them with draperies of blue peeping through the 
keyhole of a door which, screened with portiéres, appears on 
the left of the picture; the other, in a gown of light pink 
trimmed with white lace, is standing behind her with her face 
turned toward the spectator as she awaits the result of her 
companion’s investigations. The setting for the figures is an 
apartment with marble tiled floor of white and black and 
tapestried walls. 


Signed at the lower left. 


By order of Mrs. Haroty Tuorne, daughter of the late H. S. Witson. 


go. hb $B bxte 


George H. Boughton, N.A., R.A. 
AMERICAN: 1884—1905 


228—A WAYSIDE SHRINE 


Height, 30 inches; width, 20 inches 


A FULL-LENGTH standing figure of a peasant girl, with black 
kerchief on her head, pinkish red bodice with undersleeves of 
white and blue, skirt of gray pinned up, underskirt of brown, 
and wooden shoes, at the base of a roadside shrine, about to 
kiss the feet of the Saviour, the lower part of whose image 
appears in the picture. The setting is composed of a land- 
scape with gray sky. At the foot of the shrine is a bunch of 
wild flowers on a bowlder, and a water jug stands on the 
ground. 

Signed at the lower left G.H.B., and dated 1865. 


By order of an Executria. 
VS. HDG Mah Gfr 
Daniel Ridgway Knight 
AMERICAN: 1845— 


229—GOSSIP BY THE RIVERSIDE 


Height, 22 inches; length, 29 inches 


Two young peasant women, one with a wheelbarrow, and the 
other standing nearby with a pail on her arm, are seen in a 
roadway occupying the right foreground, and are chatting 
with a man who is sitting in a punt drawn up at the side of 
the road where the river, occupying the left portion of the 
picture, flows along bordered with reeds. Farther away on 
the edge of the road are some women washing clothes, and in 
the middle distance, where the river makes a turn, are the 
buildings of a town and a line of hills. The sky is composed 
of gray and white clouds. 


Signed at the lower right, and dated Paris, 1880. 


Thomas E. Waggaman Sale, Catalogue No. 92, January, 1905. 


To be sold to close an Estate. 


oo. 60 : Kea. ert wel Le. po, 


Ellen kK. Baker 


AMERICAN: CONTEMPORARY 


230—BON VOYAGE 
Height, 384 inches; width, 20 inches 


A THREE-QUARTER-LENGTH life-size figure of a little girl whose 
blond hair is seen about her brows under the rim of a black 
cap, her shoulders covered by a gray-green kerchief, and the 
rest of her costume showing a sleeve of red and an apron of 
dark blue. With her right hand she holds up a wicker basket 
before her, and in her left, with a finger resting on the far — 
side of the basket, she holds the upper part of a family um- 
brella. 

Signed at the upper right. 


Property of Mr. Justus Morris, JR. 
owe 


Bruce Crane, N.A. 
AMERICAN: 1857— 


231—_THE WOODS IN WINTER 
Height, 25 inches; length, 80 inches 


A RoaD leads from the middle foreground through a piece of 
woods, trees lining it on either side, and the ground covered 
with snow. ‘The trunks of some beech trees in the left fore- 
ground are relieved with notes of black and gray against the 
masses of the woods beyond, which show tints of gray and 
brown. ‘Through the branches in the upper part of the picture 
is seen a winter sky of pale blue. 


Signed at the lower left, and dated 1888. 


By order of Mrs. Haroxip THorne, daughter of the late H. S. Wi1son. 


NE. Ahir ton Up bie! 


Henry Farrer 


AMERICAN: CONTEMPORARY 
232—THE COUNTRY BRIDGE 
Water Color: Height, 23 inches; length, 34 inches 


A ROAD, its width filling the entire immediate foreground, leads 
directly into the middle of the picture and there crosses a 
stream by a bridge of simple, old-fashioned construction. A 
woman and child are on the bridge walking away from the 
spectator. On either side of the roadway are level fields of 
tall grass, and on the right, in the middle distance, are a group 
of stately trees and a farmhouse with its buildings. The hour 
is sunset; bright tints are seen in the sky in proximity to the 
dark foliage masses near the middle of the picture, and cirrus 
clouds, with spaces of blue, fill the upper portion of the canvas. 


Signed at the lower left, and dated 1888. 


Property of Mr. Justus Morris, Jr. 


$0. RP Guclensing 


Paul Helleu 
Frencu: 1859— 


938A LADY WITH A HARP 
Pastel: Height, 30 inches; width, 25 inches 


One of Helleu’s clever pastel studies, depicting a lady in 
dress of white and with wide-brimmed black hat, reclining on 
a sofa. The head and the upper half of the figure are seen 
through the strings of a harp which stands in the foreground 
before her, and the fingers of the right hand are lightly touch- 
ing it. On the wall at the right, back of the sofa, are two me- 
dallions. 

Signed at the lower left. 


Property of Mr. Granam F. Branpy. 


rote 


Eastman Johnson, N.A. 
AMERICAN: 18241906 


234—_ LANDSCAPE 


Height, 25 inches; length, 36 inches 


AN American farm landscape with a pool in which ducks are 
swimming in the foreground, a pasture with willow trees on 
the left, and a barn, a great elm, and two other smaller trees 
on the borders of the pasture. Several cows and some chickens 
are in a field on the right, and beyond les a stretch of coun- . 
try with a distant line of hills. | summer sky of blue with 
white clouds indicates the season, and sunlight casts shadows 


across the foreground. | 
7 Signed at the lower left, and dated 1871. a 


Property of Mr. Freperic B. THomason. oe 


/70. At. Jota 4 


George Herbert McCord, A.N.A. 
AMERICAN: 1848—1909 


235—_THE APPROACH OF FLOOD TIDE: ENG- 
LISH COAST 


Height, 24 inches; length, 86 inches 


Own the right are three sailing vessels with their hulls rest- 
ing on a wide beach and about to be lifted by the fast incoming 
waters of the tide. ‘The beach is already mostly covered with 
water and a number of fisher-folk are seen wading in it, while 
gulls skim over the surface. On the left, a little way out to 
sea, is a sailing vessel and yet farther away is another. A shore 
with chalk cliffs runs from the right of the picture back of 
the three vessels and fades away in the middle distance. Over 
all is a sky of gray clouds and a space of pale blue in the upper 


part. 
Signed at the lower right. 


Property of Mr. Freperic B. THomason. 
C 


Rudolf Epp 
GERMAN: 18384— 


236—_MOTHER AND CHILD 
Height, 37 inches; width, 25 wnches 


A THREE-QUARTER-LENGTH figure of a young woman in peasant 
costume of dark blue and brown with a red kerchief on her 
head, holding in her arms a little girl. The figure is standing 
amid the wild flowers of a field, and both mother and child 
are looking upward at two butterflies. 


Signed at the lower right. 
By order of Mrs. Haroip THorNE, daughter of the late H. S. Wi1son. 


ve, 


Henry Golden Dearth, N.A. 
AMERICAN: 1864-— 


237—_HV ENING 
Height, 241% inches; length, 46 inches 


A NARROW country road winds its way from the middle fore- 
ground across the fields to low hills in the distance. ‘The green 
and brown of grass and herbage are depicted in the half light 
of evening, and the moon is rising in a gray sky. 


Signed at the lower right, and dated 1889. 


Property of Mr. Homer Lez. 
; wd x fared 
Go. Co 


R. Cogghe 


FRENCH: 


238—_RETRIBUTION 


Height, 67 inches; width, 51 mches 


A crouP of two life-size figures, one a priest in black soutane 
standing beside a table in the sacristy, and the other a young 
woman in a gown of gray-green kneeling before him with her 
face in her handkerchief. ‘The priest’s armchair stands empty 
beside her, where he had been sitting before she came to con- 
fess. Whatever the trouble, it is connected with a jewelled 
bracelet and chain which the father holds in one hand while he 
kindly touches the erring daughter on her shoulder. 


Signed at the lower left, and dated 1901. 


Purchased from the artist. 


From the collection of the late Lton ManpeEt. 


ASO, @ “Gre ee 


ee ee ee ee ee eee 


Edouard Portielje 
Bewucian: 1859— 


239—_THE PET BIRD 


Height, 38 inches; width, 30 inches 


A THREE-QUARTER-LENGTH standing figure of a blond-haired 
young woman, in side view, with head turned slightly towards 
the spectator, holding up in her hands a little green cage in 
which is a bird with plumage of orange and black. The cos- 
tume consists of a light blue basque and skirt of yellow with 
a pattern of flowers. On the right is a table covered with a 
rug on which is a bowl of fruit and a tall covered goblet. 


Signed at the lower right and ANTWERP. 


By order of Mrs. Haroxip THorne, daughter of the late H. S. Witson. 


GS. | HDG Cok ify 
C. Lauten 


CoNTEMPORARY 


240—HOMEW ARD BOUND 


Height, 32 inches; length, 47 inches 


A FIGURE of a young woman, bare-headed, with a black shawl 
wrapped around her and enveloping a baby she is carrying, as 
she advances across a stony pathway in the foreground; beyond 
are a sloping hillside with many bowlders and a sky of gray 
with a strip of pale yellow at the horizon. 


Signed at the lower left, and dated 1904. 


Property of a Private Collector. 
WK 
350. / 


AMERICAN ART ASSOCIATION, 
MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


‘ 

3] ; 

C 

Z 

: 

} 

, 

} 

) 

} 

s 
? 


REPRESENTED 


OF ARTISTS 
_ AND THEIR WORKS 


Mi a 


; 


AND THEIR WORKS 
ADAMS, J. Ciayron 


Midsummer in England 


AGRASOT, J. 
Fortuny’s Studio 


ALLEGRE, R. 


BAKER, ExLen K. 
Bon Voyage 


BAUGNIET, CuHartes 


Curiosity 


BERANGER, Emre 
Domestic Happiness 
Flowers for the Drawing Room 


Awaiting the Command 
Artillerymen 
Under Suspicion 


BLAKELOCK, Ratryu Arsert, N.A. 
Muir Bridge, California 
Early Evening 
California Landscape 


LIST OF ARTISTS REPRESENTED 


On the Grand Canal, near the Rialto, Venice 


BERNE-BELLECOUR, ETreNNE Prosper 


CATALOGUE 
NUMBER 


74 


30 


195 


230 


177 


: 


CATALOGUE 
NUMBER 

BLOMMERS, Brrnarpus JOHANNES 

Preparing Dinner 97 

The Big Brother 109 
BOGERT, Grorcr H., 4.N.A. | 

Sunset 24 

Moonlight 70 

Afterglow 104 

Moonlight on the Lake 146 

The Close of Day 147 

Sunset: Venice 157 

Noon, Manamet 185 
BOGGS, Frank M. 

The Old Pollet 212 

The Ferry, Wimbledon 214 
BOSTON, Joseru H., A.N.A. 

Moonlight 141 
BOUGHTON, Georce H., N.A., R.A. 

Winter 18 

A Wayside Shrine 228 
BRIDGMAN, Freperick A., N.A. 

Arabs at Home SF 
BROWN, Joun G., N.A. 

Me and Jack 4.4, 

Plying His Trade 219 
BRUCK-LAJOS 

In the Harvest Field 198 


BRUESTLE, Gerorce M. 
The Quiet Nook 173 


carargge 
BUNCE, Wituiam Gepney, N.A. 


Sunset at Venice 21 


CARPENTIER, EvuGENE 
Day Dreams 32 


CASANOVA Y ESTORACH, Anronto 


Flirtation 34 
CAVE, J. C. 
Head of a Child 28 


CAZIN, JEAN CHARLES 


Night | 10 
Landscape 129 
Holland Landscape | 138 


CHAPMAN, Carrron T., N.A. 
On the Coast 189 


CHARLEMONT, Enuarp 
Le Buveur a 


CHELMINSKI, Jan von 
The Outpost 41 


CHURCH, Frepericx Stuart, N.A. 
Spring 1594 


CLAYS, Pau JEAN 
Arriving in Port 132 


COELLO, Atonzo SANCHEZ 
Portrait of a Lady 114 


COFFIN, Wititam Anperson, N.A. 
Evening over the Hills 


COGGHE, R. 
Retribution 


COLMAN, SamuEt, N.A. 
Moonlight near Rome 


COROT, JEAN Baptiste CAMILLE | 
Landscape 


COUSEH, E. Irvine, N.A. 
The Two Braves 
Etaples 
A Village Street in France 


CRANE, Bruce, N.A. 
Golden Afternoon 
The Dunes 

In the Valley of the Housatonic 
Golden Hill 
Autumn Day 
The Sunset Hour 
Gray November Days 
Nightfall 
Thawing Weather 
Mohawk Hills 
The Woods in Winter 


DAINGERFIELD, Enuiortr, N.A. 
Hector Lamenting Leander 


DAVIS, CuHartes Haron, N.A. 
Melting Clouds 
A. Windy Day, October 


ae 5 
CATALOGUE 
NUMBER 


— AS 


192. 9 
131 


58 
63 
69. 1) 


“goo 
a | 


95 
117 
122 
128 
189° "> 
144 
149 
231 


94 


67 
125 . 


' . * y ; 
64 
y _ 
~~ a Pn 


CATALOGUE 
NUMBER 


DAVIS, Warren B. 


Beside the Forest Pool 2 
Nude Figure 5 
At the Pool 50 
At the Brookside 175 
Nude Tigure 183 


DEARTH, Henry Goupen, N.A. 


Flecks of Foam 126 
Evening 237 


DE HAVEN, Frans, A.N.A. 
Sunset . _ 210 


DELPY, Htirrotytre Caminue 
Evening on the River 38 


DE LUCE, Prretvau, A.N.A. 
Ideal Head 170 


DESSAR, Louis Paut, N.A. 


Landscape 20 
The Ox Team 3 82 
Landscape 100 


DETAILLE, Enovarp 


A. Lancer 89 
The Bugler 106 


DOLPH, Joun H., N.A. 


Head of a Pug Dog 164 
Head of a Skye Terrier 165 


DUPONT, GAINSBOROUGH 
Portrait of a Gentleman 152 


DUPRE, Jurzs 
Cows Drinking at a Pool 


EARLY ENGLISH SCHOOL 
Girl with Apples 
Portrait of an English Officer 


EKENAES, J. 
Fishing in the Bavarian Alps 


EPP, Rupo.r 
At the Spring 
Knitting 
Mother and Child 
FARQUHARSON, Davn, A.R.A. 
After the Rain 


FARRER, Henry 
The Country Bridge 


FIELD, E. Loyat 
Landscape 


FIRMAN-GIRARD, Martz Francois 


In the Garden 


GABRIEL, Pavut Josrru ConstTantTINE 


Landscape 


GAY, Epwarp, N.A. 
Landscape 
Landscape 
Landscape 


GIFFORD, Rosert Swain, N.A. 
Brown Meadows 


CATALOGUE 
NUMBER 


92 


151 


153 


73 


178 
225 
236 


40 


221 


13 


75 


CATALOGUE 
NUMBER 


meas, J. H. L: ve 
Cattle : 80 


HART, James McDovuaat, NA. 
Landscape and Cattle 213 


HART, Wit, N.A. 
Landscape and Cattle 191 


HASSAM, Cuirpet, N.A. 


Nocturne, Montmartre 26 
A Lady in Pink 33 
Nocturne = 103 


HAWTHORNE, Cuartes Wesster, N.A. 
Girl Sewing 52 


HELLEU, Pavtr 


A Lady with a:Harp 233 
HENRY, Enpwarp L., N.A. 

Samuel Ives Farmhouse, Goshen, Connecticut 17 

The Huckster’s Wagon 174 


HOWLAND, Aurrep C., N.A. 


On the Seine near Paris 202 


IRVING, J. Beavurain, N.A. 
On Guard 187 


ISABEY, EucEene 
La Chasse 134 


ISRAELS, Joser 
The Fisher Boy 108 


CATALOGUE 
NUMBER 

JANSSEN, JACQUES 

The Mill 199 
JENA, Kiminpy 

The Tax Gatherer 3 
JOHNSON, Davnp, N.A. 

A Homestead at Plainfield, N. J. 4 

Brookside, Waldon, New York | 204 
JOHNSON, Eastman, N.A. 

Landscape 234. 
JONES, Hucu Botton, N.A. | 

Early Spring : 39 
JONGKIND, JoHan BartTHOLD 

Moonlight 96 
KENSETT, Joun FreEpeErick, N.A. 

In the Catskills 206 
KNELLER, Str Goprrey 

Sophia, Wife of George I (7%) 161 
KNELLER SCHOOL (PErtiop oF) 

Portrait of a Child 150 
KNIGHT, Dante, Ripgway 

Homeward Bound 120 

Reverie 143 

Gossip by the Riverside 229 


KNIGHT, Louis Aston 


Moulin de Beaumont de Roger 215 


7 
is sais eae 


a Reh ie 


CATALOGUE 
NUMBER 


KOST, Frepericxk W., N.A. 


Twilight: Southfield, Long Island 46 

A Ford, Long Island 61 

The Stone Bridge 68 

Landscape 171 
LAUTEN, C. 

Homeward Bound 240 


LAWRENCE, Sir Tuomas, P.R.A. 
Master Angerstein 110 


LAWSON, Ernest, 4.N.A. 
High Bridge 119» 


LELOIR, Lovts 


Fantaisie Italienne ral 


LEON Y ESCOSURA, Ienacto 


The Convalescent Prince 115 
The End of the Game 168 


LEPINE, STanisias 


Landscape 90 
The Outskirts of Rouen 91 


LOUSTANAU, A. 
French Officer 166 


LOW, Wit H., N.2A. 
"Neath Apple Boughs 49 


MARIS, Jacos 
Boatman 98 


MARIS, WiLL—em 
Holland Landscape and Cattle 
Milking Time 


MARTIN, Homer D., N.A. 
Landscape 


MAX, GABRIEL CORNELIUS VON 


Magdalen 
Head 


McCORD, Gerorcrt HeErsert, A.N.A. 


Mid-day on the Lagoon 

Sunset: Marine 

The Hudson near Hastings 

The Lighthouse 

The Approach of Flood Tide: English Coast 


MEISSONIER rus, JEAN CHARLES 
Mutual Friends 


MEYER VON BREMEN, Jowann Georg 
Head of a Young Woman 


MICHEL, Grorces 


Landscape with Cattle 
Approaching Storm 


MIGNARD SCHOOL 
Maria Teresa, Infanta de Espafa 


MILLAR, Anppison T. 


A Scene in the Orient 


CATALOGUE 
NUMBER 
133 


155 


85 


196 


107 


169 


160 


203 


ve tae 


MINOR, Rosert Cromwe tt, N.A. 


Landscape 
Morning at Niantic 
Twilight 


MOELLER, Louis, N.A. 
Comparing Notes 


MORAN, E. PErcy 
The Flower Market 


MORAN, Tuomas, N.A. 
A Mexican Hacienda, Lake Cuitzeo 
The Approaching Storm 
Moonlight after Storm in-Mid-ocean 
In the Forest 
The Mountain Range 


MURPHY, Apau Cuirrorp 
Joy 


MURPHY, J. Francis, N.A. 
Landscape 
Landscape 
Autumn 
Autumn 
Breaking Clouds 
The Wood Lot 
Afternoon on the Meadows 


NEUHUYS, ALpBert 
Peeling Potatoes 


OCHTMAN, Leronarp, N.A. 


Evening 
Early Autumn 


CATALOGUE 
NUMBER 


205 


121 
209 


D1 


36 


Orv bo 
—~ ~J 


OLINSKY, Ivan G., A.N.A. 
Dorothy 


PERRET, Amr 
Shepherdess 


PIETERS, B. 
Cattle at the Ford 


POKITONOW, Ivan 
A Rural Episode 


PORTIELJE, Epovarp 
The Pet Bird 


POST, Witu1Mm Merritt, 4.N.A. 


October 
Autumn Landscapes 


PURY, EpMuUND DE 


Pensées Sombres 


RANGER, Henry W., N.A. 
Moonlight 
Old Church at Berthia 


REMINGTON, FReEpeERIc 
The Ambush 


REYNOLDS, Sir JosHua, P.R.A. 
Earl Gower (Marquis of Stafford) 


RICHARDS, Witiu1am Trost 
Off Newport 


CATALOGUE ~ 
NUMBER 


14258 


76 


179 


239 


57 
159 


226 


77 
127 


140 


162 


200 


RITSCHEL, Wi, N.A. 
The Seaweed Gatherer 


RIX, JULIAN 


Landscape 
Summer Landscape 


ROBINSON, THEODORE 
Moonrise 


The Watering Pots 


RONNER, HENRIETTE 
A Friendly Call 


ROUSSEAU, Pierre Errenne THiopore 
Evening in the Forest of Fontainebleau 


RUBENS, Sir Prrer Paur 
The Adoration of the Magi 


RYDER, CuHauncey F., 4.N.A. 


October Moonrise 


SAVINI, A. 
The Web of Fate 


SCHLEICH, Rosert 
At the Water Side 


SCHREYER, Ano.r 
A Heavy Load 


SHURTLEFF, Roswrett Morsz, N.A. 
October Hunting 


SMITH, Henry PEMBER 
A Hill Country, Connecticut 


CATALOGUE 
NUMBER 


29 


78 
218 


47 
53 


197 


156 


163 


124 


181 


1 5 


208 


43 


CATALOGUE 
NUMBER 
THAULOW, Frits 
A. Canal in ‘Venice 136 


TROYON, Constant a 
Donkey, Goat and Sheep 137 


UNKNOWN ARTIST 


Portrait of a Gentleman 112 
Portrait of a Gentleman 148 


VAN BAAN, JAn 
Portrait of a Dutch Admiral 111 


VAN HUIJSUM, Jan 
Still Life | 116 


VERBOECKHOVEN, Eucenr Joseru 


Sheep and Goat 180 

Farm Animals and Ducks 194 
VINEA, F. 

Landscape with Cattle 224 


WATROUS, Harry Witison, N.A. 
Repairing His Fishing Rod 184 


WEEKS, Epwin Lorp 
Palace and Lake at Sarkeh, Ahmedabad, India 72 


WIGGINS, Carteton, N.A. 


Oxfordshires 14 
Cattle 25 
In the Meadows 31 
On the Dunes 59 


Landscape and Cattle 83 


CATALOGUE 
NUMBER 


WIGGINS, CarLEtron—Continued 


Sheep at Pasture 182 
A. Thoroughbred 190 
Sheep in Pasture 193 
Cattle and Landscape 207 
The Bull 222 


WIGGINS, Guy Carteton, A.N.A. 


Afternoon: Noank, Connecticut 19 
A Blow from the Northwest 65 
New England: Autumn on the Hills 66 
The Top of Noank 118 
Summer Sky 145 
The 'Two-master | 172 
Beside the Wharf 186 


WILLIAMS, Frepericxk Batuarp, N.A. 
Girl with Roses 176 


WYANT, ALEXANDER H., N.A. 


Landscape 86 
The Pool in the Forest 101 


ZENISEK, Josrru 
Head of a Young Woman 167 


ZIEM, Friix FRANCOIS 
Grand Canal, Venice 154 


ZUCCHERO, FerEprrico (Attributed to) 
Mary, Queen of Scots 113 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ARTF AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 


A NOMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 


MADISON SQUARE SOUTH 
NEW YORK 


TELEPHONE, 3346 GRAMERCY 


No. 


woOoIoIpPanEe 


- American and Foreign Schools 


Valuable Paintings 


of the” 


- American Art Galleries, January 1917 


Buyer 


No. 
F.R. Welsh 42 
Mrs. Justine B. Koscherak 43 
C. Emanuel a4 
AP. Gardiner 45 
” 46 
Mr. Tanenbaum 47 
HA. Williams 49 
Jef. Wellwood 50 
Wm Ae Johns 51 
Otto Bernet, Agt 52 
Ww 53 
JA. Wetmore 54 
Henry Schultheis 55 
” w . 56 
A.C. Mackenzie 57 
Clapp & Graham 58 
H.A. Williams 59 
O.L. Koscherak 60 
Henry Schultheis 61 
Wm. A. Johns 62 
M.C. Nugel 63 
W.W. Seaman, Agt 64 
MeC. Nugel 65 
bi 66 
N.E. Montross 67 
R. Dudensing 68 
Clapp & Graham 69 
B. von Gerbig 70 
R. Dudensing ts 
H. LeRoy Jones 72 
L.S. Kohnstam 73 
E.A. Milch 74 
Clapp & Graham 75 
C. Emanuel 76 
(Withdrawn) 77 
Henry 5. Schley 78 
Clapp & Graham 79 
F.S. Hawley 80 
Henry Schultheis 81 
M. Knoedler & Co 82 


Bayer 


M.C. Nugel 
W.W. Seaman, Agt 
Howard Young 
H. LeRoy Jones 
H.eD.G. Rohlfs 
A.A. Healy 
John C. Wellwood 
Moses Tanenbaum 
Warwick House 
GeT. Sterling 
Henry Schultheis 
John T. Rodway 
John N. Luff 
James E. Hanna 
John C. Wellwood 
Dudensing & Son 
” " 


T. Prendergast 
Otto L. Koscherak 
AP. Gardiner 
John C. Wellwood 
Henry Schultheis 


Rohlfs Art Gallery 


Dudensing & Son 
H. LeRoy Jones 
RoW. Macbeth 
C.P. Noyes 


Rohifs Art Gallery 


L. Oppenheim 
Henry Schultheis 
B.S. Kohnstamn 


“C. Emanuel 


A.P. Gardiner 
Otto Bernet, Agt 
Henry Schultheis 
BeAe Milch 
James E. Hanna 
Otto Bernet, Agt 
O.L. Koscherak 
Re Dudensing 
Henry Schultheis 


— - oe olf 


Henry Sohutthete 
David Milch 
Je5.8. Olcott 
Herbert 0. Senick 
David Milch 

Henry Schultheis 


Holland Art Galleries 


WeW. Seaman, Agt - 
" " 


Me Knoedler & Co 
W.W. Seaman, Agt 
Clarence Siegel 
Dr. R. Held 
(Withdrawn) 
WeWe Seaman, Agt 
M. Knoedler & Co 
AsC. Gardner 
Henry Schultheis 
H.D.G. Rohlfs, Jr 
wt 
A.P. Gardiner 
Henry Schultheis 
John Levy 
HeAeGe Williams 


 -#H. LeRoy Jgnes 


John Levy 
Henry Schultheis 
Mrs. EB. Close 
C. Fliermans 
E. Brandus 
PA. Park 
H.D.G. Rohifs 
Henry Schultheis 
C. Fliermans 
Otto Bernet, Agt 
Herbert C. Senick 
Mrs. Claude Puniey 
R. Henry 
H.D.G. Rohlfs 
” 
Henry Schultheis 
Wm. Macbeth 
Henry Schultheis 
W.W. Seaman, Agt 
Howard Young 
Otto Bernet, Ast 
Out 
W.eW. Seaman, Agt 
Out 


HeoF.H. Reid 
Out 


10,%00 
20 
15 


“Holland a Galleries 


Out 
ait. ‘Seaman, Agt 
M. Knoedler & Co 
ALE. Pressinger 
W.W. Seaman, Agt 
Miss E.F. Smith 
Wm. Macbeth 


Holland Art Galleries 


CeP. Noyes 

JB. Townsend 

Henry Schultheis 
" 


WoW. Seaman, Agt 

Otto L. Koscherek 

Max Williams 

W.W. Seaman, Agt 
” 


wo 

Out Z 
Otto Bermet, Agt 
Robert Glendening 
Henry Schultheis 
John Levy 
C.P. Noyes 
James E. Hanna 
Howard Major 
Mrs. E.B. Close 
WeWe Seaman, Agt 
Mrs. E.B. Close 
JeH. Bailey 

il] 


27.50 Clapp & Graham 


15 
55 


A.C. Gardner 
AeH. Goldingham 


87.50 Wm. Kuchenmeister 
27.50 M. Lewis 


25 


42.50 
175 

30 

40 

30 


A.P. Gardiner 
Max Williams 
C.P. Noyes 
E.Silver 


Mrs. Herbert C. Sierik 


H.D.G. Rohifs 
Dr.oW. Trinne 
WeA. Peck 


H.D.G. Rohlfs 
uw 


AP. Gardiner 


é H.D.G. Rohifs 
580 HL. Jones 


S.T. Beardsley 
265 A.H. Goldingham 


45 C.P. Noyes 
100 Fred Leon Hunter 
130 HAG. Williams 
130 C. Emanuel 

70 WeA.e Johns 
115 M. Knoedler & Co 
30 Mrs. Otto L. Koscherak 
30 Wm. Kuchenmeister 
95 A. Rudert, Agt 

90 W.A. Johns 

45 J.0. McDermott 

40 Elizabeth Dooley 


90 RR, Budensing 


27.50 H.D.G. Rohlfs — 
120 Mrs. Wellington 
47.50 H.D.G. Rohifs 


100 WeW. Seaman, Agt 
50 H. LeRoy Jones 
150 W.H. Peck 

60 C.P. Noyes 

305 H.eGe Williams 

50 Charles Harris 
105 2B. Kauffman 

100 $4H.D.G. Rohlfs : 
580 HAG. Williams 
120 John Levy 

210 CoP. Noyes 

125 C.C. Beardsley 
130 A.P. Gardiner 

65 Re. Dudensing 

90 HeL. Jones 

42.50 C.C. Beardsley 
90 Mrs. E.B. Close 
75 HeD.G. Rohlfs 
560 HeAG. Williams 
35 SeJ. Kane 

115 Arlington Galleries 
80 R. Dudensing 

55 Henry W. Shoemaker 


170 WeA. Johns 


SEARCH INSTITUTE 


ill ll NNN 


3 3125 01663 1240 


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